“Heart of Steel, Part 1”
Written by Brynne Stephens
Directed by Kevin Altieri
Episode #038
Music Composed by Richard Bonskill, Tamara Kline
Animation Services by Sunrise
Original Airdate—November 16th, 1992
Plot: When a robotic briefcase robs Wayne Tech, Batman follows the trail to Bruce Wayne’s old mentor Karl Rossum, Rossum’s bombshell of an assistant, Randa Duane, and Rossum’s super computer, HARDAC. Meanwhile, Barbara Gordon is home from college and she notices her father Commissioner Gordon has suddenly gone very cold….
“Heart of Steel” is not shy about displaying its influences. HARDAC is every supercomputer Kirk ever faced on Star Trek: TOS, with the single red eye of HAL 9000 and a voice like the Superman arch villain Brainiac. Meanwhile, the duplicate robots are a little bit Terminator and a lot Blade Runner, the producers going to so far as casting professional sad sack William Sanderson as the robots’ maker, Karl Rossum. Rossum’s company shares a name with the Transformers’ home planet, Cybertron. And Rossum’s name and Randa’s license plate are direct references to R.U.R., the Czech play that was the original robot revolution story, and the origin of the English word “robot.”
Even after the mind-reading machine and the man-bat, this is the most science fictional episode so far. “Heart of Steel” drops us into the thick of it with one of the most out-there set pieces of the series, Batman getting his ass kicked by a briefcase. And while Batman is surprised by a piece of luggage with Doctor Octopus arms, his mind isn’t exactly blown, and he calmly catches up with the machine with the glider he stores on top of Wayne Tower. Batman just accepts that computers that can think for themselves and robots that can pass for human are the logical next steps in technology. After all, there’s a super computer and robot arms in the Batcave too.
(Small note: Bruce Wayne is locked away by security during the theft, which he escapes from through the secret door he of course also has. Did no one notice Bruce Wayne wasn’t there after the theft was over?)
Boy can the robots pass for human. Randa Duane is the most sexualized woman in the series since Poison Ivy. Modeled on Marilyn Monroe, Randa is a head-turning siren with her own noirish sexy saxophone theme who wears form fitting suits or even more form fitting lab gear. Implicitly, Rossum built Randa to replace his lost daughter. I wonder if in the first draft she replaced Rossum’s wife. Certainly Bruce Wayne seems taken with her. Even if Bruce’s (hilariously fake) smarm is just a facade while he interrogates her about the robbery, the first thing Bruce does upon meeting Randa is reach for her breast.
HARDAC is the villain of the piece, and a pretty straight forward one, but in a very real way he’s just a manifestation of Karl Rossum’s inner struggle. Rossum is another dark reflection of Bruce Wayne, someone who has suffered a tragic loss of a family member and taken to extreme methods to make sure it never happens again. But rather than focus on revenge, as Wayne and many of his villains have, Rossum has gone deeper and blamed human fallibility. He’s trying to erase human error.
Let it be known that we at Tor.com are huge fans of William Sanderson, and he’s amazing here. A veneer of pathetic, insincere affability covering a bitter and lonely life, while also having an ounce of hope. Even before he admits it, Rossum must know what he’s doing is wrong. Why else show Bruce Wayne HARDAC before Wayne has any reason to suspect him? Rossum wants to be caught. He wants Batman to stop him.
“Heart of Steel” also introduces Barbara Gordon, the future Batgirl, who will be a very important character later, especially in The New Batman Adventures and Batman Beyond. As with Two-Face, the series writers introduce Barbara in her civilian identity in episodes before she becomes a super-character, so that when she eventually does don the cape and cowl, Commissioner Gordon’s adult daughter would not appear out of nowhere.
Not that she does much in this half of the two-parter. Mostly she’s just introduced, though we get some good character moments. Bruce Wayne’s known her since she was 15 (and boy is that going to get creepy later) and Gordon is uncomfortable with his daughter growing up, bringing her favorite teddy bear Woobie with him to the airport and making sure Barbara has it at all times. Gordon and his daughter spending an evening at home when there’s suddenly a sinister knock at the door homages The Killing Joke, only this time it’s James Gordon who opens the door and is shot for his troubles. And Barbara knows something is wrong the moment her father backhands Woobie off the couch.
It’s really in the second half where Barbara shines, and also in the second half where this episode goes bug nuts insane.
“Heart of Steel, Part 2”
Written by Brynne Stephens
Directed by Kevin Altieri
Episode #044
Music Composed by Carl Johnson
Animation Services by Sunrise
Original Airdate—November 17th, 1992
Plot: HARDAC’s plan to replace the powerful of Gotham with robot duplicates continues as Mayor Hill, Detective Bullock, and Bruce Wayne are targeted. As Batman fights for his life, Barbara Gordon conducts an investigation of her own.
Like “Robin’s Reckoning,” this two-parter has the same writer and director for both episodes, and this time even the same animation studio, so there’s no drop in quality at all. This really does feel like one long episode, including a joke that’s only funny if you watch both episodes. In Part 1, Alfred comments on the mangled bat-glider “I do wish you wouldn’t play so roughly with your toys, sir.” And when HARDAC turns the Batcomputer against Batman, Alfred responds “I do wish your toys wouldn’t play so roughly with you, sir.”
The biggest difference between the episodes is the Part 2 is pants-wettingly terrifying. Maybe I find body snatcher stories, where loved ones are replaced by unfeeling clones, particularly sickening, but Kevin Altieri bring his A-Game to the robot duplicates crab-walking around elevator shafts, red glowing eyes, torn off faces, and an unfeeling machine with a giant fucking laser burning up his creator. I find myself losing my shit.
I cannot stress enough how nightmare inducing Cybertron is. Everything is automated, down to the trash cans, and they are all trying to kill humanity. Nothing is what it seems. Headlights of a truck turn out to be two robots. Loved ones start flipping around with metal coming out of their face. People keep exploding. And the whole time, HARDAC is promising to take over all of Gotham, then all of the world.
Holy Crap! Holy Shit! Holy Fuck!
The opening must be particularly gut wrenching for Batman himself. The Batcave, after all, is where Bruce goes to feel safe, and HARDAC has not only invaded, but turned the cave against him. That’s Ra’s Al Ghul level villainy. As with Kyodai Ken, I wonder why HARDAC was never brought to the comics or other media. Is it because, when his light’s not on, you can see Rossum drew a smiley face on him?
In direct contrast to how terrifying the villain is, Barbara Gordon really shines. This is, after all, the episode that argues that she should become Batgirl. Melissa Gilbert nails a character who is absolutely out of her depth, dealing with a literally impossible situation, but determined to do whatever she can to save her father. She’s brave, strong, clever, and willing to pull on Batman’s cape to get what she wants. After saving her father, she goes back to save Batman (mission creep hits Gotham again). I can’t tell if Barbara using her foundation powder to find finger prints and vanity mirror to reflect a laser is clever or stupid (she fights crime with make-up ‘cause she’s a girl, get it?). She also looks appropriately horrified when she thinks she helped kill Harvey Bullock, before learning it was actually a Robo-Bullock (did Batman know it was a Harvey-Bot? Because he does not hesitate to throw him into the Batsignal).
My one complaint about the episode is that the Commissioner Gordon-Bot is so obviously out of character that Barbara doesn’t get to prove that she’s a good detective. She says “it’s not as obvious as bolts on his neck,” (referencing another influence) but anyone could see that Gordon’s personality had been replaced. It’s weird, because all of the other duplicates impersonate their targets almost perfectly, if more dickishly (or, in Bullock’s case, just a tad more dickishly). Randa Duane keeps joking and flirting with Bruce long after she’s revealed to be a robot. Why is the Gordon-bot so badly programmed?
This episode ends with a note of future adventures, as Barbara comments “I sort of enjoyed it,” to a puckish musical sting and a suspicious look from her father. Clearly she’s coming back. But HARDAC is coming back too. Randa Duane, after all, discovers that Bruce Wayne was Batman, and HARDAC only replies “This data may be useful later” and does nothing with that information. This episode. Consider “this data” to be Chekov’s Gun. It’s going to go off with a bang a few months from now….
Steven Padnick is a freelance writer and editor. By day. You can find more of his writing and funny pictures at padnick.tumblr.com.
Given that MGM had a problem with the Bond stuff, would this maybe be why we later got the Vic Fontaine program? It let the producer’s play with Bashir’s 1960’s fetish, without treading too much on Bond territory?
A 9???????
After this episode was over, I turned to husband and said, “That is the WORST thing I have ever seen!” Like, this might actually be worse than Q-pid and that episode where everybody devolves because of the T-cells in their DNA (I am completely blanking on the title). The only thing that gets it to maybe a 2 or 3 is, a)the cast clearly having fun chewing the scenery and b)Garak getting to snark about what a spy’s life truly is. And I feel like we’ve already gotten quite a few episodes where the cast get to have fun playing different characters, so, honestly, I’m over that gimmick now.
But…ugh…not a fan of Holosuite episodes, usually not a fan of ‘alternate setting’ episodes (and I’m not that into the whole Bond thing to start with), and this was basically Bashir at his very Bashir-iest.
I mean, at least Qpid had John de Lancie…by the way, hope you had fun hanging with him!
Generally speaking I hate “the holodeck safeties are off” episodes, but I make a huge exception for this one. Like with “Little Green Men” a fondness for ridiculous 60s spy fiction really helps and this episode may hit even more marks than LGM did with its genre. (And krad missed one obvious homage which is right there in the title. Namely Our Man Flint which was half parody itself.) It’s a fun hour and it’s easy to just sit back and enjoy. OTOH, it might have been better coming after a bit of a serious stretch, rather than the third in a run of lighter episodes.
Of course, Garak’s running commentary and comparison with real spycraft does provide a bit of serious tone. He’s not in the least bit wrong about any of it, either. I wonder what he’d think of George Smiley.
I bet they could have gotten away with doing more of this. As noted, this was an entire genre, and just because Bond had more staying power doesn’t give MGM the rights to the whole thing. But they were probably still a bit gunshy from the Holmes debacle.
Lisamarie: I adore this episode. *shrug* And the one you can’t remember the title of is “Genesis.” :)
And I didn’t really get to hang with deLancie — I honestly barely saw him.
—Keith R.A. DeCandido
DemetriosX: I did too mention Our Man Flint, right there in the first Trivial matters paragraph….
—Keith R.A. DeCandido
No problem, I am probably not the target audience for this episode ;) After all, I’m sitting here at a software company wearing duct taped glasses, snow pants, a sweatshirt and with my hair in a messy ponytail. Clearly, people here only love me for my mind ;)
You can spot Ira Behr’s footprints and love of old-school Hollywood all over this first half of the fourth season.
Much like Little Green Men and Sword of Kahless, this is the kind of episode that would never have been made back under Michael Piller’s leadership. This is much more suited to Ira’s sensibility.
This is also the episode that actually improves with repeated viewings, especially after having seen a lot of Bond or other flamboyant action/spy films.
When I first saw the title for this episode, back in 1995, I actually thought they were going to kill Bashir off for good. “Our Man Bashir” really sounded like a post-mortem eulogy.
Yo, KRAD: you mean Gert Fröbe, not Gert Forbe!
I love this episode (I guess I am the target audience) – it is just so silly – it’s really a breath of fresh air before all that is to come in the next couple of seasons.
Oh and tell your fiance to warm up the oven :)
Yes, well worth it just to see Worf in a tux! And damn the 24th century aversion to smoking. Our favorite Klingon needed a stogie in every episode, especially in combat.
By the way, ever notice how smoky some of the Klingon ships are, like the Bird of Prey in The Search for Spock? Come on, you know those guys stopped by planet New Cuba on the edge of the Neutral Zone before heading to Genesis. Or New Amsterdam…