It’s nearly impossible for me to choose five favorite horror novels. I simply can’t name a favorite (except in one case, as you’ll see below). But I can narrow it down a little and compartmentalize my preferences. In that way, even though I’m certain I’m forgetting something, the slight won’t seem too terribly egregious.
I grew up in rural North Carolina, amidst tobacco fields and scuppernong grape orchards, and the Missouri Ozarks, amidst scorpions and tarantula herds. Living in those areas, I developed an appreciation for the folktales and ghost stories that run rampant among country folk. That upbringing has wormed its way into many of my own stories. With books like Harrow County, coming from Dark Horse Comics, I’m able to revisit some of my old haunts, if you’ll pardon the pun.
So, since I’m writing stories of country folk, undead witches, and ghostly apparitions, I thought I’d share some of my favorite backwoods horror books. Admittedly, not everything on this list is straight horror. There are examples of Southern Gothic and fantasy to be found on this list. I could have easily listed William Faulkner or Harper Lee or Flannery O’Connor on this list, I suppose. But there is, in the works I’ve included, a healthy dose of the creep factor that would make you think twice before you go “a-wandering out in the holler” late at night.
The Bottoms by Joe Lansdale
Not a horror story necessarily, but full of horrific themes and creepy imagery. This is a crime story and murder mystery set, like many of Lansdale’s stories, in East Texas. During the Great Depression, a group of kids set out to solve a violent murder. That’s my kind of story. But the addition of a local legend, the Goat Man (who is sort of a Boo Radley boogieman figure) makes this yarn something special. Urban legends can be spooky enough to make your skin crawl. But in my experience, those rural legends are all the more terrifying.
The Best of H.P. Lovecraft: Bloodcurdling Tales of Horror and the Macabre by H.P. Lovecraft
This book served as my introduction to Lovecraft. I still have the yellowed, beat up copy I bought at a Waldenbooks in the mid-eighties. This very same copy of the book was stolen from me and then stolen back in a series of misadventures. That alone makes the book special to me, but it fits especially well on this list thanks to two stories: “The Colour Out of Space” and “The Dunwich Horror.” Not only are these my two favorite Lovecraft stories, but they also show a twisted version of country folk and strange rites practiced on hills in the dead of night that is simply spine-tingling. When I first got involved in writing horror and comics, more than one person would come up to me claiming that they had created a sub-genre of “redneck Lovecraft,” to which I would laugh and show them these stories. The “backwoods” element in horror is often used (by those who just don’t get it) as a gimmick. Used correctly, though, it elevates the story and gives it a personality all its own.
The Old Gods Waken by Manly Wade Wellman
Wellman’s Silver John is a kind of country-folk Dr. Strange or John Constantine. Armed with a silver-stringed guitar and a wealth of folksy know-how, John the Balladeer wandered the Appalachian mountains of North Carolina, facing druids, ancient deities, and black magic. The Old Gods Waken is the first of the Silver John novels, and it is heavy with country-folk hoodoo and Native American folklore. This is a story that shows how the old world and ancient traditions impact the “modern” backwoods world.
Cthulhu: The Mythos and Kindred Horrors by Robert E. Howard
When I first stumbled across this little purple paperback, I thought I found the Holy Grail. Cthulhu stories! By the guy who wrote Conan and Solomon Kane! The story that earns this book a place on this list, though, is “Pigeons from Hell,” a tale of reanimated corpses, axe murders, and voodoo. Two gentlemen taking refuge in an old plantation house in the dead of night? Sign me up! (To read the story, not to spend the night in a haunted mansion. That never ends well for anyone.)
Boy’s Life by Robert R. McCammon
This book is not only my favorite “backwoods horror” novel, but my favorite novel—period. Maybe it’s not a straight horror story, but there’s definitely murder and creepy crawlies and strange goings-on aplenty. The backwoods element is there as well, as the story takes place in and around the town of Zephyr, Alabama, during the 1960s. I know that McCammon drew on his own childhood while writing the book, but this books feels like it was written just for me, drawing on events that happened in my own life. It’s a magical story, equal parts chilling, scary, humorous, charming, thought-provoking, and touching. Amidst all the mysterious happenings, the bizarre townsfolk, and the fiendish villains is a tale of growing up and fighting to keep the magic of childhood alive.
Cullen Bunn writes backwoods horror of his own in Harrow County from Dark Horse Comics. His other books include The Sixth Gun, Helheim, and Hellbreak.
Absolutely 100% agree with you on “A Boy’s Life” — just a wonderful book.
Also, I loved “The Hangman’s Beautiful Daughter” by Sharyn McCrumb. One of the few books to make me cry.
LOVE this topic – Thanks Cullen! Looking forward to Harrow County. I wish there was a good “backwoods horror” anthology out there (hard to believe there isn’t). A few other books I’d like to recommend: Blackwater (recently reissued masterpiece) by Michael McDowell, Dagon by Fred Chappell, and Who Fears the Devil (short stories) by Manly Wade Wellman. Some excellent literary Southern Gothics: Outer Dark by Cormac McCarthy, Deliverance by James Dickey, and the superb Feast of Snakes by Harry Crews.
Over on the webcomic side, check out Backwood Folk by Gustav Carlson (backwoodfolk.com). It’s been stalled for a while, but what’s there is chock full of fascinatingly macabre stuff without gorge-raising levels of gore, which always puts me off. The worst thing is that apparently seeing one of the local bodiless and powerful something-or-anothers is equivalent to being punched so hard in one eye that you bleed and look like an accident victim for weeks. I won’t spoil it any more than that. The main comic is online for free; for a little extra you can read it in print or get the spinoff titles, The Further Adventures of Skip Solomon and Eve of the Ozarks.
Regarding Lovecraft and his “backwoods horror” stories, he explained his inspiration for them in a letter in 1931:
“As for New England as a seat of weirdness—a little historical reflection will show why it is more naturally redolent of the bizarre and sinister than any other part of America. It is here that the most gloomy-minded of all the colonists settled; and here that the dark moods and the cryptic hills pressed closest. An abnormal Puritan psychology led to all kinds of repression, furtiveness and grotesque hidden crime, while the long winters and backwoods isolation fostered monstrous secrets which never came to light. To me there is nothing more fraught with mystery and terror than a remote Massachusetts farmhouse against a lonely hill.”
@DeanB., #1: I was thining about Ghost Riders, myself. But almost all of her “Ballad novels” would qualify.
How “backwoods” do we have to be? Becasue if we’re including rural and small-town New England, we can’t forget Shirley Jackson. The Haunting of Hill House is still the scariest haunted-house story I’ve ever read, and Hangsaman and We Have Always Lived in the Castle would give anyone nightmares.
I would strongly second your recommendation of Manly Wade Wellman. Personaly, I prefer his original short stories about John, the wanderer with the silver strung guitar, as collected in “Who Fears the Devil?” (Vathek @2 beat me to this). The later novels are good but I think MWW was more effective in his short stories.
Some other collections to look for are:
“Valley So Low: Southern Mountain Stories”
“Fearful Rock and Other Precarious Locales”
“Sin’s Doorway and Other Ominous Entrances”
That last title includes one of Wellman’s very best and creepiest stories: “Up Under the Roof”. Don’t read it if you are home alone, especially in a house with an attic.
For high-octane nightmare fuel set in a small-town/rural setting, my all-time favorite is Dan Simmons’ “Summer of Night.”
Correction: It’s one of my all-time favorite books, period.
Thanks for the recommendations.
I’m definitely adding “Boy’s Life” to my list (and probably the others, too).
Alan Dean Foster has one heck of a creepy tale in Into The Out Of, which takes place from memory in the pacific northwest and East Africa.
Malevolent spirits from a parallel dimension invading our world through shadows.
@6 For Wellman’s “John the Balladeer” stories, see OWLS HOOT IN THE DAYTIME, the definitive collection of those stories, my favorite of which is “The Desrick Over Yandro. ”
From what I’ve read, Wellman disliked the name “Silver John” for the character, which was reportedly imposed by publishers’ marketing departments.
Summer of Night — yes!
John the Balladeer — yes!
It may be trite, but Stephen King has definitively turned rural Maine into his personal haunted campground.
I would also suggest someone of limited but very talented output, Tom Reamy. His novel <i>Blind Voices</i> and the short story collection <i>San Diego Lightfoot Sue</i> just make you wish he had stuck around a while longer. If Zilpha Keatley Snyder had written more than one or two creepy short stories, this is what it would feel like.
House on the Borderland by William Hope Hodgson is easily my favorite horror novel and fits quite well into the “backwoods” category.
Another vote for “Boy’s Life” here. It’s one of my favorite books and I’ve recommended it to many people. McCammon is the same age as I am and while reading the book I felt he was right there with me during childhood. It is a teriffic coming of age story, probably the best I’ve ever read.
How about Laird Barron? Especially the stories in The Imago Sequence.