In this eleventh book of the Aubrey-Maturin series, Patrick O’Brian does something quite different, and quite astonishing. Do not start reading these books here! The Reverse of the Medal, more than any other book, deserves to be reached in due order. It’s a wonderful book.
This is the cusp, the point on which the whole series turns, so it’s very appropriate that it comes halfway through.
The book begins in Jamaica, where the Surprise is pausing on her way home. There Jack meets Sam Panda, his natural son by Sally, the girl for whom he was sent before the mast when he was a midshipman. Sally was African, so Sam is naturally black, but otherwise very like his father. Worse, he’s in training to become a Catholic priest, and he has met Sophie.
Returning to England, Jack is set up by a group of rogues, paid by Wray, to be framed in a stockmarket swindle. This leads to his arrest, trial, conviction, and dismissal from the service. Stephen meanwhile has inherited a great sum from his godfather and is now rich, he buys the Surprise (with dear Pullings’s help) and sets her up as a letter of marque, a private man of war. But Diana, hearing of Laura Fielding and not getting the explanation (sent via Wray), has left him and gone to Sweden with Jagiello. Jack is to be put in the pillory, and in one of the most moving scenes in the series the square is full of sailors, many of them friends, who instead of throwing things at him give him rousing cheers.
The book ends with Duhamel, the Frenchman from The Surgeon’s Mate, revealing Wray’s treachery to Stephen in return for sanctuary in Quebec. (We’re told in the next book that Duhamel died on the way, but I remain sure he faked his own death and in fact lived for many years in Montreal, perhaps in this house.)
The pillory scene always makes me cry, and even thinking about it too much can bring tears to my eyes. It’s a perfect piece of writing, the whole pacing and setup of it is moving beyond belief. Despite having read the books out of order so that I already knew Jack would be thrown out of the navy and take the Surprise as a letter of marque well before I read this, I was still astonished and moved by the events of the novel. Jack is set up because he is goodhearted and easily fooled ashore, Stephen does his best for him but only makes him distrust his own lawyer. Stephen is himself tortured by Diana’s absence, but does everything he can for his friend. Sophie appears at her absolute best, accepting Sam, and going into the prison and helping out. We see all of Jack’s friends and enemies in their true colours, and though we don’t get any sea battles at all, I think this is one of the very best books of the series.
There are some wonderful Jack malopropisms “tarring them all with the same feathers” and correcting sucking dove to “sucking pig.” There’s not much other humour, but it isn’t a bleak book despite everything, because they know he didn’t do anything wrong and they come from all the ships in all the ports to cheer for Jack. Just wonderful, and maybe the best of them all.
Jo Walton is a science fiction and fantasy writer. She’s published two poetry collections and eight novels, most recently Lifelode. She has a ninth novel coming out in January, Among Others, and if you liked this post you will like it. She reads a lot, and blogs about it here regularly. She comes from Wales but lives in Montreal where the food and books are more varied.
The squence with the pillory brought a tear to my eyes when i first read it. When I listened to the Simon Vance audiobook version, I had to pull the car off the road I was so moved. If for no other reason, this series is worth it if you take the journey to this book
Fred: The first time I read it I was on a bus, and I couldn’t control myself, I had tears running down my cheeks and a total stranger asked me if I was OK. And what could I say? I mean it’s not the kind of thing you can explain! Glad I’m not the only one.
Ah, if it’s tears you want, try this video of the incomparable Patrick Tull reading that scene:
[b]http://www.youtube.com/watch?v=CFi6fhcMnYQ
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Sigh. That final scene makes me smile and cry all at once. I’m always sad about Post Captain and the ending of HMS Surprise, because I can see the disaster coming and how Jack or Stephen brought it about. I don’t feel this with Reverse, perhaps because it’s so clear that Jack is being set up.
I also love Sam Panda. Sophie’s reaction to him is wonderful, along with the reaction to Jack’s return and the house-cleaning that isn’t quite finished. “…would go and sort her baggage and draw breath in one of the loose-boxes; there was nothing she preferred to a really commodious loose-box.”
It isn’t actually Jack who corrects “sucking dove” to “sucking pig,” oddly enough. It’s the Admiral [should I know the Admiral’s name? I don’t see it in the first few pages] who corrects him, early in the first chapter. “Pig, Aubrey: sucking pig. Doves don’t suck.”
I love everything about Sam and his mother and their relationship with Jack. Jack always remembers her fondly, despite the trouble their relationship got him into, and given the charm she sent him via Sam, intended to protect Jack, apparently she remembers him the same way. I love the way Jack (and Stephen and Sophie, too) immediately accepts Sam, and Sam totally deserves it. He is loving and generous and never puts a foot wrong, without being in any way annoying about that. Jack’s other children so often seem unsatisfactory, but not Sam.
The squence with the pillory brought a tear to my eyes when i first read it.
The sequence with the pillory is lifted from life – Thomas Cochrane, the Sea Wolf, the model for Jack Aubrey (and Hornblower and others), was the last man to be sentenced to the pillory in England, after his (probably innocent) involvement in a stock market scam. However, he wasn’t actually put in the pillory for fear of sparking a riot.
“though we don’t get any sea battles at all”
We do, however, get a tremendous Transatlantic chase sequence, ending oddly in anticlimax. Aubrey wll capture the Spartan in the next book, though . . .
That scene where Jack is pilloried is one of my favorites in the series. I love the sailors chasing off everyone who might do Jack any harm, and the fellow officers who come even though it might hurt their careers.
The pillory scene is probably the most emotionally evocative piece of prose ever written. O’Brian builds it masterfully to the point where you can see the sailors moving through the crowd. “Off hats!” brings tears to my eyes just recalling it. First time I read it, I had to put the book down as I could no longer see to read on.
I do believe the entire Caribbean setting is Barbados. Chapter 1, sentence 1 has the squadron lying off Bridgetown. All place references are to Barbados, with a captain’s wife having simply come down from Jamaica.
Several books ago, Jo (I believe ’twas) commented on O’Brian’s genius with balance within books and across the series. While the plot and characterization make this book a poor choice as a starting point for the series, there are so many parallels and instances of counterpoint / irony that it can stand alone.
My favorite examples:
Early in the book, Stephen walks to Ashgrove as the day dawns in a state of grace and beauty. He is able to revel in it despite being eviscerated by Diana’s departure. The spell is broken by the bird calling “cuckoo” (cuckold), refreshing the pain. The pillory scene is the counterpoise. The spell of humiliation, injustice, and agony is lightened (not broken) by the full-throated roar of battle.
On a different note, no matter what Stephen accomplishes, he never establishes an integrated identity: his illegitimate birth, multiple cultural heritages, and intelligence activities make him multifaceted but ultimately fractured. This is frequently borne home in references to one or another of his antecedents, including the gunroom joke about the getting of bastards in this book. On the other hand, regardless of his fortunes in war, love, politics, or finances, Jack is always a sailor in the Royal Navy. And then he is not. This “wound,” as O’Brian terms it, very nearly unmakes him, for he has not Stephen’s experience or emotional deftness to manage it.
Jo…I entirely second your praise for this volume. I’ve long thought it is the best of the series, although the quality is so even throughout it is not that bold of a claim. I LOVE the onshore scenes of the series, and since this one is mostly land-bound, I am endlessly fascinated and captivated by O’Brian’s ability to capture such a believable and engrossing world. The whole thing brings laughter and tears, from the lawyer defending the pickpocket who will be hanged for stealing a five guinea watch, to Pellew’s conversation with Jack, the pillory scene, the cricket, and the amazing package that is Killick. And I haven’t even mentioned Stephen, Sir Joseph, the unmasking of Wray and his buddy, and the coming joy of Stephen’s next big dissection. This is an astounding book.
Jo, may I ask why you think Duhamel faked his own death and lived in Montreal? I’m very curious.
I assume Jo chooses to believe that because it would be too sad for Duhamel to drown before he had a chance to start his new life.