The Skywalker Saga has officially concluded with Star Wars: The Rise of Skywalker! We have searched our feelings, and we know this to be true: This is probably the most divisive Star Wars film. (More than The Last Jedi, yes.) The moments we loved, we adored… and the beats that didn’t work were baaad. And, just as we’ve learned with the Force, nothing is ever black-and-white, so we’ve got some complicated feelings in the mix, too.
This contains ALL THE SPOILERS, so don’t read until you’ve seen Star Wars: The Rise of Skywalker.
What We Loved
Jedi Master Leia
Of course Rey begins her training with one Skywalker and concludes it with the other. When she called Leia “Master,” we all almost lost it. And then the flashback (no surprise that Leia kicks Luke’s ass) and the lightsaber, and by the time we lost our general princess, we had gotten so much more insight into a woman who has already lived so many lives. Frankly, considering the filmmakers’ limited constraints, they did so right by Leia, and by Carrie Fisher, as well as they could. (And Chewie’s reaction to Leia’s death absolutely wrecked us.)
The Voices of Jedi Past
Ahsoka! Kanan! Mace! Sure, Anakin too! But mostly AHSOKA!! And also Luminara and Adi Gallia and Aayla Secura! Because we’ve seen a lot of male Jedi, but Rey deserves to know more about her female predecessors!
Traitor Hux
A nice turn for ol’ Armitage, and still fitting to his character—he doesn’t want the Resistance to win, he just wants Kylo to lose. It used to be him and Phasma and Kylo jockeying for power, but now it’s just him getting silenced and shoved around, so we can’t blame the guy for being over it.
Richard E. Grant
Grant’s Allegiant General Pryde perfectly stepped into the villain roles vacated by Kylo Ren and later Hux. He’s got a real history with Palpatine, and Grant is clearly having the time of his life being odious and unforgiving.
Poe/Finn/Rey Hug
If we couldn’t get Stormpilot to be canon, this throuple hug was the next best thing. Look at the way Poe and Rey, who spend the movie kvetching at one another, clasp hands across Finn’s back. Look at Finn, crying in the arms of his two favorite people, safe and together. Proof that you solve a love triangle with polyamory. You’ll pry this truth from our Force-powered hands (which means you won’t, we’re keeping it).
Onscreen Queer Representation
Commander D’Acy and her Resistance pilot wife sharing a same-sex kiss was a wonderful moment, even if it’s the bare minimum of the kind of representation that should be seen onscreen. Even better that they’re super young spring chickens! The sheer joy with which they greet each other after the battle gives us hope.
D-O and Babu Frik
Two chattery welcome additions to our favorite space crew!
Finn is Force-Sensitive!
Finn has feelings. Well, we already knew he’s our sensitive cinnamon roll, but he also has Force feelings! Abrams had set this up (we’d hoped) with him taking up Anakin’s lightsaber in The Force Awakens, but The Rise of Skywalker confirmed it! Honestly, we were worried they’d back off on this one, but it was a beautiful way to introduce Finn’s abilities, very much in keeping with his character and how much he’s driven by love and empathy.
Memory Ghost Han
A savvy way to get around the problem of no Force ghost for Han Solo was to have him haunting Kylo Ren—another moment set up, this time in The Last Jedi when Luke has a chat with his nephew. And damn if it wasn’t good to see that handsome, scoundrel-y face. (He said I KNOW, which means that him saying that is part of Ben’s MEMORIES, which means that Han and Leia did this ALL THE TIME, that’s it, bury us here where we lay.)
POC Solidarity
From Finn and Jannah bonding over not being the only Stormtroopers to defect, to Poe and Rose and Finn bolstering each other (even when Poe is being cranky), to Finn and Lando talking about how to keep going when you’re pretty sure you have no idea what you’re doing, to Lando and Jannah’s future space adventures, The Rise of Skywalker passes the DuVernay test and then some.
Threepio’s Protocol Rules
In a movie full of twists and reversals, there’s a strange comfort in being reminded of the inflexibility of droid programming. Which is not to say we support it—we can’t wait to see future movies carry on Elthree’s mission of droid autonomy! But while Return of the Jedi lets Han go off on Threepio for his programming as though it’s a choice rather than an immutable part of his person that humans inflict upon him (he makes the point of this particular rule being the result of a Republic law, for Force’s sake), The Rise of Skywalker makes it clear that there are certain things that Threepio genuinely has no power to control, and it makes his role in the plot all the more rending.
The Lightsaber Handoff
Very Die Hard. Rey and Ben’s faces just make that moment sing.
Jedi Acrobatics
Thanks to CGI, the live-action movies can finally replicate some of the physical feats of the animated series. It looks otherworldly and makes Force powers just a little extra magical.
Keri Russell’s Eyes
Sexier than the Reylo kiss. That is all.
All the Space Creatures
Yak horses! Ewoks (Wicket!) and porgs and antennae-dish-eared gerbils! There was lots of fluffy cuteness (and badass-ness) spotted in between the big Skywalker moments.
Dominic Monaghan’s Cameo
The Resistance’s Tolkien white guy.
Billie Lourd’s Braid Crown
We are here for Lieutenant Connix’s gradual evolution of Princess Leia hairstyles. It’s hard enough being without Leia’s entire arc that was meant for this film, any echo of her that we can grab onto is good for the soul.
The Manner of the Emperor’s Death Was Seeded in Revenge of the Sith
He literally dies by having his Force lightning directed back on him, which almost happened when he fought Mace Windu, but Anakin interrupted. This time, no one’s got his back, and he’s wasted by his hubris… which was always going to be the way he went.
Rey Finishing Luke’s Journey
Force ghost Luke comes in for a perfectly-timed pep talk on Ahch-To, when Rey has destroyed Kylo’s ship and seems ready to hunker down with some green milk and save the galaxy from her potential dark power. He made a mistake hiding himself away, he admits, one that she should not repeat. But it’s not until she’s standing on Tatooine, staring at the double sunset, that we feel the full impact of the closure that they both get.
Chewie Gets His Medal
Well, Han’s medal. Point is, we’ve waited decades for this, this is the best kind of fan service.
Rey’s Lightsaber
Watching her wield the Skywalker blades against Palpatine was awesome, but Rey’s journey would not be complete without constructing a saber of her own. And after her vision of Sith Rey had that disjointed double blade, it was even more affirming to see that she had constructed her weapon out of her trusty staff. There’s a lot to this symbolism, too: the red double-bladed saber of Rey’s vision had the same handle-type used by guards of the Jedi Temple. In the end, Rey’s staff lightsaber is gold/yellow, the color of the guard blades. Which means that Rey instinctively knew that she would be filling this guardian/protector role, even when she feared she’d fall to the dark side.
What We Hated
Rey Palpatine
Not least because fans guessed it way back when! We have been Team Nobody since The Force Awakens, so to qualify The Last Jedi’s statement with “your parents were nobody… because they chose to be!” feels like Abrams really forcing this “reveal.” And if you’re gonna use Villanelle (a.k.a. Jodie Comer), then tell us much more about her than two quick flashbacks. It’s nice that Rey learns to reject the name, and realizes that her ancestry doesn’t have to inform who she is (which is essentially the inverse of Ben’s journey), but if she’s so powerful, that could have been reason enough for Palpatine to set his sights on her. Also, it forces us to consider the worst thing of all:
Sheev Palpatine fucks.
Palpatine’s Sith Arena
Sheev’s extra AF stadium of Sith ghosts and/or disciples and/or groupies (?) felt very Return of the King, and not in a good way. Ditto his Iron Throne-ass looking throne. We know it must get boring sitting around on Exegol making test-tube Snokes and moving chess pieces, but now we also have insight into his binge-watching habits.
MEGA ELECTRIC TIME
Okay, we get it, Force lightning can be very powerful. But once you have Palps use it to try and down the whole Resistance fleet, it just becomes a variant of the “Giant Beam in the Sky” thing that happens in every superhero film ever.
Barely Any Rose Tico
After shining in The Last Jedi, Rose is very ancillary to the action here, often reacting to the others’ (mostly Finn’s) movements. At the same time, she and Finn have clearly become buddies over the last year, so even in those brief interactions you get the sense of how they’ve both helped each other grow.
No Justice for Elthree
You mean to tell us that Lando was in the Falcon and we didn’t get to see his reunion with Elthree? That after revealing that devastating bit of retconning information in Solo—along with all of the moments about droid agency in this movie—there was no acknowledgement of where Elthree has been all this time? Boo.
It’s Complicated
Rey Skywalker
Because we knew it was coming, but we were hoping that it might be about changing the Jedi name to something new. So it’s sweet, but a little less complex than we were hoping for. It also smacks of needing to keep the “legacy” of the Skywalkers intact, which we care far less about. They’re fine! They’re having a Force-ghost potluck in the yard. Anakin keeps complaining that everything tastes like sand.
Reylo Kiss
(Wait, do we have to call them “Bey” because he’s Ben in that moment? No.) We don’t disagree with the fact that it happened, especially because it was less a sexy thing than a “oh wow we did that, what a relief” thing, a satisfying bit of closure after these two characters spent three movies clashing. But it only works because he dies right after. Side note: If Palpatine is, in a sense, Anakin’s “father” (no confirmation on that, but he might have manipulated midichlorians to conceive him), that makes Rey Ben’s aunt… ergo, we got major Game of Thrones series finale vibes with this whole scene.
Dyad in the Force
It’s a solid idea that adequately sums up this dynamic… but it wasn’t really seeded as a concept in the prior two films, so it feels like they hastily came up with a cool-sounding term. And we’ve never been fans of constraining ourselves to binaries, so to have a light side user and a dark side user who pair up felt a bit pat.
The Lars Homestead as Galactic Heritage Site?
While Rey burying Luke and Leia’s lightsabers on Tatooine was a lovely close for the Skywalker saga, we couldn’t help but wonder if this was J.J. Abrams/Lucasfilm’s way of keeping two aces up their sleeve for future films. Will the Lars homestead become a historic site for galactic tourists? Those sabers didn’t seem to go very deep into the sand; if they get The Mask treatment and get dug up within a generation, we will not be pleased.
What parts of The Rise of Skywalker got your theater applauding, and which had (as with ours) a complete split down the middle? Share in the comments!
I liked the movie a lot. Here are some random observations:
I did not like seeing Rey and Ben kiss. That cheapened a moment that was very serious, the moment of her triumph and his sacrifice.
The Emperor’s return, a whole football stadium full of Sith Acolytes, the Katana Fleet (oops, I mean the Sith Fleet), the need for that fleet to use communications towers to leave the Sith planet, General Pryde, Force dyads, and Rey’s true parentage all came out of the blue. To work well, they should have been foreshadowed. Chekhov’s gun doesn’t work if it isn’t even shown until it is fired. Way too much deus ex machina stuff didn’t show up until the final act.
I thought they did great working around Carrie Fisher’s untimely death. They gave her a great sendoff. I do wonder if the appearance of Han Solo’s ghost was originally intended to be a Carrie Fisher moment.
But my complaints are quibbles compared to what I did like. Star Wars is, and always has been, pulpy fun entertainment, space opera that is not intended to hold up under close scrutiny. Overall, I enjoyed the movie very much. A lot of exciting adventures, lighthearted moments, great acting, touching moments. There was a LOT more about the movie that I liked than I disliked, and I left the theater with a smile on my face.
I unabashedly hated the Kiss. It was unnecessary, and distracted the audience at a critical moment. Because he was literally giving up his life force in that moment to her. Then he plops over. It was awful, and the audience laughed (I’ve heard this happened in a lot of theaters). If they’d made it more obvious that he was killing himself intentionally by bringing Rey back, then he dies as her eyes open, and we’re left with a dead Ben Solo holding a living Rey… way better.
I really disliked the lack of attention given to the method of Palpatine’s return. I mean, its patently obvious that we are looking at a corpse animated by Palp’s spirit…but how the hell did his dead body survive the Death Star’s explosion to be dragged to Exogol? Well, some author will come up with a good answer eventually. But for now…ugh.
The only thing that felt really earned and satisfying to me was Ben Solo’s redemption…and the method was beautiful. First, he feels the presence of his mother, stopping him in his tracks. Then the person he is trying to kill heals him. Then he is “tormented” by the vision of his dead father, whom he obviously hadn’t been able to truly let go of. And we get this beautiful scene that replays the Bridge scene in TFA, but with Kylo Ren making a different choice, and tossing away his Sith saber. Very well done.
Everything else about this movie felt like scrambling to try to patch together a bunch of disparate things. And that will be the legacy of this Trilogy…it was completely incohesive. The Last Jedi was just too much of a departure to fit within the framework established by The Force Awakens. It doesn’t matter how good of an individual movie anyone thinks The Last Jedi is…because it wasn’t an individual movie. It was Chapter 8 in a 9 chapter story, and it decided to play by its own rules too close to the end of everything to allow Chapter 9 to stick the landing.
Enjoyed the movie. Rolled my eyes at The Kiss. (Was actually mouthing “don’t kiss, don’t kiss, don’t kiss” during the leadup.)
Plenty of quibbles, but in the end, this movie felt more like a Star Wars movie than either The Last Jedi or Solo.
Thing I hated-John Boydega. He has no screen presence whatsoever.
@@.-@:
I completely disagree with that. I loved his performance in all three movies.
Put me on the DETEST list for the liplock. I can buy there was sexual tension there, but to make it explicit at that moment sorta takes all the juice out of it.
And I don’t buy the conversion from Kylo to Ben. Not at all. Contrived as all get out and kinda makes a mockery of all his previous decisions.
But Hux? Yeah, that worked….
@2:
Everything else about this movie felt like scrambling to try to patch together a bunch of disparate things. And that will be the legacy of this Trilogy…it was completely incohesive.
I was complaining about this earlier today, but Rian Johnson admitted back after VIII came out that the Lucasfilm bigwigs did no forward planning for the Sequel Trilogy and were making it up as they went. I knew then that IX wasn’t gonna end well and I take no joy in being vindicated.
I just…I genuinely don’t understand what the hell Kathleen Kennedy was thinking or why Bob Iger didn’t step in to protect his investment and mandate they have a road map.
I was surprised by the Han cameo
My first thought when I came out of the theater was “How can a movie with so much going on be so boring?” There was one “Huh, didn’t expect that.” moment but every other beat seemed obvious. “This has happened, so now that will happen” and sure enough it did.
Not so much boring as very predictable.
Did we ever find out what Finn wanted to tell Rey? Or was that plot thread still hanging at the end?
I also hated the kiss.
In my headcanon, Poe and Finn are on their way to Tattoine, where they will live with Rey and reinvigorate the economy of the sector with their combined attractiveness and the power of love.
The theory of Rey Palpatine was the one I’d always liked the best, but I agree that the reveal fell horribly flat. It was anticlimatic because (1) we waited too long for it and (2) there was no time to process it. I personally think it should have been done in the second film, it would have set up Rey’s struggle much better and given it more room to breathe. (My cousin giggle-snorted when Kylo told her she was Palpatine’s grandfather, which seemed like the perfect reaction, tbh.)
I also agree about the kiss! When they were staring at each other, I was like, don’t kiss, don’t kiss. Then I was like, ugh, no. Then he died and I was like, well, I guess that’s okay then lol.
I honestly wondered if I was missing some backstory to the whole dyad thing, like maybe it had been brought up in a book somewhere (I’ve never ready any Star Wars book, Legends or new canon or otherwise). I think it was a cool concept also something that should have been seeded earlier.
Ugh, obviously meant Palpatine’s granddaughter* lol.
There was one “Huh, didn’t expect that.” moment but every other beat seemed obvious.
And done so obviously and executed so plainly. That’s the boring part.
How about the Millennium Falcon hyperspace skipping?
my reaction was WTF!?!? I know TFA established that it is possible to emerge from light speed into a planetary atmosphere. But TLJ shows that a ship at light speed is in real space, at least at the beginning (Vice Admiral Holdo’s maneuver destroys Snoke’s flagship). And how could all those TIEs follow so many jumps? Even off by a few degrees from the Falcon’s course, puts them on very different trajectories, not to mention predicting how short the jump is.
thinking it’s possible for the Falcon because of Elthree, but still. Come on!
and on the subject of Elthree, and Lando acknowledging a reunion: well, it’s not the first time Lando has been on the Falcon since the events of SOLO, (Empire and ROTJ). And the personality of Elthree is not there, only the computing power.
I agree with this article so I wont belabor the kiss issue, BUT I think the movie should’ve ended with Rey taking Finn as her padawan. Hell, they both could’ve become Skywalkers!
Side note: If Palpatine is, in a sense, Anakin’s “father” (no confirmation on that, but he might have manipulated midichlorians to conceive him), that makes Rey Ben’s aunt… ergo, we got major Game of Thrones series finale vibes with this whole scene.
Um, no. If Palpatine is, in a sense, Anakin’s ‘father’, then his son, Rey’s dad, would be Anakin’s ‘brother’ and Ben’s great-uncle. Rey and Ben would be cousins–second or third; I never really got into geneological terminology. But not as squicky as aunt/nephew.
I was definitely disappointed by the kiss because I thought that they were killing off the idea of FinnRey. Then Ben died. Yay. I still haven’t gotten the pairing I wanted, but the possibility still exists. I live in hope. :)
I loved the hints that Finn is also Force sensitive. I loved Ben’s conversation with ‘Han’. I loved the idea that Leia did get Jedi training from Luke.
There were parts that had me go, ‘Wait. Where did that come from?’ But I enjoyed it overall. I’ll probably see it again after Christmas.
I was so relieved when Ben died right after the kiss. The last thing the universe needs is a Palpatine/Skywalker spawn.
But I do love all these characters, and I loved that this movie allowed them a lot of interaction. I’d have been happy watching a whole movie just of Finn, Rey, and Poe sitting around and bantering.
A couple observations and responses to observations:
Structurally, the film feels like a series of classic serial shorts strung together. Given SW’s Flash Gordon-inspired origins, this is not a bad thing! (ANH also has a strong degree of it, albeit in far fewer locations overall.)
Favorite single moment: the shocking appearance of Rey’s force lightning during the Rey-Kylo force showdown.
On Palpatine’s return: I’ve read enough EU stuff that I just assumed he was inhabiting a (dead or mostly dead) clone of himself. Making it (or some other suspension of disbelief explanation) official could have been nice.
Rey Palpatine worked for me. Palpatine corrupted Anakin and turned him into a tool used to build and maintain his Empire. Anakin’s children wrecked Palpatine’s Empre. In return, he destroyed their future, wrecking Luke’s Academy, killing or corrupting his students, including Ben, and finally destroying the New Republic. But in the end Rey rejected her grandfather and chose to follow the better path Luke and Leia showed her. (Whether the on-screen implementation was sufficient for other viewers, I can’t say.)
Moving forward from the “hate-the-kiss”, I have to confess I loathed the “and I’m all the Jedi” comeback. It felt horribly like schoolyard-banter… almos like a “your momma” comeback. And it was horrendously obvious. They overdid the whole “let’s replay a phrase later” during the movie (the “never underestimate a droid”, the “the empire wins if they make you feel you’re alone”, etc.). You just can’t use and re-use a writing tool without limmits in a text… I feel there were SO MANY better answers for ol’ Sheev. Rey could have said “but the Force isn’t with you”, or “a thousand generations stand behind me”, or pretty much anything but “and I and all the Jedi”. It not just made me cringe out of how predictable and “cheap” it was, but also because it throws everything back into the clear-cut simplistic binary that both, the movies and Luke himself was beginning to overcome. I mean, even Palpatine recognized how interesting and powerfull the “dyad” is (however out-of-the-blue-deus-ex-machina it was… like many other things in the film).
In other topics… I also disliked the treatment of the ocnversation between Finn and Jannah. It felt flat, expository, lifeless… I think it, like so much (as pointed by others here) was rushed, disjointed and dissconnected. I had a hart time feeling that is how two people born out of PTS and the will to resist “programming” would go about the topic. It felt like a casual “I like pineapple on pizza” “oh my, I do too! What a coincidence”. I also didn’t feel the Hux statement. I get that he’s portrait as a petty man who hates Ren from the shadow… but his lines and delivery felt (again) like schoolyard craptalk. As said, he IS petty, but he is also proud. Saying he doesn’t care about the rebels winning is WAY too much. I would have bought something in the lines of “I don’t want an empire ruled by Kylo Ren”, or “it won’t be Ren who will crush you ultimately”. That kind of line would, IMHO, even enhanced his pettyness without feeling out of character (he doesn’t let his mask of pride fall, especially in front of people he considers inferior, like resistance fighters).
Finally… I don’t think Sheev fucks. Given that there was never even a passing mention of an “Emperor’s Son” (or a Senator’s, or Chancellor’s before that), and given his usual methods, it is WAAAAY more probable that this “son” is a product of IVF (maybe even forced; wouldn’t surprise me) than your regular ways. For one, the “good’ol way” would have created a situation with too many liabilities, and we know how Palps likes his plans twisted and under his complete controll.
Oh, by the way… I don’t want to come off as “I hated everything”… on the contrary. It’s a pretty ok film; not as entertaining as the previous ones, but it’s ok. It even has it’s really good moments (especially when it’s not loosing it’s way in order to shoehorn some super explicit fanservice). Personally, aside from Chewie’s reaction to Leia’s death (which was more powerfull that the death itself for me), the scene that shook me was when the camera pans to the sky and there’s hundreds of ships there with the fanfare and everything… and the edge of the blade was the phrase “it’s not a fleet, it’s just… people”. I live in Chile, and maybe some of you have read how we are resisting state and police brutallity every day here (there have been 3 separate interantional reports on abuse of power, tortures, violationg, etc. from the police and military)… so, seeing that on the big screen, the “just people” really hit hard, because it’s true. And that reminds me how weird it is when you see Star Wars “fans” who agree, preach and even enact fascist rethoric and social ways.
Re Rey’s lightsaber, I was unaware that temple guards had yellow sabers, so I took it as a symbol of her bringing balance to the Force, by choosing a color between red and blue on the spectrum for her own lightsaber. Actually I still think so despite that.
I really loved Tommy Wiseau’s role in the new ‘Star Wars film!
Did anyone else think there was a distinct lack of consequences for our main characters?
Kylo makes Rey angry enough that she conjours Force Lightning. She uses the Dark Side and immediately kills Chewbacca. She’s devestated. There’s a lesson in that.
But not to worry, as ten minutes later, he’s fine and she can not learn anything.
C3PO sacrifices himself for the mission, the team and his friends.
But not to worry, as ten minutes later, after a few amnesia jokes, he’s got his memory back, he’s fine and no-one’s learned anything.
And also – how much did the galaxy at large hate Leia? When she put out a call for help at the end of The Last Jedi, literally no-one answered. When Lando zips around in the Falcon being all charming, suddenly he gets the biggest damn fleet you’ve ever seen…?
They should also have doubled down on the Rian Johnson stuff. Rey is a Palpatine? I nearly groaned out loud in the cinema with that awful moment. Seriously, whichever Disney lawyers fought for that as the safe option needs to stop being involved in films. This whole thing was too safe. Too “lets not upset anyone”. Star Wars by committee.
I’m still leaning towards “like” for the film. But it saddens me that it could have quite easily been great.
I’m in the minority here, but I didn’t hate the kiss. I don’t think it cheapened Ben’s sacrifice because his sacrifice was for the side of compassion and connection against hate and anger. Ben/Kylo had disconnected himself from attachments to others throughout the series—except he that he formed a connection with Rey. It did not seem a grand passionate kiss to me, even though I think there was sexual tension between Rey and Ben, but more of a kiss of connection and gratitude
@24 supposedly the First Order was “jamming their transmissions” at the end of TLJ, preventing the resistance from receiving all the messages of support.
This is one of the two things I unreservedly liked about TLJ, that JJA immediately reversed (the other that Rey was a nobody, of course). It would have been really interesting to see how you rebuild a rebellion from one ship and a handful of people when the rest of the galaxy is tired of war, given up on democracy, or just prefers order to chaos, regardless of how that order is enforced. But alas.
I thought it was a fun movie but not a very good one (I laughed my ass off at the kiss and again at the immediate death).
But whatever the film’s merits or lack thereof, I must say that the last thing I want to see in the Year of Our Lord 2019 is an evil, powerful man telling a woman that feeling anger and hatred for evil will make her also evil, and getting no pushback for it whatsoever. It was bad enough in RotJ, but it’s completely tone-deaf now.
@26 / Thomas:
It would have been really interesting to see how you rebuild a rebellion from one ship and a handful of people when the rest of the galaxy is tired of war, given up on democracy, or just prefers order to chaos, regardless of how that order is enforced. But alas.
Yeah, that’s a good point. At this point in the Saga, the Galaxy’s been in a state of near constant strife and warfare for 60 years. It would’ve been interesting to explore that sense of societal exhaustion within the films, but alas.
I will be interested in reading the essay on, Kissing in Star Wars if anyone writes it.
After seeing Rey a Kylo Kiss. I thought it worked, especially after Kylo passes like a Jedi disappearing to be with the rest of the Skywalker bloodline. Is it as iconic as the one in Empire Strikes Back?
@14 And done so obviously and executed so plainly. That’s the boring part.
This.
Massive secret fleets of starships, explosively vulnerable superweapons, battle over a (very) strange planet, a last minute ad-hoc rescue, and a crazy plan are perfectly fine Star Wars material. But the battle over Exegol I watched in SW:TROS was dull and empty.
Oh, sure, it was pretty to look at, but it was hollow. It lacked more than a scrap of structure. And it didn’t need to. Both SW and RotJ showed that its possible to give the audience a space battle they have at least a little feel for. I felt like the Resistance ships’ mission was mostly flying around in circles getting blow up while waiting for the entire rescue fleet to be dropped on their heads in one massive swell foop.
Sounds awful.
Interesting that Poe/Finn is off the table but a lesbian couple is fine. Is it leads can’t be gay or girl on girl is hot but guy on guy is just disgusting.
Sounds awful.
Interesting that Poe/Finn is off the table but a lesbian couple is fine. Is it leads can’t be gay or girl on girl is hot but guy on guy is just disgusting.
@24 This! So much THIS!
As said, things felt rushed, disjointed and unearned. All the consequences are diluted in this non-flow. I feel like they put all the effort in the “Palpatine granddaughter” line and pretty much abandoned anything else, including the chance (and natural outcome) of Rey sinking into a deep meditation about who she is due to HER actions and not because of “someone told me my grandpa is evil”. I know the end idea is that you aren’t bound to your origin, that you make your family, that you choose and make your identity… but the way you arrive there makes or breaks the believability of it.
“The release of the latest, and allegedly last, installment in the “Skywalker Saga,” comprising the canonical triad of trilogies in the eternally expanding “Star Wars” universe, seems like an appropriate time to pose a wistful little thought experiment: What if “Star Wars” — the original 1977 film — had performed at the box office about as everyone expected, in the range of a ’70s Disney film, earning, say, $16 million? Let’s imagine that some film historian or revisionist critic circa 2019 were to rediscover this forgotten gem, an oddity of ’70s cinema buried among all the Watergate-paranoia thrillers, demonic horror films and disaster blockbusters. Can we, with 40 years’ retrospect, evaluate it as a film instead of a phenomenon?…”
https://www.nytimes.com/2019/12/20/opinion/star-wars-movie.html?action=click&module=Opinion&pgtype=Homepage
@21: Chewie’s response was appropriate and moving. And I did like that the final battle seemed like Dunkirk in space.
BUT
Yeah, sadly, this movie was a mess. It clearly shows that they just didn’t have a plan. And I agree with @24. There were no consequences for our characters, no real growth (besides maybe Rey and Kylo), and no real moments besides “Dunkirk” in space were I thought: now that is the essence of Star Wars. And really, I don’t think they treated Rey or Ben completely well. Rey is left alone, to start over at the end of the movie. I would have liked to see the ending of the film with her training new Skywalkers and Finn is one of her students and maybe some teens from Canto Bight. But ya know…
Lando was unimportant. Most of the new characters were minor or unimportant. Poe and Finn really don’t get developed as characters and Rose is barely in this film.
It felt too similar to Harry Potter and Endgame in the McGuffin chase.
The film was hallow.
I was not impressed with Han’s memory ghost. In a universe where the dead are always coming around to have little chats adding another dead person who doesn’t follow the appropriate rules is just confusing.
You know who would have worked? Given Ben’s obsession and the completion of his own similar journey? Anakin Skywalker.
I also wasn’t a fan of the overall conflict with Palpatine. They could have turned Kylo Ren and set him against the rest of the First Order without an over-arching bad guy
This was a quest film with lots of MacGuffins. It was a fast, but badly paced action film. One that paused for emotional moments which didn’t always land. I’d call it middle of the road movie-making. Which makes it even worse that Abrams and team were being smug and casting some shade on Rian Johnson the week before release. Not cool, JJ, not cool.
Star Wars has never been a religion for me. I’ve never understood how very minor background characters grab some fans to the point of fixation. These are undeveloped visual objects in the mise en scene, yet some fans know all the names. It’s a sign of how underdeveloped the movies themselves are that such things require so much explanation in ancillary media.
I didn’t hate it. It’s an acceptable theme park ride, with some small moments I liked. We first saw baby Yoda perform force healing on The Mandalorian, now we see it here when Rey heals the worm creature. They couldn’t think of this before? In decades?
We get the great Keri Russell and all we see are her eyes. She doesn’t take her helmet off at the end either, although the non-verbal body language with Poe is funny. Maybe there’s an article to be had on this obscuring of female characters. See Phasma (who btw, doesn’t make an appearance at all. I may have missed some lore. Is she supposed to be dead?).
The Rey/Kylo kiss? Star Wars has never been good with romance, at best awkward, sometimes laughable or groan inducing. Lucas’ original sensibility was seemingly that of a teenager. Which I guess makes the portrayal of Kylo (who appears to be a grown man) as a hormonal teenager appropriate. Guess if having the hots for Rey makes him a better human, I’m ok with that. She meanwhile, could do so much better.
The Palpatine return wasn’t surprising. One more return to the well. (example: there’s even another appearance by a Death Star) The fact that he just sits there waiting to be found… not so brilliant. Bunching of this new fleet of dark destroyers in an atmosphere, like sitting ducks, with another fatal vulnerability… just ugh. It never occurred to the builders to have communications arrays on each vessel? It all hinges on one antenna? Yes, I know the lead vessel figures that out and turns themselves into a transmitter.
Palpatine as a Necrolord Prime, that had potential. Seeing his dead eyes come to life after he siphons Rey and Kylo, that was good villain stuff. His arena full of Sith ghosts… don’t know what that was supposed to do. It amounted to nothing. Style over substance.
@36 I think I didn’t made it clear (English is, after all, not my mother tongue) but I meant that I liked Chewbacca’s reaction. Actually I was way more touched by his reaction to Leia’s death than by the death scene itself. I think the death scene was rushed and disjointed… Just like the movie. It deserved more “gravitas”, which is what Cheque brought back with his scene.
@32: It was ‘this bit can be cut out easily, so the movie won’t be banned in China’.
@37 Anakin’s force ghost would have been an interesting choice, and might have worked quite well.
I’m here for the kiss, but they could have led to it better throughout the film.
I’m massively disappointed in the treatment of the Skywalkers. I mean, Palpatine kinda wins. He sets out to destroy the Skywalkers and he finally achieves it, with his descendant alive.
And why is she on Tatooine? Makes no sense. Leia has nothing to do with the place and Rey knew Luke for like, three days.
I actually don’t like the two key messages that came out of the last fifteen minutes: that you can never go home, and that women can only be strong if they’re alone.
They missed a HUGE opportunity to have Anakin appear to Kylo… why the hell not?! Also, the film was a hot mess with very little in it that felt satisfying. I have spoken.
@42. Krissy: she’s on Tatooine because… pure nostalgia and fan service. It does kinda function as a burial service, only with the sabers instead. And Alderaan isn’t around anymore. In other words, pure sentiment.
@37:
There has been force healing in lots of star wars stuff. But not in the movies. But we have had references to Jedi Healers in canonical sources.
Regarding Phasma, Finn killed her in The Last Jedi. She fell into an explosion inside the Super Star Destroyer.
As explained in the movie, the atmosphere prevents the ships navigation computers from being able to know which direction is “up”, basically. The transmitter on the surface knows which direction is up, because it’s attached to the ground. General Pryde’s ship also knows which direction is UP, because he was on Ren’s star Destroyer above the rest of the ships, and had presumably recently arrived at the planet. Those other Star Destroyers wouldn’t have had the data to do the same thing.
But it’s still kinda lame, and I’m sure five minutes’ thought could have solved the issue.
@anthony: They actually said that in the movie? Guess I missed the line. Would have been another laugh. Yeah, that explanation makes the location they chose sound even dumber. First, it’d be easier to built such massive ships outside of an atmosphere. Then, think there was some dialogue about the planet being located in a region of chaotic spatial anomalies, so they could’ve dispersed or hid the fleet in the system. It may have been done just so that they could do the surface attack on the outside of a destroyer, which turned out to be underwhelming: the resistance crew didn’t wear any kind of breathers and there didn’t seem to be any atmospheric turbulence at all. In other words, atmosphere a non-issue.
As I stay up really late to write an essay…
I liked the use of Leia. It felt appropriate: Carrie Fisher belonged in this movie in a way that Peter Cushing didn’t belong in Rogue One. I did spend a lot of time thinking “That’s a body double”, and scenes had obviously been built around the lines they had available, but I think this was perhaps not dissimilar to how her role would have been originally. I’m glad they didn’t wimp out and fail to kill her as suggested, because we needed that moment.
And we needed Lando, and we needed him to survive. I’m afraid that was one of my first thoughts when Carrie Fisher passed: We needed someone from the originals standing at the end, and he was the only real candidate. Of course, we also get Chewie, 3PO and R2. (Anthony Daniels, what a trouper!) There’s a poignant moment when the rebels are all scrambling to the attack and Chewie’s on his own in the middle of it: All his friends are gone and he’s left surrounded by all these young people he doesn’t know that well. I hope he found some belonging.
Apologies to his fans, but Hayden Christensen didn’t belong in this movie, just as he doesn’t belong in fiddled versions of the original trilogy. That was Han Solo’s moment (it probably should have been Leia’s moment, but staffing issues) and I’m glad he got it. I’m also glad we didn’t get a “Rey turns to the dark side” moment, as the trailers seemed to suggest.
Hux as a mole. There’s a moment where he takes the weapon from one of the stormtrooper firing squad and I suddenly realised, just before they told us, that that was the case. Brilliant.
Rey is the Emperor’s granddaughter. When they said that, I felt like laughing. The only good thing is that Luke and Leia knew that all along, because that’s how I’ve been playing it. And yes, how the hell did he get a kid?
Many of us felt Kylo Ren couldn’t be redeemed, but his symbolic death and rebirth kind of worked. I’m glad that was one aspect of ROTJ that wasn’t mirrored too closely. They didn’t bring in the Emperor just so the evil monster could kill him and show he wasn’t that bad after all. Ren doesn’t save the galaxy, but he does save Rey. I’d probably have annoyed everyone by putting in more arc phrases during the final demise of Palpatine, like “He was not the last Skywalker” and “There are more of us than there are of you.” The kiss was the very definition of shipper pleasing. Thank goodness he died right after.
The right amount of Rose. I’ve never quite forgiven her for making sure everyone on Crait died for nothing by stopping Finn destroying the superlaser.
An armada of mini-Death Stars. What else would Palpatine be working on?
“It’s not a navy. It’s just…people.” Sums it up perfectly.
“Rey Skywalker.” I knew (hoped?) she was going to say it, but I smiled when she did anyway.
I went “Oh my god!” when Wedge appeared. And then let out a laugh of delight minutes later when the Ewoks showed up.
Oh, so that’s what Chewie was given at the end?
Did I get that scene completely wrong or did Maz Konata kill Rey’s parents?
I would have preferred Anakin’s force ghost to be in the movie, but at the end providing the final oomph to take Palps out for good. And it would have been better if Palps was some sort of specter that possesses and manipulated rather than a floating crypt keeper.
The whole thing was blasé and predictable. It’s like the producers, writers, and director don’t know the difference between one up-manship and good plot tension. Why make the jump to Hyperspace when you can skip instead? Why not put planet killing weapons on every single Sith Star Destroyer? And then have your own actors admit in character that they’ve jumped the shark on screen. Plus they explode when you shoot’em a couple times in their ship crotch, so why are these things even a threat again? Force lightening during duels? Thbbbittt, that’s nothing. How about we take down the whole Resistance fleet with it.
The kiss at the end wasn’t even an issue for me by the time it arrived. Why not? All JJA does is rehash the same stuff over and over and over again. Incestuous leanings were established as a-okay when the Empire struck back. Let’s rehash that angle, end the trilogy with it. Only this time they’re not as related as last time. It’s quite possibly the only thing in the film that went in the opposite direction.
Subtle incest FTW? I guess? What a train wreck. I
The first half of the movie moves along at such a rapid clip that there is not much time to focus on how bad this movie really is. It’s clear by the end though; I like this movie even less now that I’ve had time to digest it. The best thing I can say is that at least we’re past Episodes VII-IX, and maybe now we can get something very different.
I’m guessing Emperor Palpatine (or his naval architects) never watched Independence Day, which also had planet-killing (OK, building-killing) ships with suspiciously vulnerable bellies.
@37, It felt like Ghost Han’s apperance was a necessary evil because of Carrie Fisher’s death. If she hadn’t died, I expect we’d have seen her Force Ghost in place of hallucinatory Han (and it would’ve nicely paralleled Ghost Luke giving Rey a similar, needed kick in the ass). That definitely felt like a beat that would’ve belonged to Leia, but I do like how it ended with the reprise of Ben and Han’s final exchange.
But yeah, I also think using Anakin’s Force Ghost in this scene was a missed opportunity (especially in light of the reveal that Palpatine had been ‘Vader’ during Force Awakens). That would’ve helped a lot with uniting the three Trilogies for the finale.
Manipulating midoclorians in Shmi Skywalker to create Anakin is not the same as contributing 50% of the dna of Rey’s father. Rey and Ren are not blood relatives in the slightest
@51. Mr Magic: “especially in light of the reveal that Palpatine had been ‘Vader’ during Force Awakens)”
Abrams is so much into mystery box storytelling that he may have kept that secret from himself. He definitely kept it secret from the director of Episode VIII.
Disagree about rose. Even the small bits of dialogue annoyed me to no end. At least i wont be fast forwarding thru the bluray like i did for TLJ
@52 yes, this. The ‘incest” complaints are honestly kind of ridiculous and must come from too much GoT watchign or something. There’s no blood relation, and besides even the Palpatine-created-Anakin thing isn’t canon. The only canon comic book that even alludes to it was stated later by the author to be a metaphor, it’s not literal.
This whole faux feminism “Strong Woman Needs No One” thing really needs to die. Rey ending up alone, back on a desert planet, to which she has no connection, to bury lightsabers in a place they never came from. It’s a completely nonsensical way to end her character. Like, laughably bad– all pander, no character reason at all. And then they throw in Luke and Leia, benevolent saints, so their fanboys can nod along with them and swallow this trash.
Absolutely love the “I’m all the Sith / And I’m all the Jedi” moment. The movie was one of the best in the Star Wars series, and the last 20 minutes were great. I don’t really agree with the comments that the movie was incohesive in light of the the overall star wars epic. Episodes 1, 2 and 3 came off the rails a bit, but ever since Disney took over, the storytelling has become much more compact and compelling.
Where I watched yesterday, when “the kiss” happened, they were loud groans of “ewwww” throughout the theater. I think the problem is athough for most of their relationship they are on opposite sides of the force, they have the same powers, similar temperaments and the bond between them resembles one based more on familial duty than attraction. I knew they were not related in the least, but the kiss still felt wrong, and yes, in a sense, incestuous.
Where’s this person that was going to balance the force, then?
It was 80/20 good/bad movie for me. Unfortunately the bad was horrible. Shiv (really-that’s his name?) has the power of Thor. This kiss I blame on lazuras pit effect. I liked all the Jedi in her notion but I think it would have been more meaningful to lifestyle show them all as force ghosts (guess they blew the budget on copy and pasting star destroyers) and to push the idea that is connected to others with friendship and love. I mean the Sith are bullies with no friends. I also don’t like the video game power up writing of adding powers to the force to make easy story telling (did you know the force could teleport objects through space-door dash is jealous) or pulling ships down or jumping across the Grand Canyon Neo like except for the goth look (oh wait Kylo). It cheapens any situation where they might be in danger (like why was Rey climbing-just float or jump through the wreckage) because the force will provide. Maybe the force is only as limited as your imagination or will (hi Green Lantern) but that is never discussed. The point is J.J. never sets hard limits for what characters can do and then required them to grow as characters to overcome those limits. Even Rey calling on the past Jedi doesn’t seem to come with any self knowledge or change-she just does it. Maybe thinking about her friends would’ve the switch. Really the issues come down to the last 30 minutes of the movie. Sure I hate the connection to Palpatine but whatever-as with any choice, the execution matters more-its like picking a hard vault dismount. Go for it but you still have to stick the landing.
@36
”Rey is left alone, to start over at the end of the movie.”
that was my biggest problem with the ending of RotJ: everybody’s celebrating together, and Luke’s closest links are with three dead people. No wonder things went wrong after that.
Sorry, but Rose got the short end of the stick. She got the only real win of TLJ (and, sorry, folks, but it was clear in the movie that Finn COULDN’T take out the super laser), and that win explains why Lando could rally all folks at the end.
The problem with “Rey is a Palapatine” is that it answers a question that was already answered. Rey’s conflict through the first two movies was that she wanted to know who she was–and she wanted to be part of a special lineage. This is the heart of Rey and Kylo Ren’s connection, because they want to be each other. Rey has stepped in as the surrogate child of Han, Leia, and Luke, but she wants it to be official; Ren wants the freedom of being nobody. TLJ answers Rey’s dilemma by letting her know that she defines herself: she doesn’t need to be part of some dynastic bloodline.
So why is she still ‘angry’ about her parentage at the start of this movie? And shouldn’t her answer to “You’re a Palpatine” be, ‘Who cares?’ It’s fine if the plot requires her to be a Palpatine for… some reason… but the revelation should not be a source of conflict for her. She’s already got a family and an identity. Likewise, who can even say why Ren is doing anything in this movie; it seems like they forgot what his motivations were and just started checking off boxes on the way to his necessary ‘redemption.’
The thing about redeeming Sith Lords is that they have to have the decency to die right away; it’s gross to have a child-murderer surviving long enough to kiss the girl. That was the most disgusting thing I have ever seen in a Star Wars movie.
@@@@@ Stubby the Rocket / A nice turn for ol’ Armitage, and still fitting to his character—he doesn’t want the Resistance to win, he just wants Kylo to lose. It used to be him and Phasma and Kylo jockeying for power, but now it’s just him getting silenced and shoved around, so we can’t blame the guy for being over it.
Yeah, and I also love the dramatic irony of his death. Not only does he free the new Big Three in a way that comes full circle with Finn’s defection in Force Awakens, but Hux is also killed by an old school Imperial officer — i.e. the living embodiment of everything Hux has been trying to emulate his whole life — in the old school Imperial way.
Rey Palpatine also doubles, triples, quadruples down on the Star Wars galaxy being quite tiny. I think one reason I’m enjoying the Mando Show so much is because, as of yet, though this could definitely change, no one is directly related to any famous character. They sure look like something familiar, but they’re simply other members of that species or culture. And that’s one way you make a big universe.
@62: I see that, but at least at that point we are supposed to believe he has been redeemed. Think about episode 3, Where Anakin kills all the younglings and then runs off to cry on Padme’s shoulder and she just pats him on the back like everything’s going to be OK. To me, that was the nadir, both of the SW plotlines and Hayden Christensen’s acting in this series. Hes a good actor for the right part. But there’s no way in hell THAT guy ever becomes Darth Vader
Really enjoyed most of this including the kiss. Star Wars has always been more fantasy than sff I think so I could just hand wave nearly all of the “science”. One of my favourite little moments was when Kylo has his newly repaired mask on in the meeting, and the lady says ‘I like it’, made me chuckle.
Oddly sex oriented Tor review, but some good commentary.
Best C3PO of the sequel trilogy. Liked the little mechanic who worked on him. Not sure I’m going to remember much else.
Han Solo has no business being a force ghost. Why so many fake out deaths? The emperor dared Rey to kill him, she does, nothing happens. For a few seconds all Sith and Jedi were dead; now THAT would have been interesting.
Oh, there was one more bit of fan service I wanted. I really wanted Ghost Yoda to show up and say good job, when Luke lifted the ship out, lol.
Got this in one of my newsletters:
“Believe it or not, one of the first references in The Rise of Skywalker is to … Fortnite? Yes, when the opening crawl mentions a “mysterious broadcast, a threat of revenge in the sinister voice of the late Emperor Palpatine,” this ties into a recent Star Wars event on Fortnite, in which players could hear the actual message that has no presence in the film itself.”
This is peak cross-marketing, I guess. I play MMOs, but this is a bit much.
Honestly, I was pretty weirded out by the fact that Jannah didn’t interact with non-black characters. POC representation shouldn’t be the same as segregation :S
As their sinking through the quick sand Finn tries to tell Rey something and we never hear it. Rey and Poe both bring it up and you expect him to finally say it at the end of the film but no! I was annoyed by that- and the skipping to light speed thing.
Other than those things I would also describe it as okay. 75 out of 100. Also shout out to Wedge showing up! That was cool!
Lastly it was clear that there was no overarching plan…. how is that even possible with a 4 billion dollar franchise investment?
I found the kiss to be the least problematic part of that relationship. He’s spent all of the movies torturing, tormenting, and stalking her. I felt her failure to turn him back to the light in TLJ was her lesson in humility. “Just because you can use the force doesn’t mean you can go after the biggest bad in the galaxy and win, not yet.” The fact that there’s a possibility of her feeling friendship for him is a stretch let alone anything romantic. Apparently I misinterpreted the tension between them. I always read it as battle of wills. But I also assumed the writers didn’t forget about that super rapey mind meld in TFA, which is bad in the movie and 10x worse in the book.
All of the ridiculousness of her origins, the 12,000 maguffins being chased, and the absolute lack of consequences, her stabbing him was a beautiful scene. Him feeling Lea’s death before Rey, despite all of the shit he’s done was a brilliant touch. Her stabbing him in rage felt cathartic for all of the shit he’s put her through. She heals him because she’s good people and Jedi shouldn’t kill in anger was wonderful. Her stealing his ship and leaving him there was a beautiful bow on top.
This set of films is flawed as hell, but when it does a thing well it really shines. I’m trying not to be bitter about the sheer amount of wasted potential instead I’m trying to see those triumphs. It had a solid cast and the sets were all incredibly beautiful. My kids enjoyed them and maybe some authors will take the books in places the movies feared to.
I think the element of desire between Rey and Kylo Ren was pretty well-established in TLJ. But the book felt like it had also been pretty conclusively closed on that by the end of that movie. Their desire for each other stemmed from their own internal conflicts about who they wanted to be, and by the end of TLJ they have resolved those conflicts. They don’t need each other that way anymore. And I thought that was a pretty interesting take both on who these characters were, and on the seductive nature of the Dark Side.
ROS straight up doesn’t care about figuring out what Rey and Ren mean to each other anymore, and expects to just blitz you into submission with Palpatine’s UNLIMITED POWER.
It was a very good Star Wars movie. My family and I all enjoyed it. It’s not perfect; it has flaws, but less than the Force Awakens did. The Last Jedi nearly broke my 40-year love of Star Wars, and I’ve seen both The Holiday Special and the Caravan of Courage. This movie took the necessary pains to undue as much of the damage that movie did to the franchise, and it is very much appreciated. Some particular joys:
*Admiral Ackbar lives! Okay he doesn’t, but his son “Junior” is in the Resistance. Killing my beloved squid admiral off-screen in TLJ was unforgivable.
*Wedge!
*Red 5!
*Leia had a lightsaber!
Admittedly I’m an OT guy, but film did the best it could to give those characters a fit ending. Some of the Leia stuff felt stilted, but Abrams did the best anyone could with virtually nothing. Han’s appearance was perfect, and I felt that Mark Hamill’s smile could not have been more genuine when he lifted his X-wing. I love Star Wars again!
But it only works because he dies right after.
YES
I literally said out loud “And now, die” in the theater.
I agree with this whole thing. Loved most of it, loved how they did their best to do right by Leia, and it showed that she was the one to redeem Ben, which was the only way I could accept(and my opposition to Ben’s redemption came from my belief that the lack of filmed scenes between Carrie and Driver meant they couldn’t do it).
But it was very zoomy, it didn’t stop to breathe at all.
@3AnthonyPero
it decided to play by its own rules too close to the end of everything to allow Chapter 9 to stick the landing.
Bullshit. Chapter 9 could have stuck the landing just fine if it hadn’t a) brought back JJ who has NEVER demonstrated a decent ability to complete the story, and b) hadn’t gotten spooked by the haters.
If they had remained true to Rian’s work, it would have been fine. But they didn’t do that, and that’s their shame. The one thing that’s shaky, is forcing Rey’s ancestry into the story. And we could have done pretty much the same story, without making that a part of it.
@62 The problem with “Rey is a Palapatine” is that it answers a question that was already answered.
Rian explained it best, when Luke learns his upstanding Jedi father is actually the galaxy’s worst villain, that’s the worst thing he can hear at that time. To learn that his admired teachers lied to him, that his hero father is actually Vader, these things are devastating.
Telling Rey who her parents are, giving her a “place” in this galaxy, these are what she wants. The WORST thing for her, from her perspective, is to be told she has no place.
But that was ignored.
@71 / Kevin:
Lastly it was clear that there was no overarching plan…. how is that even possible with a 4 billion dollar franchise investment?
Yeah, as I said earlier, when Rian Johnson admitted that back in 2017 after Last Jedi came out, I was stunned. I thought, “No, that can’t be right. Are Kathleen Kennedy and Bob Iger insane?”
There’s a difference between leaving yourself enough verisimilitude in the story to make calibrations or incorporate new ideas and just, in the Indiana Jones tradition, making it up as you go.
And yeah, you’d think Iger and the other Disney honchos would’ve mandated that Kennedy have a general roadmap to protect this $4 billion investment.
I both greatly enjoyed this movie and found it cringeworthy. I loved Threepio, the chemistry between all the leads, Han and Ben’s scene, and the emphasis on never giving up hope and active resistance in the face of evil.
But the climax inspired eye-rolling and laughter, followed by some WTF, rather than awe.
Palpatine’s plan involved some sort of ceremony to transfer his essence into Rey’s body, which involved her needing to give into her hate and strike him down. He opens the roof to show her the fate facing her friends, and she agrees to take his place. But hold on, that’s not her striking him down in hate or anger, that’s her making a sacrifice for the love of her friends, allies and family. And Ben is racing to join her because he has had a similar realisation. I can see Palpatine not understanding the difference, but it seems like J.J. also doesn’t?
The Emperor loses in RotJ because he believes that the will to power is a stronger motivating force than the empathy reawakened in Vader by seeing his son’s suffering.
Instead of expanding that circle like TLJ hinted, we get “I am all the Sith!” vs “Oh yeah, I’m all the Jedi!”, which reminded me of nothing so much as Spaceballs’ “I see your Schwartz is as big as mine” climax.
And then we all cheered as the Rebels blew up a gigantic armada which our heroes had recently learned was crewed by abducted and abused children.
@78. Mr Magic: “and yeah, you’d think Iger and the other Disney honchos would’ve mandated that Kennedy have a general roadmap to protect this $4 billion investment”
When put that way, maybe Kennedy’s tenure is getting (or should be getting) shaky. The $4 billion is about the same amount Disney paid for Marvel, but there’s a huge difference in management. Kevin Feige is arguably priceless at this point as far as designing overall arcs for his stable of characters. Could be why he’s been given a foot in the door to the SW universe. But I wouldn’t want to see the Marvel side diluted. Maybe just clone him.
It remains mind-boggling how they could’ve gone into this final trilogy without a roadmap. TLJ is flawed, but Rian Johnson is a superior filmmaker to Abrams. If anything shows the fallback to a safe zone, it’s the announcement that Abrams would direct the last film: ” “I cried,” Ridley said, explaining that the director brought a comforting sense of structure and security.”
choosing the familiar
I suspect they had a rough roadmap for this trilogy, that being to riff on the original trilogy and let the other details just kind of hang out there without much cohesion. Which is a shame. They had a talented cast and crew. The potential was there to take it in new directions, but they settled on a retread as the core of their story.
So, are we taking bets on how long it will take for Disney to start a new saga? Five years? Ten years? Or whenever there’s enough nostalgia built up for these movies. ‘Hey, I really liked Rey when I was a kid. Whatever happened to her?’
Then it’s Master Rey and Broom Boy off on an adventure to destroy Snoke’s son, Snort.
I’ll always love Star Wars but I knew it was going to be a problem when they brought back Palpatine in the crawl. That was just a retcon with no buildup whatsoever.
I really liked in TLJ when they indicated anyone could have Force, and you didn’t need to come from a particular family tree…and then they wiped that out with Rey being Palpatines….granddaughter. I guess you need to be part of a specific, special, family to be special after all. On the other hand, there was an opportunity to leverage real emotional stakes from Rey finding out that the enemy and the representation of what she fears becoming most, is her own family. But because there was no buildup between Rey and granddad, there was no real emotion there. Moreover, they already did that with Luke and Vader….where was the new idea? Why were they just rehashing the original trilogy, down to the original villain?
I wanted so much more of Ben Solo than just 5 minutes. Adam Driver crushed it.
@82 / Kowalski:
I suspect they had a rough roadmap for this trilogy, that being to riff on the original trilogy and let the other details just kind of hang out there without much cohesion. Which is a shame. They had a talented cast and crew. The potential was there to take it in new directions, but they settled on a retread as the core of their story.
I mean, repetition with variation has been part and parcel of the Saga since the Prequel Trilogy. It does play into Joseph Campbell’s mythological cycles and I actually do like how each Anakin, Luke, and Rey’s generations experience similar scenarios with different reactions each.
But overall, yeah, I’m just as frustrated by the narrative decisions of the Sequel Trilogy and how the directions they could’ve gone if they hadn’t decided to play it safe and go back to the basic ‘Empire v. Rebels’ dynamic. I still think taking out the New Republic in VII was a mistake, or at least should’ve happened in VIII or even IX once it had been built up (in the same way the Old Republic was built up across I-III before its transformation into the Empire).
-84
Sure, I would expect some repetition across a saga dealing with good vs. evil, but this sequel trilogy has really leaned into the love for the OT. Not just narratively but also in the visuals.
@83/GAZ I really liked in TLJ when they indicated anyone could have Force, and you didn’t need to come from a particular family tree…and then they wiped that out with Rey being Palpatines….granddaughter. I guess you need to be part of a specific, special, family to be special after all.
I’ve heard this sentiment from fans of TLJ, but I just don’t understand it. The prequel trilogy showed us a lot of different Jedi from different backgrounds, and no one forgets the younglings. And in the expanded university books we meet many characters who are force sensitive or go to Luke’s academy. So its not a new component of the Star Wars saga.
Took my daughter to see this over the weekend, and it got her re-interested in the original trilogy so we watched New Hope on Disney + last night. At the end there is a 3-way hug among Leia, Han, and Luke. Great bookend to the last time we see Ren, Poe and Finn together…
Sorry, this is long, but it’s my first chance to check the site since seeing the movie :)
I actually felt pretty good about the movie, emotionally. It hit all the beats I wanted it to hit. It even brought in some elements from both TFA and TLJ that actually made me feel a lot better about things in TFA I didn’t like. (I did a rewatch in prep for the new movie and I actually quite like TLJ and I do agree they kind of played it safe in this one).
Yes, plot wise and narrative wise there are a lot of things that I think weren’t as cohesive or foreshadowed as well as they could be. It’s kind of clear to me that even if there was some kind of general idea of the plot, the 3 movies weren’t really made cohesively.
Still, I’m excited to see it again.
What I loved:
-The Jedi voices scene was what I was waiting for and one of the things I REALLY wanted for this movie. And yes, Hayden was there :) And the other voices were such an awesome surprise (I caught Yoda, Obi-Wan, Luke, Qui-Gon and Mace Windu, but it wasn’t until the credits that I realized Ahsoka, Kanan, Luminara and Ayla were there. Loved it!). I’ll be honest, I think this movie needed a little more Hayden (how cool would it have been if the ghosts were shown – ah, we could have seen a live action Ahsoka too!) to tie it in with the prequels and the whole Palpatine/Skywalker saga, but I’ll take it. I also really would have liked to hear Chirrut (something like ‘you are one with the Force and the Force is with you’) even though he’s not technically a Jedi, mainly because I love him so much, and I think it would have built on the theme of the Force/the Light belonging to more than the Jedi.
-I literally cried when Luke lifted his X-wing out of the water with that grin. Tears of joy streaming down my face. :) I had listened to the soundtrack before seeing the movie, and so I knew the music cue was there. I had laughed to myself a bit about maybe they would finally get the X-Wing, so as soon as I realized she was on Ahch-To I knew what was coming and it was glorious. The other thing I really wanted was to see Luke as a Force ghost and I was pretty happy with that whole scene – yes, it had some shades (especially with him catching the lightsaber) of thumbing its nose at TLJ but at the same time I really liked the symmetry and I like that he referenced the lessons in TLJ he learned from Yoda and passed them to Rey. Honestly, just hearing Luke/the narrative show that he had learned from his mistakes made a huge difference to me how I felt about it. I can see how people who perhaps felt Luke was totally right to hide away and end the Jedi might not like that though. I do still kinda wish they’d gone a little more into how the Jedi/Force users would continue to evolve, though. But even in the original trilogy there’s always been that sense of facing the darkness inside yourself so I like that they brought it back in.
-Everything involving Leia having trained and built a lightsaber and being Rey’s master. That flashback!!!! This was so long in coming.
-I have to admit, I was always team Bendemption and for the most part I think that whole thing was just so beautifully done. I loved so much that his mother was the one who reached out to him, although for a second I really worried that this was just going to be how it ended; in a moment of distraction/hesitation/conflict, they’re able to kill him (if I recall, that’s kind of how Jacen/Cadeus is defeated). And I really didn’t want that (nor did I really want Leia to be the one partially responsible for her son’s death). As an aside, I am so stoked about more instances of Force healing on screen (I have to wonder if this was all planned to coincide with the Mandalorian’s aring…). And I kind of loved that Rey chose to extend mercy and then basically just left him there to chew on it…you can tell by Driver’s acting at that moment that things have changed. And then when Han (in memory form) showed up I just about lost it. One of my crazy ass theories was that the moment where Han reaches out to Kylo after he stabs him was significant in some way; otherwise Han’s death felt so pointless and simply to show us how evil Kylo was or to be shocking, and yeah, Han went out doing the right thing, but it still felt bleak. The mirroring of both scenes was great to me, AND it was a great payoff to what Luke had told him about his father always being with him. There was a moment where I truly thought Ben was just going to pull a Javert and stab himself, but I really wanted to cheer when he threw that saber into the sea. (Now, yes – in ‘real life’ – I get it, this is now how easily redemption happens, and I think there are ways they perhaps could have seeded this better; had bits of Ben’s personality show through in the other movies so we knew him as something other than an angry, violent, jerk.).
-Likewise, omg, my heart – when we got to hear the major key version of Kylo’s theme as he was running to face Palpatine with Rey and their themes blended together. Man, I loved that (some of this was in the released soundtrack but I do think some of this music was new). That was the kind of musical moment I was dying for (also, John Williams got a cameo in this movie!!). And man I loved how the whole thing with Kylo getting some of the rain on his fingers in TLJ ended up paying off even more in this movie and that whole lightsaber swap thing was just marvelous. I loved everything about that scene (including a chance to see McDiarmid ham it up). I also really loved the fact that for once we see a man do Force healing, and especially seeing somebody like Ben use his powers for that. I loved (almost) everything about that scene.
As for what I disliked:
-Completely agreed that Threepio got no respect in this movie and it bothered me how cavalier the others were with his friendship. Eff all you guys! Threepio is awesome and you should be proud he calls you a friend!
-You know, I hate myself for saying this, but I kind of wonder if Chewie should have stayed dead in terms of providing a real consequence and thing for Rey to struggle over. I got shouted down when I suggested this in the company I was with though, which I think kind of goes to show that I think the average fan doesn’t necessarily want to see dire twists and heavy consequences, they want to see the heroes win. Plus, my husband pointed out, they wouldn’t have even ended up on the Star Destroyer (to get the blade) if she hadn’t sensed him so it did have plot relevance. I do think they could have at least hinted at the idea of a second transport, but I guess that’s a directorial decision. It does occur to me that aside from Leia and a bunch of pilots there weren’t really heavy losses in this movie (but is that really any different from RotJ?).
And my ‘it’s complicated’ are more or less the same:
-I was never a Reylo fan (pretty much all of their interactions he’s being manipulative or flat out creepy) and I remember my sister and I were kind of clinging to each other during the big scene and I was all ‘no, no, don’t let them kiss!’ and my sister was all, “kiss, kiss!”. Well, they kissed. But then he died, lol. I mean, I can’t deny, the part of me that loves super melodramatic romance liked the scene (at least the framing and cinematography of it) in spite of myself. But for real, while I believe he can be redeemed, it doesn’t mean he automatically gets the girl. Why can’t it just be the power of friendship? I’d be fine with them having an emotional, friendly embrace as he dies in her arms. Or maybe he lives and years later he’s overcome his anger issues and shown that he’s really changed and they can both figure out who they really are. I don’t know, I just would have been fine with them keeping it ambiguous. I can kind of understand they’re going for this intense moment of connection and showing that he’s finally opening himself up but…eh. Definitely could have done without it.
-Rey Palpatine – I still would have preferred that Palpatine’s role in Rey’s conception was a bit less direct (such as him manipulating the midichlorians) than literally being her grandfather (does Sheev fuck? Do we know how he impregnated whomever he impregnated? Maybe he had a bunch of artificially inseminated women to try and finally get it ‘right’). I was also definitely on the ‘Rey is literally a nobody’ side but her being a Palpatine is kind of the least objectionable of all of them, because then you at least get the symbolism of her rejecting her heritage and showing we’re not our history, but our actions (which is kind of a Harry Potter-esque theme. Also, doesn’t the ‘he wants you feel alone’ thing also come from Harry Potter?). And I actually kind of love the irony that all the ‘blood’ Skywalkers are dead, and now the last (I hope) Palpatine has taken on the name Skywalker. I’ve seen a bunch of cynical reviews talking about how this means Palpatine won, but to me that totally misses the point!
-As for Rey Skywalker, I actually love that she took it to signify she’d found a sense of belonging and a found family. And I don’t know that we can just assume that this is the end and Rey is alone. Maybe she WILL train others and raise them as Skywalkers! When she was burying the lightsabers I thought she really was ‘ending’ the Jedi, but then we see she made her own lightsaber, so it does seem the tradition will live on. I will say, as I’ve said before, one thing I wish this movie had explored more is how all of that could have evolved. But seeing as how Rey clearly has attachments and emotions (and Luke never disabuses her of this), the Jedi way does seem to be changing.
-Loved that the last scene was once again that binary sunset on Tatooine, and I loved seeing Luke and Leia together again :) I’ll be honest, I kind of wish Ben’s ghost was there for the symmetry of it (plus to show he’d reconciled with his family. The one thing in TLJ that didn’t get payoff was Luke telling Kylo ‘see you around’. BUT HE WILL :) ) and if we’re gonna show all the Force-using Skywalkers, well, let’s just say that is a GREAT place for a future special edition to insert Hayden Christensen ;)
Man, there’s other stuff I want to say about Finn, Janna, Lando, Poe, etc – I love that this movie went back to the themes of friendship/camaraderie that I loved so much in Return of the Jedi. Is Finn (and Janna) Force sensitive? Or maybe just on the realm of somebody like Chirrut? Although it’s kind of a weird implication that you can’t have a conscience without the Force? But then again I’d kind of like to think that EVERYBODY can be at least open to the Force even if you’re not strong enough to manipulate it (maybe almost a Holy Spirit kind of analogue…hmm…).
I admit, all the Hux (thought for a second he might be pulling a Kallus, lol)/First Order stuff/the surprise fleet/etc was just kind of backdrop for me. I’m sure there are a bunch of holes to be poked in all of that but it’s not really why I watch Star Wars (ironically ;) ).
So yeah – I know from a movie making perspective it’s pretty flawed. The whole sequel trilogy seems a bit too jammed together and rushed. But from that cyclical, mythic storytelling perspective it really hit all the emotional beats I wanted.
I loved the new theme Williams came up with that as far as I can tell, kind of represents all three of them together – Finn, Poe and Rey (do wish Rose had gotten more to do, but ah well). When I first listened to the soundtrack (before seeing the movie) I was trying to figure out what it might represent and it was just so lovely.
One other interesting thing I noticed is that while I was cataloging the themes, there was one point I thought Palpatine’s theme was about to play, and it was actually a slower/darker version of Rey’s. And now I’m kind of wondering….huh, was this actually all planned from the start?
Most people online are not bothered by the fact they liked each other disney has been setting it up like that since TFA when they cgi’d hearts in kylos eyes when he first meets Rey for one. However the timing was poorly executed. The BIG thing people are made about online which you would take into huge consideration if you loved the old films ect is the fact they really crapped on the skywalker legacy Ben gets thrown down a shaft and had no part in fighting palps! Anakin does not appear which he should have to help out due to the fact force ghosts can now hold light sabers lol the ending was a huge missed opportunity the overall arc sucked also the feminism was an over kill In this film and it really was after the castration of the male skywalkers ( oh an I’m not sexist I’m female my self) strong female characters are great but when they come in elbows flaring ruining our child hood male characters it makes me vomit!
Oh, and until I read this, I had forgotten that the ‘force dyad’ was even a thing because it was so swept away. I was never really into the whole idea that balance is dark+light though. So I’m fine to just kind of leave it behind (what I DO like is perhaps the idea that by healing him, she created a a kind of bond between the two of them, which I basically just made up).
Also I can’t help but wonder if Palpatine always intended to just have Rey in charge anyway, and never gave a crap about Kylo. Or maybe Kylo was just a backup plan once he lost Rey and so he turned his eyes to the last Skywalker. Or maybe Kylo was going to be Rey’s second in command. But in that case why would Kylo know who she is (“WHAT GIRL???” etc)? So maybe Kylo has always known there was something going on with her since apparently he does know her story…did he always know it, even before encountering Palpatine?
@87 / LisaMarie:
I loved the new theme Williams came up with that as far as I can tell, kind of represents all three of them together – Finn, Poe and Rey (do wish Rose had gotten more to do, but ah well). When I first listened to the soundtrack I was trying to figure out what it might represent and it was just so lovely.
Yeah, the “Rise of Skywalker” concert suite is a wonderful addition to the Saga’s music library.
That said, maybe it’s just me, but I think Williams’ ninth and final Star Wars score has less oomph like I was hoping for his finale (or third finale since he and we all thought he was done for good in 2005 and 1983).
Maybe it’s because it’s more recent and hasn’t had time to sink into my head. Sure, I have favorites like “Rise of Skywalker”, “The Falcon”, “March of the Resistance”, “The Rebellion is Reborn”, and “The Spark”, but…the music of the Sequel Trilogy hasn’t really caught me ear the way the previous Trilogies have.
Still, Williams deserves congratulations for completing the 9-film cycle. The only other contemporary film composer who can match that is Howard Shore’s Middle-Earth scores.
@84 / Kowalski:
Sure, I would expect some repetition across a saga dealing with good vs. evil, but this sequel trilogy has really leaned into the love for the OT. Not just narratively but also in the visuals.
Right, which both amuses and annoys me to no end that Last Jedi spent so much time acknowledging the cycle and breaking with the past…and then Abrams and Chris Terrio completely ignored and discarded it.
@91 – I would add to that Rey’s theme (and it’s sub motifs), which I just think is a GIFT, especially the way it can intertwine with the Force theme, and also can be, depending on orchestration, light, sorrowful, hopeful, dark, triumphant, etc.
I really like the three motifs Kylo Ren gets -dark, ominous, one of the motifs has a hint of ‘Anakin’s Dark Deeds’, etc.
But still, the masterpiece the Jedi Steps which has become my favorite thing Williams has produced.
In general I do agree that this score isn’t as good as say, his Revenge of the Sith score (which is my favorite and really has this wonderful dark, operatic feel) but I’ve still REALLY enjoyed them.
@93 / Lisa Marie:
Whoops. Heh, yeah, I forgot to include Rey’s Theme. That’s another favorite of mine from the Sequel Trilogy, too.
@88/Lisamarie — FWIW, when I saw the movie for a second time Friday morning, there were two First Order transports shown at the start of the scene where Chewie gets captured.
You want major Game of Thrones vibes? Wait until Finn and Rey set about establishing House Frey…
(…or should that be House (a)Rynn (the skywalkers of the Vale…)
Force healing is the dumbest idea ever.
@97. Agreed. And that to me is part of the larger problem with Star Wars movies as they have evolved. When Yoda lifted Luke’s fighter out of the muck in Dagoba to soaring music in Empire, we knew he was the shit Luke tigger-jumped out of the freezy thingy machine a little bit later, And even Darth was impressed. Now, apparently the Force allows you to literally tear a ship apart playing tug-of-war with Ren. Implanting suggestions into the consciousness of the weak minded is just a parlor trick these days. Now, You can literally rip your way into the space of someone else far away to grab their light saber. And as you said, now we have Rey as force healing Jedi Jesus too. Bonus.
As I recall, there was initially some effort made to justify the Force as something beyond merely the supernatural. That was gradually abandoned.
@97 & @98: I assume you must have missed on playing Star Wars videogames. Force healing has been an integral part of the lore since the Jedi Knight series, dating back to 1997.
And what Yoda did by lifting the X-Wing out of the swamp was make it clear to Luke that there were really no limits on how a sensitive person could use the force and tap into its immense power. Even back in the 1980’s, I could picture endless possibilities of what one could do with the force, things that would make lifting a ship out of the swamp small child’s play.
So, the idea that using the force in a bigger scale is somehow a story problem with the Star Wars films is deeply flawed. You might as well call out blockbuster films for using CGI to realize visual effects that you could never quite replicate in terms of scale using older methods. If you think lifting an X-Wing out of the swamp should be the limit to what you can do with the force, then stick to the original trilogy alone. Personally, I prefer to discover and explore new abilities and possibilities.
@eduardo: “Force healing has been an integral part of the lore since the Jedi Knight series, dating back to 1997.”
It’s puzzling when people keep saying things like that. Lore gets rewritten. This particular ability did not show up in any filmed version till the week prior on The Mandalorian, when baby Yoda performed the same feat. Expecting even ST fans to know obscure details from video games or tie-in books consigned to Legend is unrealistic.
@fullyfunctional: “there was initially some effort made to justify the Force as something beyond merely the supernatural”
I’m admittedly influenced by recently reading Gideon the Ninth, but yeah, it’s supernatural powers at this point. What Palpatine does and has done is necromancy in space.
This particular ability did not show up in any filmed version till the week prior on The Mandalorian
@100/Sunspear: Revenge of the Sith? The tale of Darth Plagueis?
PALPATINE: Darth Plagueis was a dark lord of the Sith, so powerful and so wise, he could use the force to influence the Midi-Chlorians to create….life.
@101. Eduardo: are we speaking past each other? In no way is that the healing ability demonstrated in The Mandalorian and now this film. Most likely it’s a reference to what Palps himself did to manipulate the conception of Anakin. Not to mention that near everything Palpatine actually says is suspect, since he’s trying to manipulate.
If it’s creating “life”, which again isn’t healing, it’s more in a necromantic fashion, animating clones (like Snoke) and dead bodies (like his own).
Wow, I’m surprised at how little imagination people have – whether or not you cared about the video games or other lore itself, to expect the Force abilities shown the movies to remain so stagnant seems…short sighted. I’m sure people would complain if we never saw anything new.
But at any rate, I’ve always been super into the idea of Force healing (wrote a ton of fanfic around the concept) so I’m really excited it’s in the canon now.
@99 “You might as well call out blockbuster films for using CGI to realize visual effects that you could never quite replicate in terms of scale using older methods.”
That’s a weird analogy, but I suppose there’s some truth to it, because I’ve Never been particularly wowed by CGI special effects.
The Force is not a CGI technology. Presumably, it has always existed. Just my personal opinion, but I find it cheapens the story for the filmmakers to want us to believe that in the space of a generation, the Force has been harnessed to a level exponentially greater than anyone else who has ever used it by these two individuals, because….. why? To serve as a catalyst for a climactic event in a movie series, that’s why. By the end, Rey and Ren are little more than superheroes, And I have no doubt that if the series continued, any future predicament Rey found herself in would reveal yet another power or skill that we don’t know about yet to get her out of it. It’s boring . JMO
@103 “to expect the Force abilities shown the movies to remain so stagnant seems…short sighted. I’m sure people would complain if we never saw anything new.”
That’s a fair criticism. I do grade up for storytelling that is loyal to its own past.. In my defense, I would be less annoyed about the way the story played out in this last movie if these “new things” you find compelling were not first introduced as things that absolutely had to happen in order for the good guys to be healed or escape or win or whatever.
At least in the original trilogy, We see Luke training to use the Force before he actually has to use it to save the good guys. Here we have Rey and her buddies encountering this monstrous snake thing, and they face certain death. ” Hey look it’s injured. I will just heal it and it will love me forever.”
Wait, what? :)
Here we have Rey and her buddies encountering this monstrous snake thing, and they face certain death. ” Hey look it’s injured. I will just heal it and it will love me forever.
@105: The intent of that scene is that violence isn’t always the best answer to a problem. Poe’s original plan was to blast the creature. Rey came up with a more satisfying solution.
And it went hand in hand with Rose’s own philosophy from the previous film: that they won’t win this war by simply fighting, but rather by saving those they care for (it also connects nicely to Luke’s original decision to spare his father in Return of the Jedi).
@Lisa: I don’t have any issue with a healing ability being added to force repertoire. But the way it was handled, along with other new skills not seen before, like the saber handoffs, was very much like leveling up in a video game. It’s a mechanic, not an organic way of telling story. This story was already a quest structure with a massive amount of MacGuffins, like fetch quests in games. After decades of waiting for a conclusion, decades of huge amounts of lore, it really should have been more than it is. Rather than transcendent, it’s just ok.
Rey HAS been training though – I don’t know what the time skip is supposed to be, but she’s been reading the books and training under Leia (who herself was trained by Luke).
Anyway, even Vader says that “The ability to destroy a planet is insignificant next to the power of the Force” so clearly there’s more to the Force than the few things we see in the original trilogy. And as for the saber handoff, that was somewhat foreshadowed in TLJ with Kylo being wet after Force-timing with Rey.
I do agree with you that the movie itself has some pacing and development problems and I find the maps (in both TFA, and the wayfinders in this movie) to be VERY McGuffiny and basically just moving the plot around. But I personally really loved all the new Force powers even if we aren’t seeing a super organic training, and I do agree with above that the point of the first healing was, similar to Luke’s astral projection, a way to find a nonviolent solution. Honestly, I think Force healing is probably the most ‘pure’ application of the Force, imo which is part of why I’m so stoked to see it in the canon on screen. Again, I’m very biased given my own forays in fanfic writing :)
@Lisa: no comment, just… “Kylo being wet after Force-timing with Rey.”
@110 lmaooooo
That was not intentional :)
Although of course now I have to share the Reylo video. :) “it makes me wet…like actually wet. I’m so confused as to how I got wet.”
https://www.youtube.com/watch?v=DclkIJ2_IAQ
@38/Sunspear: “It was a fast, but badly paced action film. One that paused for emotional moments which didn’t always land.”
Sounds like a typical J. J. Abrams film.
I just saw it for a second time and one thing that struck me (aside from some of the sillier plot points still being silly) was how much the plot hinges on Rey’s small acts of kindness and finding non-violent solutions to problems. Her healing of the snake. Her little acts of kindness to D-0 (fixing his wheel, etc) which lead to him trusting them and providing some of the Exegol plans. Obviously her choosing to heal Kylo. Similarly, she showed compassion on BB-8 in the beginning. In a way it’s a nice parallel to Luke in Return of the Jedi and The Last Jedi, or Leia befriending the Ewoks who were scene as beneath notice. And maybe even Qui-Gon befriending the Gungans (even if Jar Jar does in the end become responsible for Palpatine, oh well).
Like Luke says to Rey, Leia saw her heart and spirit.
@Jana: yes, it does. But it’s worse than that. Abrams undid some of the fundamental aspects established in TLJ. No more general access to the force; you still need to be of a special lineage. No honor for Luke; no acknowledgement whatsoever of his sacrifice. It was a deliberate choice to retcon elements from the second film to bring them more in line with those who simply wanted the familiar.
But again, it’s worse than that. The Rise of Skywalker was designed to be the opposite of The Last Jedi It once again shows how little forward planning Lucasfilm did (no Endgame), basically giving Johnson a blank slate, then undoing it after the small, but very vocal outcry from the worst in SW fandom. Look at this idiot quoted in the article:
“hated everything Rian Johnson turned the new trilogy into, then I think you’ll love how JJ Abrams tried to correct the mess he had to work with. Far less SJW crap. Just a fun story that moved all the way through with purpose. You can almost cut Last Jedi out of the whole thing.” (won’t dignify him with a name)
Abrams catering to such people is disgusting. See: Rose being sidelined.
Not sure if it’ll have a big impact on Abrams himself, but RoS is struggling to reach benchmarks set but the first two films in this trilogy. Maybe that’s some comfort for Johnson after being maligned by a fellow director.
Rey and Kylo don’t kiss. Rey and Ben Solo kiss. After Kylo/Ben saw a memory of his father Han and ditched his lightsabre, he was just Ben. [IMHO]
@114/Sunspear: This reinforces my decision not to watch it.
My objection to the whole New Trilogy is that it makes EVERYTHING done by the characters of the OT completely futile. Not to mention the tiresome rehash of themes from the earlier movies.
@117
“Look back over the past, with its changing empires that rose and fell, and you can foresee the future, too.”
Marcus Aurelius
Or even more bluntly,
“The thing that has been, it is that which shall be; and that which is done is that which shall be done: and there is no new thing under the sun. That which hath been is that which shall be; and that which hath been done is that which shall be done: and there is no new thing under the sun.”
Ecclesiastes 1:9
The problem is not that the New Republic has challenges. The problem is they are the Exact Same Issues as the Old Republic. A new Separatist movement from systems that suffered under the Empire, ideological schisms in New Jedi Order. Revelation of Luke and Leia’s paternity leading their children to doubt and fear themselves and their Force powers. A new, non Sith Dark side threat. ANYTHING but a retread of the OT!
Repeating themes from earlier movies isn’t so much a problem; that should be expected of a long-lived saga. It’s the pandering repetition of specific iconic moments that diminishes the newness of the new movies. Treating the saga like a pop culture catalog instead of a canvas.
Luke lifting the X-Wing for example. Not only is it the same ship but also the same music from Empire Strikes Back. It’s a moment meant to elicit nothing but nostalgia and the precise emotions that come with it — a cheap, pre-packaged, spoon-fed, market-tested moment brought to you by JJ Abrams, who has always been more of a marketing guru than a filmmaker (mystery boxes, etc).
Stop patting me on the head, movie. I know what you’re up to.
But that’s just it: as soon as they brought in JJ, this was the best we could hope for because all the good done in TLJ was summarily thrown under the bus. There was no way that Disney was going to let story interfere with profit (as they saw it, and internationally they’ll be right) and JJ had his orders and his own inclinations that would ensure that. Bleah.
Really, it’s more surprising it didn’t come out even more horrifically bad like “Into Darkness” bad.
The thing for me, is take out the fact that Rey is Palpatine’s granddaughter, what changes in the story?
Not a damn thing.
Of all the things to come from RISE OF THE SKYWALKER being reminded of the ‘Tolkien White Guy’ joke may well be the most delightful surprise – well, that and sand-boarding Rey Skywalker (also Miss Daisy Ridley WITH FANGS!).
Well I’m just glad somebody else kept seeing a mouthful of sharpness when Miss Ridley got her Game Face, then was able to visualise it for all the world to see and realise that Our Hero is about one full moon away from making a slamming Hammer Horror villain …
On a more serious note RISE OF THE SKYWALKER undoubtedly felt hectic from start to finish and will not be called the Best STAR WARS movie by me, but it most definitely had its moments (nay, Moments).
I do feel that it makes the Sequel Trilogy nearly incoherent when taken together though (one can see the through-line from THE FORCE AWAKENS to THE LAST JEDI and RISE OF THE SKYWALKER, but the latter two simply don’t fit together very well), which is rather a problem – it’s interesting to note that the Prequel Trilogy, for all its own weaknesses, is a far more cohesive whole.
The move was fine but I did not like the fleet just appearing from the ground. We are talking about thousands of good trained crew and officers. How were they housed? Were they all from the outer-limits or did they actually have some Empire type training?
As far as I can figure out, JJ Abrams just doesn’t like space very much, so in all of his Star Wars and Star Trek movies, the spaceships spend far more time in atmosphere than they do out in actual space. And he just seems to really, really like that image of the massive ship (or massive fleet) rising out of water or ice or clouds or whatever.
Sunspear @114 – I’ll start this out by saying that, upon rewatch, I do think The Last Jedi is the best movie of the sequel trilogy. I’ve really come to appreciate it over the years and it’s (for me) given rise to the most interesting discussion and directions. So – I do feel some of the frustration with feeling that it got disregarded.
(ETA: Ha, Kowalksi@120 – I wrote this out earlier before checking for new comments and as you will see I vehemently disagree with you about the importance of the X-Wing scene, including the Williams cue callback. And on another level, well, yes, I go to certain types of movies specifically so they will make me feel things. If it succeeds, then I got what I wanted.)
Thing is, I think JJ could have made a good triology, and Johnson could have each made a decent/good trilogy (Johnson’s may have been better, or at least more unique), but the combination does strike me as weird. As it is, TLJ is kind of this nice character study sitting right in the middle of the action pieces. I’m okay with that – I think the themes about failure, and Luke’s arc especially, are still honored in RoS. (interesting side note – I lurk on a forum of dedicated Williams fanatics, and it was also interesting to see that NONE of the themes introduced in TLJ show up in TROS. It really is this kind of odd standalone thing in the middle of the trilogy.) Granted, neither of them are *exactly* the trilogy I wanted to see either. I don’t really like TFA for what it set up/established as the direction the GFFA was moving but…it is what it is. (Definitely agree with princessroxana that there are several directions they could have gone). And I lay that more at the feet of TFA than TROS.
I dislike that Rose was reduced. I was never a fan of Reypatine (or Rey-anybody) although that at least does have some interesting thematic symbolism to play with (way more than if she were just a Skywalker/Kenobi). As I’ve said before I do kind of love the irony inherent in the Skywalkers being dead, but a Palpatine being alive and choosing to take on the Skywalker name and reject what Palpatine stands for.
All that said, having seen it all come circle, I don’t know that I can say any of what happened in the OT was ‘for nothing’. They made an incremental victory that bought some time. Anakin made his sacrifice and sure, he brought balance – but life never stays in balance. I also have a kind of headcanon that Anakin’s fall (and Palpatine’s manipulation) in some ways reduced his own potency as the ‘Chosen One’. I like the idea that prophecies can be mutable or even subverted, so I kind of like thinking about it in such a way that Anakin wasn’t able to completely fulfill his destiny yet…some of it had to be left to his descendants, and with his help from the netherworld. It works for me, personally. (I get it if it doesn’t for you – that’s okay. I have no desire to dictate what SW fans should and shouldn’t like which is part of the reason I avoid most areas in the fandom.).
That said, “no more general acccess to the Force” kind of confuses me. Whether or not Rey is related to somebody doesn’t mean it’s the only way somebody can access the Force (otherwise, what about all the other Jedi)? – this movie even goes to pains to show Finn (and probably Jannah) as Force sensitive. Likewise, it always bugged me when people bitched about Rey being ‘nobody’ as if there was no possible way she could be powerful WITHOUT being related to somebody. I think with Reypatine they were trying to tell some kind of cyclic story (even if I agree it’s a played out trope by now and I did prefer the Rey Nobody idea, or at the least, Rey as somebody created in some other way by Palpatine) but not necessarily make some grand statment about Jedi in general.
The “SJW thing” honestly cracks me up because in this movie I feel like there were even MORE women/people of color! Especially if you consider Poe as a POC – most of the main cast and even the speaking supportive characters fits in that definition. So (I’m not clicking the link because I don’t feel like reading something that will irritate me) I don’t even know what this guy thinks RoS ‘undid’ in that regard. It had an onscreen lesbian kiss and I got serious Stormpilot vibes from Poe. (That said I have little patience for those who consider the existence of female/POC characters an ‘agenda’).
Ironically, I had a pretty fun discussion with a friend of mine who would probably non-ironically call himself a SJW (and is a PoC) who HATED TLJ and loved TROS basically because he kinda felt it made up for its mistakes, but I have to admit I don’t totally get the vitriol. I guess I’m weird in that I really like them both, for different reasons? Maybe some people just prefer the faster pacing/action? I do hate seeing depressed Luke, but at the same time, it was such an interesting exploration of heroism and failure (and depression). But honestly – in some ways, that scene with Luke on Ahch-To (honestly one of my very favorite scenes) – it only works as well as it does BECAUSE we saw Luke toss his lightsaber and at his darkest point in TLJ. I’ve been ranting for two years about how unfair it was that they show us the sunk X-Wing and we never get any damn payoff for that (aside from it representing the finality of his decision) and THEN WE SEE HIM TRIUMPHANTLY LIFT IT OUT OF THE SEA in this movie. It’s one of those moments that i can forgive all the shitty plot pacing for. (Plus, it’s not like TLJ didn’t already set the stage for Luke re-embracing hope so I’d hardly call this a retcon). It’s not even just a callback to TLJ, it’s a callback to ESB where he couldn’t do it, and shows how much he’s grown and it’s the true completion of his arc. Like I said earlier, I had tears of joy just streaming down my face for that entire scene and I will say it’s partially due to the work TLJ did. (And also John Williams, let’s be real ;) )
——
Okay, here’s another thought I had on my second watch and some rambling about the music which is always one of my favorite things. One thing that disappoints me a tad (although I do understand from a sound design perspective why this decision was made) is that Rey and Kylo’s battle in the Death Star wreckage doesn’t get more of a soundtrack (yes, there’s some amazing stuff – including stuff not actually on the OST – when she heals him, and during his reversion). As I was watching it I realized how in some ways it felt like a callback to the Mustafar duel – battling amidst wreckage, dealing with crashing waves, but of water, not lava (which is in itself symbolic of healing/salvation/baptism vs destruction/damnation). And then I realized how far I could bring this parallel. The duel on Mustafar is between two former friends who are now enemies. Obi-Wan leaves Anakin to die, and only solidifies his transformation into Darth Vader and at that point, Anakin is ‘killed’ from a certain point of view (I suppose you can argue perhaps this happened a bit earlier in the movie but this is certainly the nail in the coffin). The duel on the wreckage is between two enemies who, by the end of the duel are…well, maybe not friends yet, but Rey heals Ben and leaves him there, after which he solidifies his transformation back to Ben Solo and rejects Kylo Ren (Han even states this, Kylo Ren is dead). The track that plays here (it’s called ‘Advice’ and it’s only on the For Your Consideration soundtrack, NOT the OST) is so damn beautiful and honestly to me has a similar emotional feel to Immolation Scene (one of my all time favorite Williams tracks ever) – the cue where he throws his saber into the sea is the same cue used at the end of Farewell where he dies (Lehman, who does a ton of awesome work cataloging themes and motifs, has basically identified this as the Ben Solo theme…this isn’t the same as the ‘redeemed Kylo Ren’ theme playing during his action scenes which IS ALSO NOT ON THE OST AND THAT MAKES ME SO SAD). Anyway, my point was that I kind of wish there had been some kind of major key Battle of the Heroes type music playing there, but alas.
Anyway, I went back to work today and basically started crying listening to the soundtrack. A New Home (the track at the end at the homestead) is top-tier Williams for sure and it’s so haunting and mysterious and sad and happy and beautiful…everything came full circle and I also detect a bit of a deconstruction of Rey’s theme and also has a similar feel to the Imperial March-y portion of Jedi Steps. And then it hit me that it’s literally the LAST new music we’ll get (for Star Wars) from Williams. Like…that’s it. THAT’s the end. His music – and specifically his Star Wars catalog – has been vitally important to me over the years. I literally started sobbing at my desk at that point.
So yeah, that’s how my day’s gone :)
But yeah – for all the stuff I can criticize abou these movies (and I do think you certainly can do that legimtately, and I also think it’s perfectly valid to just not like it)…it’s those types of moments and connections that keep me a Star Wars fan and what I look for when I see the movies. So in THAT sense, I’m very satisfied with the movie.
@126. Lisamarie: Holy hell, Lisa. That is some deep thinking on the subject. You should be a critic. Or at least, write some articles for this site.
And I apologize if my annoyance with Abrams took away any of your enjoyment of the new film.
Nope, not at all – I do get irritated with the people who are all ‘but muh childhood! Rey is a Mary Sue! Feminists are ruining Star Wars! The new movies suck! They spit in the face of TRUE Star Wars fans. Here’s my clickbait video on the 100 things that are terrible abou this movie!’ ad nauseum.
But I don’t blame you for criticizing Abrams. I really did not enjoy The Force Awakens when it came out and felt kind of adrift in the fandom because it felt like everybody was falling over themselves to talk about how awesome it was. As a movie and a continuation of the saga, it just did not work for me. In some ways it still doesn’t work for me. In the end I kinda made peace with that and just had to kind of accept, okay, this is one direction the story is going, I have my own version in my head. TLJ grew on me, and for whatever reason TROS really clicked with me, at least insofar as it completes the story TFA started. (Yes, a million times yes, there are other stories I wish they had told instead. I don’t mind calbacks/parralells/a bit of nostalgia fan service, but TFA felt like a stagnant reboot to me with the added detriment of just being a ‘harsh reality sinks in’ movie for the legacy characters. That works for some people, and that’s valid, but it didn’t for me, at least not in SW. TLJ at least added something new. But for me, TFA somehow managed to be both a rehash AND undermining of the original movies and it just left a bad taste in my mouth. I admittedly was not in a great place mentally at the time and was looking forward to something more uplifting/hopeful and it felt like a betrayal.)
But I think there are a few places my thoughts comes from though:
1)Intense enjoyment and analysis of John Williams themes, motifs and submotifs (and I am a rank amatuer at this compared to people like Frank Lehman, David Collins or pretty much anybody on the JWFan forums). In some ways much of my love and emotional connection to these movies is through the music. I struggle to emote most times – I have always felt that I don’t experience emotions and feelings the way most humans seem to – and music is the one exception to that. Aside from some of the satire content around Kylo Ren, the thing that actually brought me back to the franchise was the song ‘The Jedi Steps’ and my own thoughts on what that song represented. But I think this in part why I am able to look past the bad plotting in the sequels and the complaints about the prequels – I let the music carry the arcs for me. The music tells the story. And there are a LOT of hidden gems aside from the obvious themes*. Probably 75% of the tears I’ve shed for Star Wars were really about the music. It’s sadly not on the OST but towards the end of this movie when Ben is arriving on Exegol we finally get this amazing resolution of his main motif into a major key and I kid you not, part of the reason I was so excited was just on this meta level that his theme finally resolved and completed. (Yes also because of the redemption arc itself but its hard to disentagle that from the music itself). And then this part where it actually blends with one of Rey’s motifs? Oh my God. My heart practically stopped.
2)I imprinted on Star Wars at a fairly formative time in my life (but NOT during my early childhood) so it’s always been pretty connected with my emotional life in general, and then the prequels also coincided with some big life stuff. I forgive Star Wars a lot for that – but I also went through this phase where I was really into to studying archetype and myth and it conicdided quite a bit with my growing in the Star Wars fandom. So for me, Star Wars was never really about plot, or even super nuanced and subtle character development, but kind of broad stroke archetype moments and themes – redemption, facing your own darkness, finding fellowship, hope, doing the right thing, connection/attachment (but not possessiveness), etc. I can completely understand why that doesn’t work for others though and in a way I’m kind of making excuses. But it works for me on a raw level. And of course there are other works of art that handle those themes in a much more in depth or intellectual way, and I love those too.
When the latest Avengers movies came out I remember reading about how impacted people were by the Snap, and the ‘on your left’ scene and all that. And I loved those movies, but I didn’t particularly feel impacted by those moments in the same way (they were stirring and cheer worthy but it wasn’t a thing that made me feel especially moved). Likewise, tons of really interesting commentery on, for example, if Steve Rogers was character assassinated at the end based on how you feel about time travel. I read the debates with interest, but I didn’t feel particularly invested in it or like his character had been seriously mistreated one way or the other. But I still understood why others felt so passionate about it.
The character of Luke Skywalker I feel pretty viscerally invested in (which is part of why I had to recalibrate a lot of expectations once the sequels came out). That X-Wing moment in TRoS was kind of this moment I didn’t even realize I needed until it happened. TLJ closes his arc fairly well. But man, I felt so happy about that moment and it just felt very…healing…for me.
So you know, everybody has their thing :)
*Completely incidental to this post but I’m still really excited about it. I can’t take credit for noticing this, but there’s a part of the Prologue track in TROS that uses a cue (just a few seconds long) from Revenge of the Sith called ‘Palpatine’s Seduction’ that plays when he reveals his Sith nature and that’s the kind of thing that I live for. Love those musical througlines.
There is a great video by a Youtuber named Patrick H Willems(he also does a great defense of TLJ) about how he watched ALL of Felicity, the only project JJ has stuck with from start to finish, to try and guess what JJ would do with ROS, and it’s surprisingly prescient!
Don’t get me wrong, I loved the movie. My relationship with SW is like what most people have with their kids, I love it unconditionally, but that doesn’t stop me from being critical about what it chooses to do, like most parents.
I was likely fortunate that Rey’s family thing got spoiled for me, so I wasn’t taken aback by mid movie. I had already accepted that it was what it was, and could just enjoy the movie.
I was spoiled intentionally BTW. I saw people on Twitter raging in ROT13, and had to read, especially when it was stated the twist came from the most HATED TWIST IN THE EU. Then it turned out to come from books I never read, The Jedi Prince!
@Lisa: I don’t have the musical acumen to appreciate the thematic use of a score in as detailed a fashion as you do. I do notice if a score is original enough, like Ludwig Göransson’s score for The Mandalorian series. Other times it flies by me: like a couple raves I saw on Youtube about the Dr. Strange or Ant-Man scores. They’re OK, but didn’t seem that especially memorable.
As far as SW fandom, for me it’s been something that’s there, but not worth the zealotry. For example: back in 1999 when the first prequel came out, I lobbied to watch The Matrix instead. (I lost that one…) It’s wonderful that you can experience it at the emotional level they were going for.
Meanwhile, I’m stuck with this: RoS-creators-say-its-carrie-fisher’s-fault Rose isn’t involved more in the story. Apparently, they paired her with Leia, and since Fisher wasn’t with us anymore, couldn’t make the available scenes work. This is a half-assed excuse at best. If they wanted to give her more to do, they could have written it. Don’t blame a dead actress. I think Carrie would’ve called ’em on that one, if not straight up smacking them.
Hah, that is a good analogy :)
I mean, when I was doing my soundtrack pre-movie listen (the one type of spoiler I allow myself and I also find it enhances my later viewing experience) there was a point where I thought the Emperor’s theme was playing and then I realized it was Rey’s, lol.
Funny thing my most hated twist in the EU was Jacen Solo > Darth Cadeus so….already got that ;)
In fact, when Rey stabbed him during their duel because he had a moment’s hesitation I actually thought maybe they were cribbing on that scene where Jacen hesitates just for a moment to save his wife and daughter instead of striking at his twin sister (I feel like you could maybe loosely draw a parallel between Jacen/Jaina as a dyad and Kylo/Rey), giving her the chance to kill him.
@130 oh yeah, Carrie’s giving them the middle finger for sure, lol.
Soundtracks have been discussed, and the Star Wars soundtrack led to my paying attention to and then accumulating soundtracks, so could someone at tor.com please please please do a series on science fiction and fantasy film/tv soundtracks??? That would be fabulous!!!
@132
I SECOND THIS! Maybe pay Lisamarie to do it? She’s amazing!
@132 , 133- I third this, but trust me if I were to write something (and don’t get me wrong, I’d totally enjoy it) it would mostly be emotional vomit about how THIS SONG MADE ME CRY and all the feels/associations I have with a particular track or my top 10 variations of the Force Theme rated by emotional impact or something. I have no musical background whatsoever. (Although, yeah, I have a lot of feelings about the Revenge of the Sith soundtrack specifically ;) ).
THAT SAID I’ve always wanted Tor to do a music post or column.
And if you are interested in more professional analyses, my two favorite sources are:
1)David Collins’s Star Wars Oxygen podcast – this used to be a regular feature on Rebel Force Radio (which I think somewhat recently has gotten flak for some problematic comments on their main show but Oxygen was the main thing I listened to) but unfortunately right around the time of Rogue One, Disney basically told Collins (and some of the other podcast contributors on that channel that still worked for LFL) it was a conflict of interest. However there are 38 episodes that analyze Episodes I-VII and started the Rogue One analysis (which truly blew my mind – I’m so sorry they never finished it, and so sorry they were never able to do TLJ, Solo or TROS).
http://www.rebelforceradio.com/star-wars-oxygen
2)Frank Lehman’s freaking amazing Star Wars Leitmotif catalog which is frequently updated
https://franklehman.com/starwars/
Also, the JWFan forums (www.jwfan.com) have some people that get really, really technical about scores (Lehman posts there). There’s some great TROS discussion going on there now (I don’t post there or anything, but I love reading).
I do think it’s a crime and a shame that the last 2-disc full-score Star Wars soundtrack we got was Phantom Menace, and everything since then (the other two prequels and the Disney flicks) have been just the one-disc incomplete versions.
135: agreed. Especially for the TROS soundtrack (and the Revenge of the Sith soundtrack, which is the one I desperately want the full version of, but TROS is also up there). Thankfully the forum above clued me into the presence of the “FYC” soundtracks which contain at least some additional music for the movie.
The OSTs typically are selected/put together by Williams and so they are more focused on new material and suites and themes, not necessarily the ‘big scenes’ from the movies (especially if those scenes end up as variations of the existing themes). I also get the impression based on what I’ve read about this soundtrack and how different it is than what actually appears in the movie that there was a LOT of editing that happened after the fact, and so the OST on the album is in some ways a bit different from what we hear in the movie.
@Lisamarie, see I never saw that as a twist. As soon as he modified Ben’s memory to protect his kid, I knew how that was gonna end.
Development might be a better word, I guess.
(It took me a few seconds to realize what Ben you were talking about, lol. Oh, good ol EU :) )
I’m also (speaking of soundtracks) still wishing that now that Disney owns Fox, they’d go put the Fox fanfare at the beginning of all of the new films.
Speaking of soundtracks, but not Star Wars, honestly, one of my favorite moments of Bohemian Rhapsody was hearing a Brian May and Roger Taylor penned/performed version of the Fox Fanfare :)
Yeah, that was pretty choice.
I enjoyed it. I hadn’t seen the previous ones since they were out, so wasn’t looking for details, but mainly remembered the connection Rey made with Kylo Ren in the previous movie. (My parents realized afterward that they never had seen TLJ, so they were pretty lost a lot of the time!) I found his redemption to be very satisfying – an unexpected contact with his mother, followed by an unexpected healing with no strings attached, leading to an inner examination as personified by his father.
I didn’t remember force healing having been a thing, but they used it well. I was surprised they made so much use of the force projection, moving people and things between far spaces, but when she gave him her lightsaber…!!! Basically I had decided I wasn’t going to try to compare it to the original trilogy, and just go with the flow and see what happens. I feel like I was pretty successful in that.
One thing that surprised me… You know how there will come a point in a story where you think you know where it’s going, and for just a moment that is what’s about to happen? Even when it goes differently from what you expected, it can be hard to forget what the other version might have been like. When they took out the transmitter on the ship, and then only had a little time before it got reset, and Finn stayed on the ship, saying, “There’s something I’ve gotta do…”
I was so sure that he was going to transmit a broadcast to the whole First Order fleet, urging the crews to mutiny. After making that connection earlier, learning that he hadn’t been the only stormtrooper to escape rather than attack innocents, I thought he was going to appeal to the hundreds of thousands of people on those star destroyers, telling them it wasn’t too late to stop this. And having expected this, I was really saddened to see ship after ship blow up or crash, and wondering how many of the masses killed would have taken action to stop it if they had realized it was a choice they could make.
One other little silly thing – when Rey pulls out the second lightsaber and starts turning the energy back at Palpatine, for a second my brain said, “Don’t cross the streams!”
It seems to always be casual fans who readily eat up Star Wars films now. For good reason too. Adam Driver made it clear he didn’t think Kylo needed to be redeemed. He’s not Anakin. He’s his completely own unique personality and the decision by JJ to nullify all of the complexity Rian Johnson tried inserting is just a slap in the face. I don’t want him near the franchise again. What happened to Kylo trying to run his own Empire? Remember him saying in TLJ how he and Rey could do things differently? Different than the past? This all just feels cheap. You could see the plot armor around the corner! The Resistance fleet somehow holds up to planet destroying Star Destroyers? Especially after we literally watch over 2/3 of it get destroyed almost immediately? Did the writers also forget the First Order is supposedly entirely comprised of conscripts and kidnapped children? Why are we so content to just vilify them? Finn should have been used as a rallying point for the Stormtroopers in this movie. It was hinted at in a deleted scene with him and Phasma in TLJ! It also would have been more interesting to see a First Order civil war of sorts. For example, the Resistance was too weak on it’s own but if Ben has been redeemed and instead said “Hey why don’t we just merge our forces and take on Palpatine and his legions of Sith Troopers?” I think the final battle could have been more believable and satisfying. Same could be said about this trilogy! 6/10
Ben lives… rey “dies” killing her grandpa
.. ben is redeemed through her act of selflessness and his willing to leave the dark side due to the love for his mother and for rey… ben goes off and lives on tatooine and finn comes to him to help him find rey because he force senses she’s back and so does ben. Rey used dark and unnatural powers to bring herself back because she’s the strongest jedi due to her sith lineage and jedi training but is hiding due to her now understanding how powerful she is and finds she will be a danger to herself and her loved ones as well as the galaxy… movie ends
@Aeryl
He deserved to live. They both deserved to live together. Happy endings must be embraced, not rejected.
To everyone who hated the kiss: what a bunch of miserable killjoys.
That’s been building since their first interaction in ‘The Force Awakens.’ They should have lived happily together, a proper fairy-tale ending. Instead they took the cowardly route and killed him.
@145, A Murderer escaping Justice is not a happy ending, just because he happens to be considered attractive by a large portion of the fandom.
I do not support the death penalty, but I’m a big believer in atonement, and people doing horrible things and then getting to live happily ever after, is not atonement.
@Chad
If anything ‘The Last Jedi’ sets up Ben Solo’s redemption precisely because it develops his character so well. You can’t spend two films with a conflicted villain then just give him a tragic ending anyway. That’s not how you end a saga in which the sons of the family keep making the same mistakes. You end it with that son breaking the cycle for once and for all.
@Aeryl
Redemption is not the same as forgiveness. You could have had Ben’s journey continue by having him dedicate his life to repairing the damage he’s done and actually having something resembling happiness with Rey. Instead, they took the cowardly route and killed the best character in the sequels.
My biggest criticism of TROS is how it largely invalidates Rian Johnon’s intentions. With TLJ, Johnson was freeing the franchise from the burdens of repeating old formulas. With this entry, JJ basically just made his version of both ep. 8 and 9, disregarding all of the thematic progress from the last one.
It’s a solid enough entry in its own right, but it dishonours the previous entry at almost every turn. The only thematic carry-over is the concept that you don’t have to let your heritage define you.
@149
Instead, they took the cowardly route and killed the best character in the sequels.
Driver is an incredible actor, who portrayed THE WORST CHARACTER in the sequels. Actually, the worst character in the entire 9 movie saga. Anakin at least had the excuse of growing up in brutalized oppression, and as such never knew better.
Ben Solo is a spoiled entitled brat, raised in love and privilege, who betrayed his entire family and everything they ever fought for, because MAMA LIED TO ME. What makes him a good character? He tantrums well?
And just FYI, if they hadn’t had them kiss, I’d have been perfectly FINE with Solo surviving to further redeem himself. But once they indulged Reylo, Ben Solo HAD TO DIE, because there was no way in hell Disney was ending this series with their heroine getting a happy ever after with her abuser.
Hah, thaaaaank you!
I am emphatically team Bendemption because I will always be about stories that show people making a choice to turn away from darkness, and using their power to heal/do good. Ben DID get a happy ending – he got an ending where he made the right choice, saved the woman he loved (if you call it love – but this is an interesting parallel in that he did what Anakin could not! So he did break the cycle) and laid down his life for his friend, and became one with the light. That is, truly, the best ending any of us can really hope for. It’s kind of like why the happiest moment in Les Mis is Jean Valjean being led into salvation on Fantine’s arm (of course, Jean Valjean is a much better man than Kylo Ren, lol) even though it’s a death scene.
Now, YES, i also think the idea of non-death atonement is fascinating – I would have been fine with something like Ben exiling himself to Ahch-To (or maybe even Tatooine) and the implication that he would be exploring his own issues and doing some serious self work and in some way contributing to rebuilding the galaxy. But NOT with giving him some happy ever after with the woman that until now he’s been torturing, brutalizing, manipulating, negging, etc. Perhaps many years later, sure, if you want to go that route. This is an area where I feel like they tried to do the best of both worlds (Reylo + the level of atonement needed) but it didn’t really work. So now everybody’s upset, lol.
(Although I do have to admit, I love the scene from a purely cinematic point of view.)
@Lisamarie, This is an area where I feel like they tried to do the best of both worlds
Honestly, that’s true of the ENTIRE film, IMO. Almost everything in it is an attempt to split the difference between fandom factions.
Didn’t like Rey as NOBODY! Surprise, She’s A Palpatine!(But It’s Not Gonna Impact The Story So Don’t Worry)
Didn’t like Finn having another love interest, Surprise He Knows He Loves Rey but Won’t Tell Her(WE SEE YOU REYLOS)
Didn’t Like Poe Having to Take Girl Cootie Orders, YAY He’s In Charge Now(And he Makes EYES at a GIRL SO NO HOMO)
I mean, for real, the story spent more time building Rey’s relationship with a new Droid character(whom I ADORED even if it was just a ripoff of Mo from WALL-E), than they did building her existing relationships!!!!! It’s like they were scared to do that, and piss off a different portion of the fandom, so they played it safe and gave her ANOTHER droid companion(she also has Luke’s XWing AND the Falcon!!!)
@148, In what way was Kylo “conflicted”? The only moment of conflict he experienced was about killing his own mother, which made no real sense to me, considering how easy he found it to kill his father.
Snoke SAYS Ren’s conflicted, but that’s just Snoke blowing smoke(heh) up Ren’s ass to get him to lash out. Snoke EXPLICITLY tells Kylo his leadership strategy, and then does the same exact thing to Kylo.
The entire thing about Kylo in TLJ is that he’s actually not conflicted about anything. He knows Luke was wrong in lashing out at him, and that gives him all he needs to see his current acts as righteous. He knows Snoke is using him, and plans accordingly. He knows Rey is vulnerable to her empathy, and acts accordingly. Every single action taken by Kylo in this was taken with forethought, to maximize all possible resolutions in his own favor.
That’s the opposite of “conflicted”. He is clear sighted and resolute in his actions.
@154 – I was thinking a similar thing, honestly. In TLJ he seems to have doubled down on everything after killing Snoke.
That said, I also know they were at least attempting to sow those seeds what with the stuff with his mother, and also the scene at the end where he is holding on to Han’s dice (wihch if I recall is the last scene we see of him in that movie, which is kinda poignant now that it was Han’s memory that is part of his big reversion moment. Funny thing is, I don’t even think that was the original idea…). Plus I always kind of saw Luke’s comments to him as hinting that he knew there was more going on under the surface regarding his father.
That being said I agree with your main point about how well it was actually carried out in the movie – we never really get to see enough of ‘Ben’ in the movies. I get that for Anakin/Vader it was the same (we really just have Luke’s word to go on about the good in him/the conflict) but this could have been a chance to develop that a bit more.
And YES about them splitting the difference. I think in general Reypatine is probably my least favorite thing abou tthe whole thing, in part because it makes no sense (to me) that Palps had some kid running around – when did this even happen? I don’t even mind Palp coming back (even though it really needed more cohesion), or Rey having some dark history that is connected with Palpatine – I think even making Rey something akin to Anakin but created by Palpatine (or part of some Sith IVF/alchemy experiment) would be way more interesting and still allow you to hit all the same beats regarding her fears about herself and Palpatine’s legacy. But they went with the lamest, most lazy thing possible.
Upon leaving the theater, my initial comment to my wife touched on something upon that hasn’t been discussed much in this thread (at least not directly): writing endings is hard, and writing a satisfactory ending for an epic story like Star Wars is a nearly impossible task:
* Add something new to keep things fresh? You will (often rightly) be slammed for sloppy storytelling.
* Try using a twist or some deconstruction in a story that has rarely used those techniques? Many will claim that you “didn’t understand the story and characters”.
* Stick with wrapping up previously established story elements? The result will be criticized as “predictable”.
Over the years I’ve come to accept that an impressive ending is a rare treat to be prized when found, but not something ever to be expected. It seems more the norm that the best part will be found in a chapter/episode/installment one or more places before The End, and the Skywalker Saga has proven to be no exception.
That does not absolve this film’s flaws, of course. I was disappointed at the degree to which it retreated from the opportunities presented by TLJ, and while ‘predictable’ might be too strong a word I was really not at all surprised by any of the plot or character developments. This film does absolutely nothing to refute the criticisms that JJ Abrams continually favors visual flair and positive melodrama over tight (or challenging) storytelling. But I will at least give Abrams and Lucasfilm credit for owning the decision to play it safe and finish the saga with a popcorn-passing flourish: for all its narrative flaws and lack of originality, it was at least a visual spectacle and fun thrill ride.
Fitting, since the same thing can (and was) said about a certain film released in 1977.
*accidental double post deleted*
Speaking for myself I found Return of the Jedi a perfectly satisfactory ending to the saga.
@155, Yeah, one of the less fun aspects about this is realizing this means Sheev fucks, and I just SHUDDER.
I just read this interview and it explains what they were trying for with the whole thing(I’ll leave it up to you to decide if they succeeded). More than anything, I’m bummed to hear that the way they got the point with Reypatine was the same way Rian(Terrio acknowledges this in the interview, which actually helps) got to her being nobody, saying that learning of this dark legacy was the worst thing she could learn after she had found a place in the Resistance. Which I can sorta see, but IDK, like you I think relating her origin to Palpatine without making her a descendant would have worked better, it just gets back to being about who you’re related to being the most important thing about you, which is honestly an old outdated idea that needs to die, I guess?
The complaints about Leia just bug me. I guess part of it is that I’m just not visually discerning enough to tell poor CGI from good CGI, I was just happy they gave my girl her due. While still opening up the possibility of how culpable Leia was in Ben’s fall.
I mean, Luke tells us that Leia walked away from being a Jedi because she “saw her path ended with the death of her son”. But my feeling is that it only ended up that way, because Leia wanted to walk away from her Jedi path already. The old EU always had Leia feel too obligated to politics to dedicate herself to being a Jedi, but if she’d trained Ben instead, Snoke/Sheev, may never have gotten his hooks into him.
Now, I may be wrong, I haven’t read Aftermath, but isn’t Ben ignorant of his Vader lineage until Leia’s outed? And that lie created a rift, she sent him to Luke, and then he fell. When Palpatine tells Kylo that he’s “every voice you’ve ever heard” that tells us how long he’s been seducing Ben, and tormenting him with what Vader wanted him to do, while he remained ignorant of the fact that Vader had been redeemed? If Leia had never left her Jedi path, would matters have fallen out differently?
I like to think so, and it has that note of tragedy, that I enjoy about the prequels. In many ways, fear made Leia follow Anakin’s path, making choices that ended in sorrow, when what she needed to do to prevent that sorrow was right in front of her, embrace the Jedi, and train Ben herself. Don’t hide from her heritage, and Snoke/Sheev can’t stoke that resentment. Tell Ben about how Vader came back to the light, and he doesn’t become enamored with Vader.
So many implications in that one scene, and Luke’s words to Rey.
So yeah, it’s Star Wars. I can’t hate it.
Yup, yup, yup :) I actually kind of was wondering the same types of things – not that I think Leia morally failed in some way, but that’s just what happens when you try to act on visions, prophecies, etc. I mean, perhaps if she had stayed a Jedi, it would have ended in the death of her son, but in a heroic way (or maybe just way far in the future, or in some other metaphorical way).
Or heck, could have been in line with the theory that Palpatine gave Anakin HIS visions which is what triggered HIS descent and then of course ironically led to the thing he tried to prevent (just like Leia did…).
Switching back to Palps – part of the reason the biological kid thing bugs me is that, like Voldemort in Cursed Child, he just NEVER struck me as the kind of person who was interested in an heir, or legacy, or even anything resembling human connection (one of my random favorite things about McDiarmid’s performance – and he did it in TROS too! – was the way his voice always drips with the utmost contempt whenever he says the word ‘friends’). Certainly not saying that, morally, he’d have some problem with taking advatange of or raping a woman, but, like Voldemort, it just didn’t seem to be his thing. Like Voldemort, he planned on being immortal. And I am sure it will come out in a book or something, but why, and who, and when??? Honestly, in my head, it’s still Sith IVF. Maybe he even tried it a bunch of times until one ‘stuck’. Maybe it was just some 4D chess move so that, if he died, he’d have somebody to suck the life force from (come on, do you really think he’d let Rey be Empress?).
And yeah, I still love it, and I’m glad for the ride.
Also, and this is to everybody, because many people have done this over the years at Tor and it’s popped up a few times on this thread – my name is Lisamarie. :) It’s not Lisa, or Lisa Marie, or LisaMarie and I am weirdly specific about this. (I actually got quoted in this month’s issue of SW Insider…as Lisa Marie, lol).
I’m so sorry, I know you’ve told me before, I just forgot! I knew it was something, I guess I could have just followed your own convention.
It’s like how every time I say the name Zendaya, my daughter corrects me. And then, I swear I pronounce it like she tells me to, and it’s still wrong!
Also, Sith IVF YES! I like it.
Also, yes I don’t think Leia suffered from any huge moral failing, like all parents she was just doing what she thought was right and turned out to be wrong.
And, I don’t think the plot was thought through well enough for that. I mean, I don’t think the writers stopped for a moment and thought whether he was going to let Rey be Empress. They knew it wasn’t going to happen, so they didn’t consider whether it would be a plausible thing for Palpatine to do. In another interview Terrio admits he and JJ started constructing the story by identifying all the story moments they wanted to see, AND all the callbacks and loose ends in 8 movies that were left hanging, created ends for all of them, and then started working on a story to incorporate them. So things like character didn’t really factor into what was written, so you have Palpatine is doing all of this so he can give it to someone he gives no figs about, which makes NO SENSE knowing what you know about Palpatine.
I’ve been reading post-release articles as well and the one conclusion that seems to get reinforced is that a movie shouldn’t require so much after the fact explanation to make sense. Like this one, featuring Chris Terrio and one of the film’s editors, Maryann Brandon:
more RoS addendums
I’ve noted elsewhere that they gave Fortnite players more insight into Palps’ return than the actual movie audience. Then again, this is SW, so they can’t just make a completely satisfying resolution without throwing in random bits like Lando’s new seemingly creepy relationship with the former trooper (I know it’s not) and Finn’s unresolved feelings for Rey to set up ancillary tie-in projects.
Btw, Boyega got in some trouble this week for inserting himself into the Reylo kiss debate by saying: now that Kylo’s gone “it’s not the kiss, it’s who lays the pipe,” which is pretty crude. He defended it by saying Daisy would not be offended because Rey is a fictional character. He’s young, but c’mon who talks like that, unless you’re a horny teenager.
Couple more details from that article: they state that Rey will not be living on Tatooine, that she was merely making a pilgrimage to bury the twins’ sabers, and that there’s no way she’d isolate herself from her new friends like a hermit, the way Luke did. That is not at all evident in the film.
They also make a pretty big mistake saying that Luke and Leia were never on Tatooine together before, completely forgetting Leia in the metal bikini as a prisoner of Jabba. You’d think Luke would’ve shown her his old homestead around that time.
I was just going to come here and say, I was just poking around the /saltierthancrait subreddit (wihch I kind of need to stay away from because honestly…I just want to be able to enjoy what I can in these movies instead of shining a huge glaring light on all of it) and apparently John Boyega is going fucking rogue and I’m kinda totally here for it :) It sounds like there’s this whole big conspiracy about executive meddling that (depending on your take) destroyed this movie for the sake of sabotaging Abrams, placating China, or internet trolls, or just too many cooks in the kichen (or, conversely, Abrams is just trying to deflect blame for a shoddily put together movie).
(ETA because I posted this in a rush last night – I’m not advocating the conspiracy theory, it’s just a weird rabbit hole I fell down that actually came from some speculation on a John Williams forum due to analysis of the soundtrack and how clearly edited/chopped up/tracked it is which led to conclusions that the movie was vastly altered after it was scored, and then somebody posted a link to this thread. I can believe there was a ton of meddling, and also that given that there was no plan from the start, this is the result we got. I’m not so sure I believe Disney decided to sink a multi billion dollar franchise just to spite Abrams ;) )
That said that sub seems to seriously hate TLJ (and while I empathize with many of the reasons for being dissatisfied, I also really enjoy that movie, contradictorily) so they also seem to lay all the blame on TLJ. Although I personally feel TFA had already laid the ground in deconstructing everything. Anyway, not gonna go into it :)
My point is that Boyega has been flaming Reylos (and apparentiy even Driver and Ridley have made some statements, and Isaacs is also really not happy with how his character was treated) and it’s really freaking funny.
Regarding the Tatooine scene – I actually LOVED that scene and at least to me it seemed really clear she was just making a pilgramage and burial. I loved seeing Luke and Leia together (one of my huge beefs with the sequels, honestly, i sthat Luke and Leia didn’t get a close relationship and Luke abandoned his sister in her time of need) and while I do kinda feel Tatooine maybe didn’t have the happiest memories for anybody involved, it is kinda where it started and is a nice throughline from Revenge of the Sith (infant Luke) -> A New Hope (binary sunset scene) -> Rise of Skywalker (dead but finally happy Luke). Honestly, for me that scene was just as much about wrapping up Luke’s arc as Rey’s.
I’ve been staying away from a lot of the ‘click bait articles’ because I have kind of come up with my own ideas about what’s going on, and it satisfies me, and I don’t really want to know if it was supposed to be something else. But I do ultimately agree. Like, did you know that the opening scene is actually flippin’ Mustafar???? Which a)makes me excited because MUSTAFAR (and also kind of explains why a Wayfinder was there) but b)WHY DIDN’T WE GET TO SEE KYLO VISIT VADER’S CASTLE???
I think I did read one about the end scene though, in wihch they explained why they kept it to JUST Luke and Leia’s Force ghosts, to make it a little more intimate. I can understand that, even if I still felt like Ben and (maybe) Anakin should have been there. I actually really do think that scene works as Rey paying homage to her mentors and the family/legacy she is choosing to honor. I really have no complaints about that and I didn’t need to read an article to tell me that. Given that she ignites her own lightsaber, it seemed clear ot me that she was still seeking her path and not just going to stick around moisture farming. Maybe she’d train more Jedi there, I don’t know – but given her big embrace in the prior scene with Poe and Finn, I didn’t think she was just isolating herself. It wasn’t until I started reading othe rreviews that I saw people thought she was just going to live there forever as a hermit.
(Speaking of the whole JJCut conspiracy apparently they actually freaking filmed Hayden in the actual climax and then cut it which if that’s true is completely heartbreaking, because that was really one of the things I wanted to see and I think would have at least given it a bit more cohesion with the whole saga).
Oh, and the Lando/Jannah scene – LOL. I remember being incrdibly squicked out (and also really disoriented at why the ‘Luke and Leia’ cue was playing over that scene), and then my husband was all, “No, they’re related, that’s what he meant!”. We argued about it for awhile, but yeah, apparently Lando has this whole tragic backstory (because of course he does, that’s how the ST rolls) with a daughter that was kidnapped by the First Order.
Hi Lisamarie! Just wanted to say sorry my shortening of your name bothered you. It wasn’t intended.
Thing is there’s a variety of naming conventions used on this site. Some people use their full names, which I’m not going to type out every time I respond to them. Others may throw in a Lord or Princess, which I will also never use.
Side story: one of my summer jobs, a long time ago, was working in a high-rise building’s mail room where Lord Wedgwood was one of the residents. I never called him Lord (Sir was ok) and he complained to management. I said that’s why we fought a revolution, so we wouldn’t have to bow to a lord. He wasn’t even in his own country. They didn’t fire me.
Some use very generic Jim or Bob names. I asked one once if he was the Jim. One said he actually preferred to go thru the “I am not a robot” process (huh!) rather than registering, which makes posting easier.
I learned (maybe from Leo Laporte), also long ago it seems, that using screen names was a good web etiquette and safer practice.
In any case, to marginally tie this back to SW, maybe a case can be made now that the Emperor and his lieutenant Lords/Darths (Darth Vader/Dark Father) are gone, the galaxy will finally get back to a more democratic government. This has been a Science Fantasy series, so of course they doled out tropes about the nobility’s right to rule. Hopefully future movies will move away from those tropes.
I LOLd at the Lord thing. No, I do not insist anybody call me Empress or anything else :)
LM is acceptable (some people at work call me that). It’s just that Lisa is (literally) my mothers name and my name is in fact Lisamarie (distinct from hers) and the ‘marie’ is definitely part of it.
I really liked tRoS, and i think it resolves the most important question of all: what are the Dark and Light sides of the Force and why choose one or the other?
The answer, i think, is that the Dark side represents totalitarianism, with everyone on the Dark side subsumed and ruled by a single person, here Palpatine (one person with total power, hence the name). I remember Palpatine even saying that he would live in Rey, essentially take her over when he was fully resurrected.
The Light side is individuality *and* collectivism, that is, democracy. In any given moment, it is weaker than totalitarianism, since it is difficult to coordinate action; everyone has their own voice and their own ideas. But that’s why Finn and Jannah’s conversation is so important: Jannah’s platoon laid down their arms at the same time, without having discussed it, and still hidden in their anonymising stormtrooper helmets. It was “instinct,” said Finn. The Light side of the Force makes it possible to achieve coordinated, collective action, voluntarily provided by individuals for some greater good. All the ships showing up at the end for the big fight was another expression of this.
So we expect Force Ghosts only from the Light side, since only they retain their individuality.
Seen in this light, i think it was a Good Thing for the story to have Rey be a Palpatine descendent. A totalitarian regime transmits its power hereditarily, or it is wrested away by force. A democratic regime allows joiners and peaceful transfer of power; that’s the whole point of it: everyone gets to share. Rey’s choice to be a Skywalker means Something More since she was born a Palpatine and had the dark side available to her.
Kylo Ren, by contrast, mistakenly thought he was fated to go to the Dark side and so went there. But in the end, he learned that he could join the Light side, and he gave his life to Rey, which is the opposite of what a totalitarian would do. And Rey’s Kiss is a kiss of gratitude and recognition. It was love, but not romantic love.
Upshot 1: good parenting works!
Upshot 2: I strongly recommend the book Why Nations Fail by Acemoglu and Robinson.
The fallacy that totalitarianism is somehow more efficient than democracy is contradicted by historical evidence yet strangely persistent.
My own idea is the Dark Side represents entropy, and the Light Side creation. The Force becomes unbalanced when the Dark Side is active, being used by Force wielders like the Sith.
The fallacy that totalitarianism is somehow more efficient than democracy is contradicted by historical evidence yet strangely persistent.
My own idea is the Dark Side represents entropy, and the Light Side creation. The Force becomes unbalanced when the Dark Side is active, being used by Force wielders like the Sith.
Why are people more open to the idea of a relationshp between Finn and Poe than they are to the one between Finn and Rey? In fact, very few people are even willing to discuss Finn and Rey as a possible romance, while they beat the drum for “Stompilot”, “Reylo”, Finn/Rose or even Rey/Poe. Is the idea of a romance between a white woman and a black man in a Star Wars movie really that repugnant?
I find it sad that so many fans (and characters) try to compartmentalize the Force. Make it simple for easy consumption. The irony of this is that they accuse George Lucas of doing just that with the midichlorians. All he did was create an organic being that served as a symbiote between the Force and nature. That is all midichlorians are. And they also served as a symbol or metaphor for the relationship between the Human Nabooans and the Gungans in “The Phantom Menace”. I knew this when I first saw the film. But the Force remained a mystery. And yet, many try to compartmentalize it and slap labels on it because they cannot deal with its ambiguity or the ambiguous nature of the universe. I cannot believe I am about to say this, but I blame George Lucas for kick starting this nonsense in “The Empire Strikes Back” with the phrase – “Dark Side of the Force”.
@173/Lee Jones: “I blame George Lucas for kick starting this nonsense in “The Empire Strikes Back” with the phrase – “Dark Side of the Force”.”
That’s older than The Empire Strikes Back. It’s from the very first film, the very first time the Force is mentioned at all: “A young Jedi named Darth Vader […] helped the Empire hunt down and destroy the Jedi Knights. […] Vader was seduced by the dark side of the Force.”
I agree about the midichlorians.
This is just my opinion but to me ‘the dark side’ in some ways represents the darkness in a human heart. It is lack of balance (unchecked greed, possession, inordinate attachment, aggression, etc). This is why I’ve personally never been that attracted to to the ideas about ‘grey Jedi’ and balance of the Force being equally dark and light, or and equal number of Sith and Jedi, etc.
I definitely agree with Luke in TLJ that the Jedi certainly don’t have a monopoly on the light side, and in fact they were flawed/extreme in a lot of ways, especially the way they viewed emotion and healthy attachment.
I love the midichlorians as a concept, but I was studying microbiology in college and I like the mix of science and mysticism.
Everything about the way the kiss is filmed shows that it’s romance- how long they kiss, the smiles, the face touching, the music, etc. I don’t like it, but as a filmmaking student there’s no doubt it’s a romantic moment. Compare that to Rey hugging Finn and Poe and kissing Finn on the forehead in TFA. Sometimes artists make creative decisions we hate. Couple that in with Hamill and Rian Johnson both confirming that Rey and Kylo have “sexual tension.”
MarieBookwyrm, if the powers that be at Disney wanted “Finnrey” then that’s what would have happened in the movie. She would have kissed him instead of Kylo/Ben. The powers that be didn’t want it, so it didn’t happen. Not only did FinnRey not happen, but they had Rey kiss the guy who puts Finn in a coma. Take the not so subtle hint from Disney about how the powers that be don’t like “finnrey.”
Aaeryl, so many people, including great filmmakers like PTA and Spike Jonze have said Kylo/Ben is the best character in the sequel trilogy. He even wins most polls about who is the best new Star Wars character. And as Adam and JJ have both said, Ben fell to the dark side because of brainwashing. He didn’t just wake up one day and become evil. Finn is far and away the worst sequel trilogy character. They didn’t give him an arc. He’s just the one dimension wholesome good role model sidekick. And JJ and Boyega(who is a massive finery shipper himself) have both said Finn was NOT going to tell her that he loves her.
Your entire stance on Kylo is contradicted by the filmmakers. JJ said Kylo “instantly regretted killing his father.” Rian said Kylo was “a relatable character we should have sympathy for.” Even Rey says she can feel his conflict in the elevator scene in TLJ.
Lee Jones, it’s not a race thing…. at least not for most people. The problem with Finn and Rey in a romance is that the best friends to lovers trope is the single most boring, overused cliche in all of fiction. It’s a trope you can see in almost every romcom and sitcom ever made. Disney had their chance to make FinnRey a thing. Instead they doubled down on it being just friendship- then they had Rey kiss the guy who puts Finn in a coma. Ridley has even said she says Finn and Rey as brother and sister. Boyega seems to love FinnRey, and is genuinely upset he didn’t get to kiss Ridley.
@178, Aaeryl, so many people, including great filmmakers like PTA and Spike Jonze have said Kylo/Ben is the best character in the sequel trilogy.
Entitled white men identifying with an entitled white man is not really all that shocking, and affects my opinion not at all.
I live with the consequences of the shit men like Kylo Ren do everyday, I’ll spare my sympathy for their victims, thanks.