“Liaisons”
Written by Roger Eschbacher & Jaq Greenspon and Jeanne Carrigan Fauci & Lisa Rich
Directed by Cliff Bole
Season 7, Episode 2
Production episode 40276-254
Original air date: September 27, 1993
Stardate: unknown
Captain’s Log: Worf is struggling with his dress uniform. Riker comes to get his ass in gear, as they have to meet with the Iyaaran ambassadors. This will be the first cultural exchange between the Iyaarans and the Federation. Ambassadors Loquel and Byleth have arrived on board the Enterprise via shuttlecraft for a seven-day trip. Meanwhile, Picard will be taken in the same shuttle to Iyaar to visit with their premier.
Loquel is assigned to Troi, while Byleth is assigned to Riker—but Byleth announces that he would prefer Worf to be his escort. Worf looks like he’d rather face a Romulan naked in battle, but the looks that both Picard and Riker give him make it clear that he isn’t being given a choice.
There’s a reception in Ten-Forward. Loquel is surprised when Troi tells him about dessert—Iyaarans only eat for nourishment. As if to prove it, Byleth demands that Worf bring him different food with a higher protein and enzymatic content.
On the shuttle, Voval, the pilot, could charitably be called taciturn. Just as Picard finally gives up on trying to have a conversation with him, the shuttle malfunctions. Voval is forced to crash land on a nearby M-class planet. They survive the crash, though Voval is in bad shape. Picard can’t contact the Enterprise, but his tricorder detects a nearby structure. Leaving Voval in the relative safety of the shuttle—there are nasty plasma storms outside—Picard heads for the structure. But he’s hit by lightning and rendered unconscious—and then carried off by someone.
Byleth continues to be as obnoxious as possible and driving Worf crazy. Meanwhile, Loquel has become obsessed with desserts—and also is surprised by the sight of a child, as Iyaarans are born fully grown.
Picard awakens inside a crashed Terellian cargo freighter to find a strange device over his spleen. He was rescued by a woman who informs him that Voval is dead and that he has three broken ribs—the device will hold the ribs in place while they knit. Her name is Anna, and she says she was a passenger on the freighter, which apparently crashed seven years ago. Since Picard can’t move until his ribs heal, he sends Anna out to fetch some equipment from the Iyaaran shuttle that might help them. She then locks the door from the outside, which makes Picard suspicious. When she returns with the companel, she explains that there are wild animals that could get in. She also used a phaser to pry the companel out and damaged it beyond repair. Anna is despondent, and tells Picard about the times she attempted suicide.
Then she kisses Picard and declares that she loves him, which nonplusses him a bit. While she fetches food, Picard finds a power cell in the freighter that he might be able to use to power the shuttle.
Worf requests reassignment, as he finds Byleth to be impossible. Troi suggests toning down the patience and politeness (which, let’s face it, is not Worf’s natural state) and letting Byleth know when his behavior is unacceptable. Riker suggests a less formal gathering—say, a poker game. Byleth continues to be a pain in the ass, even going so far as to cheat at poker. Unable to stand it anymore, Worf starts yelling at Byleth, and the ambassador provokes him into a fight. It goes on for a bit before Riker restrains Worf—at which point Byleth, for the first time, smiles and thanks Worf. Byleth excuses himself to document the experience, leaving a very confused Worf, Troi, and Riker behind.
Once Picard gets the power cell working, Anna tries to convince him that it’s too dangerous to go to the shuttle. Picard figures out that Anna is trying to keep him prisoner—he has no broken ribs, has heard no wild animals outside, and Anna declares that she just wants him to stay and never leave her. They struggle for a bit, her necklace breaking off. She runs off, locking the shuttle—but then Voval shows up. He explains that Iyaarans go into a healing state that can be mistaken for death. He also says he saw a woman head toward a precipice—the same one that Anna had told Picard that she almost jumped off of.
They separate to try to find her, and then Picard finds Anna, threatening to jump. And she’s wearing the necklace. After Picard makes it clear that he will not love her and tells her to go ahead and jump, she touches the necklace—
—and transforms into Voval, who, it turns out, is an ambassador as well. Voval explains that the Iyaarans found the Terellian freighter and logs that indicated a human female survivor, who was joined after seven years by a human male, and they fell in love. Those logs told them of three concepts they were unfamiliar with: love, antagonism, and pleasure.
The purpose of the mission from the Iyaaran perspective was for each of the three ambassadors to experience those things. Picard is a bit put out, but understands what they were going for. The shuttle, Voval assures him, works just fine and they can leave any time, and Picard feels that now would be good.
The mission ends with Picard expressing fascination with the Iyaarans’ immersive methods, and Worf a bit sore after eleven straight hours of combat with Byleth. Loquel, meanwhile, gives Troi a gift of Iyaaran food—nutrition pills, basically—which she says will be a relief after seven days of chocolate.
Can’t We Just Reverse the Polarity?: The engineering section takes up twelve decks altogether, which is impressive, especially since we’ve only ever really seen two of them. The labs on deck 8 are deliberately left unfinished, since they’re meant to be adaptable.
Thank You, Counselor Obvious: Troi finally finds someone who likes chocolate more than her in Loquel.
There is No Honor in Being Pummeled: Worf claims he would make a terrible diplomat, which is hilarious considering that he becomes Federation Ambassador to the Klingon Empire at the end of Deep Space Nine.
I Believe I Said That: “I have heard that, in moments of diplomatic tension, it is often helpful to find elements of commonality.”
“Ambassador Byleth is demanding, temperamental, and rude!”
“You share all of those qualities in abundance. Perhaps you should try to build on your similarities.”
Data giving Worf some rather on-the-nose advice. Worf is cutting a slab of meat during this conversation, and after it ends, he holds the carving knife up as if ready to use it either a) on Byleth, b) on himself, or c) on Data.
Welcome Aboard: Eric Pierpoint—probably best known as George Francisco on the Alien Nation TV series—makes the first of several Trek guest appearances as Voval. He’ll be back on Deep Space Nine as Captain Sanders in “For the Uniform,” on Voyager as Kortar in “Barge of the Dead,” and have the recurring role on Enterprise as the shadowy Harris. Also in the episode are the completely unmemorable Barbara Williams as Anna, Paul Eiding as Loquel, and Michael Harris as Byleth.
Trivial Matters: Though he is not credited, Brannon Braga did a rewrite on the script that included all the sequences on the Enterprise with Loquel and Byleth.
Ironically, given the character he was playing, Paul Eiding is actually allergic to chocolate.
This is only the second episode of TNG to have no scenes on the bridge, following “Family.” It is also only one of five that has no stardate given (the others being “Symbiosis,” “First Contact,” “Tapestry,” and, later this season, “Sub-Rosa”).
Make it So: “They are insane!” My first-ever Star Trek novel was Diplomatic Implausibility in 2001, which chronicled Worf’s first mission as Federation Ambassador to the Klingon Empire following the DS9 finale “What You Leave Behind.” At the beginning of the novel, he received several congratulatory notes, and I wrote a bit where he got one from Ambassador Byleth from this episode. My editor had me cut it, as there were too many such scenes that were delaying the novel from actually starting (there was another bit where he received notes from the characters in the New Frontier series who were originally established as being Worf’s Academy classmates which did stay in). Part of his logic was that nobody remembered “Liaisons” anyhow.
And he was right, because honestly, I haven’t given a single thought to this episode since I cut that scene out of the novel in 2000.
Watching it again for the rewatch reminds me why. First of all, the plot is really kinda doofy: “We must understand this strange Earth emotion you call love” is right out of crappy 50s sci-fi B-movies. The only way to make it work is to provide strong performances.
Sadly, this episode is also an abject failure of casting. Eric Pierpoint is excellent, as always, but he also only has a few minutes of screentime. Barbara Hill is simply too bland as Anna, conveying neither the loneliness nor the obsessed craziness the part calls for. True, it’s just Voval impersonating emotions he doesn’t understand, but that doesn’t make it actually compelling as drama. Paul Eiding is nowhere near funny enough and Michael Harris is nowhere near obnoxious enough to make those parts work in the slightest. Tellingly, the best parts of the episode involve the main cast by themselves: Riker teasing Worf about the dress uniform, Data’s advice to Worf, and the scene in the observation lounge where Riker, Troi, and Worf discuss the ambassadors. The actual scenes with the ambassadors, and those between Picard and Anna, are bland and lifeless, which kills any interest the episode might have.
Warp factor rating: 2
Keith R.A. DeCandido can’t believe it’s 2013 already.
You’re right, I remembered almost nothing of this plot. The one thing I did recall was Worf blowing up at Byleth and the ambassador’s surprising reaction.
Okay… new rule… Picard can’t get in anyone else’s shuttles. It never ends well for him. This was what the second time he got on a strange shuttle which promptly crashed leaving him marooned on some planet?
I think my issue with this episode is that it’s simply dumb. As KRAD points out, it’s a strange way to learn about culture and for that matter and why these 3 emotions? Why Love, Aggression and pleasure (though this maybe the first ambassador who wants to learn about pleasure who doesn’t end up sleeping with some member of the command crew)? Why not jealousy, wonder and carelessness? What is the point of immersing themselves in these emotions?
Also, there is absolutely nothing really at stake in these episodes. It’s not like the Iyaarans are sitting on some unobtanium that absolutely must be had (that we are aware of) or control transit through some key part of space or have the best weed in the Beta quadrant. It’s a cultural exchange- if it goes badly, who cares? The one person in what could be described as a crisis situation- Picard- isn’t the one on the edge of the cliff. If there’s nothing at stake, why am I, the viewer, going to care?
I remember finding the episode relatively harmless, but I guess that’s mainly because I was glad to see Eric Pierpoint. I guess, on reflection, that I did find it mildly disappointing at the end. It is kind of silly conceptually. Born fully grown? How the heck does that work? Not to mention the question of how an intelligent, social species can function without the capacity for love as a bonding mechanism, aggression as a means of protection and regulation, or pleasure as a motivation to act. It just doesn’t add up. It’s all kind of an awkward mystery with an unconvincing resolution.
Paul Eiding, by the way, is the voice of Grandpa Max in the Ben 10 animation franchise.
I think you could find plenty of people who like chocolate more than they like Troi. :-)
I just discovered the rewatch a couple weeks ago and have finally caught up to real time. Too bad it’s for this episode. The only things I remembered from it were the eating of much dessert and Picard’s annoyingly needy captor.
SSteve: welcome!
—Keith R.A. DeCandido
Huh.
I have abso-LOOOOTELY no recollection of this episode.
Me, who has an encyclopedic memory of all things Trek. Me.
And from your review, I am glad I don’t.
It took four credited writers, plus Braga apparently, to turn out this nonentity of an episode? Maybe too many cooks spoiled the broth.
@7: Actually the credits should say story by Eschbacher & Greenspon and teleplay by Fauci & Rich. According to the TNG Companion, “Sixth-season interns Fauci and Rich took this teleplay out of the season’s most arduous break session, building on Eschbacher and Greenspon’s straight homage to Stephen King’s Misery.” That suggests the staff had a lot of trouble finding an angle that would work. But what with the grind of a 26-episode season, they eventually had to shoot what they had and ran out of time to either fix it or abandon it and start over. Such is the nature of episodic television. (This is why some people prefer shorter seasons, like 13 or 20 episodes — because you can take more time per script, and you don’t need to fill as many slots so you can concentrate on the best ideas.)
The Companion also says that the B-plot of Deanna pursuing a promotion to commander was originally going to be part of this episode, but it didn’t fit with the rest so they cut it out and saved it for later, eventually fitting it into “Thine Own Self.”
@@@@@ 3
Actually, between the “born fully grown,” the learning-through-mimicry, and the nutrient pills, I’m thinking the Iyaarans might be a race of (crudely-fashioned) clones or bioroids. Perhaps someone’s slave-race that’s been left unattended.
@9 – that sounds more interesting then this episode. Some exposition like ‘These guys were mindless slaves, their enslavers fled a generation or two ago and now they are trying to integrate themselves into the universe.’
Rather then a cultural exchange, maybe make this a a sort of teaching experience? They would go from ship to ship, or space station to space station, learning from as many different kinds of species as possible (and then turn out to be spies gathering intelligence for their enslavers for complete dominion…)
I admit I remember only one thing from this episode–that someone kept trying to goad Worf into fighting.
Oh! And that Worf said the dress uniforms look like dresses…when really they look like long tunics (to be fair my best friend growing up was Indian and I saw her father in long tunics and pants like that quite often, so I never thought of them as ‘dresses’)
Yeah, I liked Data’s comment to Worf and that’s all about I have to say. Not so into the ‘being held against your will to be a love teacher’ thing. Plus, Loquel and Byleth just kind of struck me as some kind of caricature of people with autism/Aspergers (not ACTUAL people with it, but just the kind of general sterotypical view of them).
Also, I thought the scene where Loquel wants to take the kid for dessert was a little odd, haha. Maybe the mother had the appropriate context and knew the backstory but I’d be like, “uh, NO'”.
The one bit I *do* remember was Worf’s approving “It was…excruciating.”
Christopher: I haven’t been dividing the writing credits up by story and teleplay due to laziness and due to most people not really giving an airborne intercourse about it. Those who do care can look it up elsewhere….
—Keith R.A. DeCandido
A lameass, pointless, stooooopid episode, for reasons many others have cited.
Cybersnark@9 That’s actually a really good explanation for this weirdness – I was also wondering howinhell the ‘born fully grown’ thing would work, and that’s really the only possible answer (other than them being a low-tech offshoot of the Borg). It might also explain why we only ever see male Iyaarans in the episode. It sounds like there might have been the germ of an interesting episode about a cloned civilisation in there, but it just got lost in the mush…
Iyaarans could actually be highly developed lichen. :)
And the ho-hum of season 7 begins….
Wait a sec, this was a shelved 6th season episode they couldn’t get to work? And they ran out of ideas for the next season by episode TWO? They really couldn’t think of anything better to start with? That really explains alot of this dreadful season.
@17. Beat me to it Adam; there’s some real rough watching between the gems of this season. That includes episodes that feel like season 2/3 cast offs, so I’m looking forward to Keith’s production snippets to see if that is just a gut feel or not.
Now we are in season 7 proper, between some of the dross to come and the imminent conclusion of this excellent re-watch series, I’m feeling a little low. My doctor recommends a full regimen of TOR based DS9 Re-watch supplements (take one a week for seven seasons) as the only way to restore my spirits – can I count on the Decandido pharmacy to fill the prescription? (pretty please!)
ChrisC: Oh, I wouldn’t worry about running out of meds any time soon………….. :)
—Keith R.A. DeCandido
Barbara Williams’ acting may have been unremarkable, but those lips.
Respectfully
Neanderthal Male
Aliens that are born fully grown – didn’t Voyager do an episode about that? Innocence, where they start out as adults and regress to children as they get older/younger?
Why “homage” Misery if it was just all a trick? What’s the point?
I’d much rather have seen an episode about this abandoned slave race idea. The inverse of a Prime Directive episode; here are these people without a meaningful culture who are explicitly asking to borrow one. The question of what you try to give them is an interesting one.
I was mostly indifferent to this episode. I agree that the concept was pretty silly. That said, if the storyline had involved aliens abducting two humans and trying to force them to love each other as an experiment, it might have made a halfway decent, if unexceptional, episode of The Twilight Zone or The Outer Limits.
The Loquel and Byleth subplot is more fun. I basically reacted to this episode in much the same way as I reacted to TOS’ “The Gamesters of Triskelion” and “The Paradise Syndrome” and the earlier TNG episode “Final Mission”: I was more interested in the filler Enterprise subplot than the main plot concerning the kidnapped or stranded crewmember(s). I did much prefer this episode to any of those three though.
Michael Dorn is such a treat to watch in this episode. This is one of those eps that made me a Worf fan for life.
Much like comment #25 I think Worf makes this episode worth watching. First he tries to keep his calm even though he is being teased and indulted. And at the end when Riker pats him on the back and Worf whinces in pain… :D
The rest is just annoying and predictable.
Getting through the boxset I was gifted, hello Season 7!
I remember liking this episode when it aired, but I was also 14; the idea of being locked up with a desperately lonely beautiful woman seemed like an ideal romance to my idiot hormones back then.
I just rewatched this tonight and one thing that’s interesting: while Picard pushes away the advances of Anna, Anna is technically… a woman? a man? something else? Not much is made of it ever again! Riker gets all the credit for ambiguous sexual relations…
So Voval faked a malfunction and crashed his shuttle roughly enough to justify his death and not cause Picard’s, landing within walking distance of the cargo shuttle. Then while Voval malingered, Picard decided to leave. A convenient plasma bolt knocked Picard out, again without killing him. Voval was then able to rouse himself, morph, carry Picard off and hobble his spleen before he came to, which turned out to be Voval’s plan all along. A doofy plot indeed.
When 14 y/o me watched the preview for this episode that came on at the end of the prior episode back in ‘93 and the crazy looking human lady screamed, “LOVE ME!!!”, I just knew it would be a stinker. :o)
The events transpiring aboard the Enterprise were entertaining at least.
Is anyone, even krad, the least bit curious as to how Voval changed himself into Anna? Are Iyaarans shape-shifters, or is it technology? Memory Alpha claims it’s the necklace, but- how? Is it a mobile emitter? That could be a pretty big deal if the Federation could obtain that technology, as the Iyaarans had agreed to a cultural exchange.
It might have been fun if Voval had encountered the story of Zarabeth and Spock in his research.
I’ve always said it was one of my favorite half episodes, haha. I mean, the “love” part was absolutely boring. But my family loved the bits with the other two ambassadors, and so we’d often catch the reruns of this. Since I am a chocoholic, my brother would often say to me Deanna’s line about the cake, with “17 varieties of chocolate.”
@23
“What if [insert film/show/plot here] but in [insert film/series here]?” is perfectly valid for the basis of a professionally-written and submitted story and not just something relegated to internet fanfiction, right? :D
I think these Canadian fellas beat TNG to it by three years: https://www.youtube.com/watch?v=55y2lOhihtY
The Iyaarans – who subsist on flavorless food wafers – somehow evolved taste buds that can appreciate chocolate.
Surf Wisely.
@36/doLst: Well, surely they didn’t evolve to eat food wafers. That would have to be a later cultural choice.
“Part of his logic was that nobody remembered “Liaisons” anyhow.”
I certainly didn’t. I take that back. I did find the subplot about the ambassador who loved dessert vaguely familiar, but that’s about it. To be honest, I kind of enjoyed the scenes with the ambassadors on the Enterprise, but that might just be by contrast with how boring the Picard plot was.
This was silly, and I was thoroughly entertained. The poker scene all by itself makes this a 5 for me at least. What? You disagree?
LOVE ME!!
This episode isn’t truly awful, although it’s largely forgettable. The biggest downfall is the “romantic” story element: I think that’s been pretty well covered, but there have been more convincing drunk prom dates than “Anna.” On the other hand, watching Worf try out his diplomatic shoes is pretty entertaining, and the confrontation scene at the poker table sort of makes this episode worth watching. I don’t mind the concept: maybe it’s just something that wouldn’t make a great episode no matter what, but there definitely could have been more made of it. Season seven is weak, unfortunately. I’d suggest that part of it’s because of stories that were poorly conceived and probably should have been abandoned, and part of it’s because of scripts that needed major revision. I think this one falls into the latter, but the concept is interesting and it’s not so poorly executed to make it unwatchable. I think a “2” is a little harsh, although I can’t disagree that it’s below average. I’ll give it a 4.
I’m many, many years late to this party, but I’ve been doing a deep dive rewatch of TNG and DS9 for a few months now, and I’ve been pairing these lovely write-ups (and the thoughtful comments) with every episode. It has really made this watch very rewarding, so thanks to you all for the words you typed ages ago. Hahaha.
I’m not sure why I chose THIS episode to finally comment, but I didn’t realize until reading this that Paul Eiding (or Perceptor from The Transformers, as I’ve known him best all my life) played Ambassador Loquel. I wish he had gotten more of a chance to shine and make this character even more delightfully odd throughout. The scenes with the Ambassadors on the Enterprise easily were the highlight of this one.
This was definitely a lesser episode, but it brought a lot of genuine laughs, particularly in the annoyed Worf scenes. I wouldn’t write this one off completely due to those scenes alone. And my wife has been cracking me up since last night with random outbursts of “YOU SHOULD LOVE ME NOW!!!! LOVE MEEEEE!!!!!!”
crasis: Glad you’ve been using the Rewatch posts to go with your personal Rewatch!
—Keith R.A. DeCandido
First time in a long time I’ve come in after the Gallifrey Gals covered an episode in a rewatch, but I did find it interesting that the entirety of their summary at the end concerned how horrible it was that the Iyaarans spent the entire episode emotionally manipulating if not abusing the Enterprise crew, with the one threatening suicide if Picard didn’t love her getting something approaching wrath and the writers letting them all off with a Picard speech. I found it interesting that I don’t think I even saw any objection to this in the comments, though I admit I skimmed those. But this is possibly either a function of time, or perspective. First, Paula and Kat have a history with this, it’s been covered in other videos in this series. The only episode they confirmed that even the Patreon full video got paused because one of them couldn’t go on was “Violations”, and yes, it was the Riker-Troi scene. And it feels like attitudes towards this sort of emotional manipulation keep on evolving.
Just to be clear, the fact that this is a literally alien culture probably muddies the waters with what Picard in-character can say to them, but I just found it interesting that their experiences caused them to think that Picard let the ambassadors off way too (expletive deleted) easy, when it didn’t seem to even occur to other people. Including, as it happens, me.
(Just to be clear, I deleted the expletive before even typing it.)