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Announcing the 2020 Hugo Award Finalists

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Announcing the 2020 Hugo Award Finalists

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Announcing the 2020 Hugo Award Finalists

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Published on April 7, 2020

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2020 Hugo Awards finalists

The finalists for the 2020 Hugo Awards, the Astounding Award for Best New Writer, the Lodestar Award for Best Young Adult book, and the 1945 Retrospective Hugos have been announced! You can read the full list below.

This year’s 78th annual WorldCon was scheduled to take place in New Zealand but due to the ongoing safety concerns and COVID-19 pandemic organizers decided to take the entire convention virtual. For complete details on the convention’s programming and participation, check out the official announcement on the CoNZealand website.

Nominations for the 2020 and 1945 Hugo Awards were submitted by the members of CoNZealand, the 78th Worldcon, and Dublin 2019: An Irish Worldcon. 1,584 people submitted 27,033 nominations for the 2020 Hugo Awards, and 120 people submitted 1,677 nominations for the 1945 Retrospective Hugo Awards.

Only CoNZealand members will be able to vote on the final ballot and choose the winners. You can still purchase a Supporting Membership on the CoNZealand website to be eligible to vote. Information on how to submit a voting ballot is available here.

 

2020 Hugo Award Finalists

Best Novel

  • The City in the Middle of the Night, by Charlie Jane Anders (Tor; Titan)
  • Gideon the Ninth, by Tamsyn Muir (Tor.com Publishing)
  • The Light Brigade, by Kameron Hurley (Saga; Angry Robot UK)
  • A Memory Called Empire, by Arkady Martine (Tor; Tor UK)
  • Middlegame, by Seanan McGuire (Tor.com Publishing)
  • The Ten Thousand Doors of January, by Alix E. Harrow (Redhook; Orbit UK)

Best Novella

  • “Anxiety Is the Dizziness of Freedom”, by Ted Chiang (Exhalation (Borzoi/Alfred A. Knopf; Picador)
  • The Deep, by Rivers Solomon, with Daveed Diggs, William Hutson & Jonathan Snipes (Saga Press/Gallery)
  • The Haunting of Tram Car 015, by P. Djèlí Clark (Tor.com Publishing)
  • In an Absent Dream, by Seanan McGuire (Tor.com Publishing)
  • This Is How You Lose the Time War, by Amal El-Mohtar and Max Gladstone (Saga Press; Jo Fletcher Books)
  • To Be Taught, If Fortunate, by Becky Chambers (Harper Voyager; Hodder & Stoughton)

Best Novelette

  •  “The Archronology of Love”, by Caroline M. Yoachim (Lightspeed, April 2019)
  • “Away With the Wolves”, by Sarah Gailey (Uncanny Magazine: Disabled People Destroy Fantasy Special Issue, September/October 2019)
  • “The Blur in the Corner of Your Eye”, by Sarah Pinsker (Uncanny Magazine, July-August 2019)
  • Emergency Skin, by N.K. Jemisin (Forward Collection (Amazon))
  • “For He Can Creep”, by Siobhan Carroll (Tor.com, 10 July 2019)
  • “Omphalos”, by Ted Chiang (Exhalation (Borzoi/Alfred A. Knopf; Picador))

Best Short Story

  • “And Now His Lordship Is Laughing”, by Shiv Ramdas (Strange Horizons, 9 September 2019)
  • “As the Last I May Know”, by S.L. Huang (Tor.com, 23 October 2019)
  • “Blood Is Another Word for Hunger”, by Rivers Solomon (Tor.com, 24 July 2019)
  • “A Catalog of Storms”, by Fran Wilde (Uncanny Magazine, January/February 2019)
  • “Do Not Look Back, My Lion”, by Alix E. Harrow (Beneath Ceaseless Skies, January 2019)
  • “Ten Excerpts from an Annotated Bibliography on the Cannibal Women of Ratnabar Island”, by Nibedita Sen (Nightmare Magazine, May 2019)

Best Series

  • The Expanse, by James S. A. Corey (Orbit US; Orbit UK)
  • InCryptid, by Seanan McGuire (DAW)
  • Luna, by Ian McDonald (Tor; Gollancz)
  • Planetfall series, by Emma Newman (Ace; Gollancz)
  • Winternight Trilogy, by Katherine Arden (Del Rey; Del Rey UK)
  • The Wormwood Trilogy, by Tade Thompson (Orbit US; Orbit UK)

Best Related Work

  • Becoming Superman: My Journey from Poverty to Hollywood, by J. Michael Straczynski (Harper Voyager US)
  • Joanna Russ, by Gwyneth Jones (University of Illinois Press (Modern Masters of Science Fiction))
  • The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick, by Mallory O’Meara (Hanover Square)
  • The Pleasant Profession of Robert A. Heinlein, by Farah Mendlesohn (Unbound)
  • “2019 John W. Campbell Award Acceptance Speech”, by Jeannette Ng
  • Worlds of Ursula K. Le Guin, produced and directed by Arwen Curry

Best Graphic Story or Comic

  • Die, Volume 1: Fantasy Heartbreaker, by Kieron Gillen and Stephanie Hans, letters by Clayton Cowles (Image)
  • LaGuardia, written by Nnedi Okorafor, art by Tana Ford, colours by James Devlin (Berger Books; Dark Horse)
  • Monstress, Volume 4: The Chosen, written by Marjorie Liu, art by Sana Takeda (Image)
  • Mooncakes, by Wendy Xu and Suzanne Walker, letters by Joamette Gil (Oni Press; Lion Forge)
  • Paper Girls, Volume 6, written by Brian K. Vaughan, drawn by Cliff Chiang, colours by Matt Wilson, letters by Jared K. Fletcher (Image)
  • The Wicked + The Divine, Volume 9: “Okay”, by Kieron Gillen and Jamie McKelvie, colours by Matt Wilson, letters by Clayton Cowles (Image)

Best Dramatic Presentation, Long Form

  • Avengers: Endgame, screenplay by Christopher Markus and Stephen McFeely, directed by Anthony Russo and Joe Russo (Marvel Studios)
  • Captain Marvel, screenplay by Anna Boden, Ryan Fleck and Geneva Robertson-Dworet, directed by Anna Boden and Ryan Fleck (Walt Disney Pictures/Marvel Studios/Animal Logic (Australia))
  • Good Omens, written by Neil Gaiman, directed by Douglas Mackinnon (Amazon Studios/BBC Studios/Narrativia/The Blank Corporation)
  • Russian Doll (Season One), created by Natasha Lyonne, Leslye Headland and Amy Poehler, directed by Leslye Headland, Jamie Babbit and Natasha Lyonne (3 Arts Entertainment/Jax Media/Netflix/Paper Kite Productions/Universal Television)
  • Star Wars: The Rise of Skywalker, screenplay by Chris Terrio and J.J. Abrams, directed by J.J. Abrams (Walt Disney Pictures/Lucasfilm/Bad Robot)
  • Us, written and directed by Jordan Peele (Monkeypaw Productions/Universal Pictures)

Best Dramatic Presentation, Short Form

  • The Good Place: “The Answer”, written by Daniel Schofield, directed by Valeria Migliassi Collins (Fremulon/3 Arts Entertainment/Universal Television)
  • The Expanse: “Cibola Burn”, written by Daniel Abraham & Ty Franck and Naren Shankar, directed by Breck Eisner (Amazon Prime Video)
  • Watchmen: “A God Walks into Abar”, written by Jeff Jensen and Damon Lindelof, directed by Nicole Kassell (HBO)
  • The Mandalorian: “Redemption”, written by Jon Favreau, directed by Taika Waititi (Disney+)
  • Doctor Who: “Resolution”, written by Chris Chibnall, directed by Wayne Yip (BBC)
  • Watchmen: “This Extraordinary Being”, written by Damon Lindelof and Cord Jefferson, directed by Stephen Williams (HBO)

Best Editor, Short Form

  • Neil Clarke
  • Ellen Datlow
  • C.C. Finlay
  • Jonathan Strahan
  • Lynne M. Thomas and Michael Damian Thomas
  • Sheila Williams

Best Editor, Long Form

  • Sheila E. Gilbert
  • Brit Hvide
  • Diana M. Pho
  • Devi Pillai
  • Miriam Weinberg
  • Navah Wolfe

Best Professional Artist

  • Tommy Arnold
  • Rovina Cai
  • Galen Dara
  • John Picacio
  • Yuko Shimizu
  • Alyssa Winans

Best Semiprozine

  • Beneath Ceaseless Skies, editor Scott H. Andrews
  • Escape Pod, editors Mur Lafferty and S.B. Divya, assistant editor Benjamin C. Kinney, audio producers Adam Pracht and Summer Brooks, hosts Tina Connolly and Alasdair Stuart
  • Fireside Magazine, editor Julia Rios, managing editor Elsa Sjunneson, copyeditor Chelle Parker, social coordinator Meg Frank, publisher & art director Pablo Defendini, founding editor Brian White
  • FIYAH Magazine of Black Speculative Fiction, executive editor Troy L. Wiggins, editors Eboni Dunbar, Brent Lambert, L.D. Lewis, Danny Lore, Brandon O’Brien and Kaleb Russell
  • Strange Horizons, Vanessa Rose Phin, Catherine Krahe, AJ Odasso, Dan Hartland, Joyce Chng, Dante Luiz and the Strange Horizons staff
  • Uncanny Magazine, editors-in-chief Lynne M. Thomas and Michael Damian Thomas, nonfiction/managing editor Michi Trota, managing editor Chimedum Ohaegbu, podcast producers Erika Ensign and Steven Schapansky

Best Fanzine

  • The Book Smugglers, editors Ana Grilo and Thea James
  • Galactic Journey, founder Gideon Marcus, editor Janice Marcus, senior writers Rosemary Benton, Lorelei Marcus and Victoria Silverwolf
  • Journey Planet, editors James Bacon, Christopher J Garcia, Alissa McKersie, Ann Gry, Chuck Serface, John Coxon and Steven H Silver
  • nerds of a feather, flock together, editors Adri Joy, Joe Sherry, Vance Kotrla, and The G
  • Quick Sip Reviews, editor Charles Payseur
  • The Rec Center, editors Elizabeth Minkel and Gavia Baker-Whitelaw

Best Fancast

  • Be The Serpent, presented by Alexandra Rowland, Freya Marske and Jennifer Mace
  • Claire Rousseau’s YouTube channel, produced & presented by Claire Rousseau
  • The Coode Street Podcast, presented by Jonathan Strahan and Gary K. Wolfe
  • Galactic Suburbia, presented by Alisa Krasnostein, Alexandra Pierce and Tansy Rayner Roberts, producer Andrew Finch
  • Our Opinions Are Correct, presented by Annalee Newitz and Charlie Jane Anders
  • The Skiffy and Fanty Show, presented by Jen Zink and Shaun Duke

Best Fan Writer

  • Cora Buhlert
  • James Davis Nicoll
  • Alasdair Stuart
  • Bogi Takács
  • Paul Weimer
  • Adam Whitehead

Best Fan Artist

  • Iain Clark
  • Sara Felix
  • Grace P. Fong
  • Meg Frank
  • Ariela Housman
  • Elise Matthesen

Lodestar Award for Best Young Adult Book

  • Catfishing on CatNet, by Naomi Kritzer (Tor Teen)
  • Deeplight, by Frances Hardinge (Macmillan)
  • Dragon Pearl, by Yoon Ha Lee (Disney/Hyperion)
  • Minor Mage, by T. Kingfisher (Argyll)
  • Riverland, by Fran Wilde (Amulet)
  • The Wicked King, by Holly Black (Little, Brown; Hot Key)

Astounding Award for the Best New Science Fiction Writer, sponsored by Dell Magazines

  • Sam Hawke (2nd year of eligibility)
  • R.F. Kuang (2nd year of eligibility)
  • Jenn Lyons (1st year of eligibility)
  • Nibedita Sen (2nd year of eligibility)
  • Tasha Suri (2nd year of eligibility)
  • Emily Tesh (1st year of eligibility)

 

1945 Retro Hugo Award Finalists

Best Novel

  • The Golden Fleece, by Robert Graves (Cassell)
  • Land of Terror, by Edgar Rice Burroughs (Edgar Rice Burroughs, Inc.)
  • “Shadow Over Mars” (The Nemesis from Terra), by Leigh Brackett (Startling Stories, Fall 1944)
  • Sirius: A Fantasy of Love and Discord, by Olaf Stapledon (Secker & Warburg)
  • The Wind on the Moon, by Eric Linklater (Macmillan)
  • “The Winged Man”, by A.E. van Vogt and E. Mayne Hull (Astounding Science Fiction, May-June 1944)

Best Novella

  • “The Changeling”, by A.E. van Vogt (Astounding Science Fiction, April 1944)
  • “A God Named Kroo”, by Henry Kuttner (Thrilling Wonder Stories, Winter 1944)
  • “Intruders from the Stars”, by Ross Rocklynne (Amazing Stories, January 1944)
  • “The Jewel of Bas”, by Leigh Brackett (Planet Stories, Spring 1944)
  • “Killdozer!”, by Theodore Sturgeon (Astounding Science Fiction, November 1944)
  • “Trog”, by Murray Leinster (Astounding Science Fiction, June 1944)

Best Novelette

  • “Arena”, by Fredric Brown (Astounding Science Fiction, June 1944)
  • “The Big and the Little” (“The Merchant Princes”), by Isaac Asimov (Astounding Science Fiction, August 1944)
  • “The Children’s Hour”, by Lawrence O’Donnell (C.L. Moore and Henry Kuttner) (Astounding Science Fiction, March 1944)
  • “City”, by Clifford D. Simak (Astounding Science Fiction, May 1944)
  • “No Woman Born”, by C.L. Moore (Astounding Science Fiction, December 1944)
  • “When the Bough Breaks”, by Lewis Padgett (C.L. Moore and Henry Kuttner) (Astounding Science Fiction, November 1944)

Best Short Story

  • “And the Gods Laughed”, by Fredric Brown (Planet Stories, Spring 1944)
  • “Desertion”, by Clifford D. Simak (Astounding Science Fiction, November 1944)
  • “Far Centaurus”, by A. E. van Vogt (Astounding Science Fiction, January 1944)
  •  “Huddling Place”, by Clifford D. Simak (Astounding Science Fiction, July 1944)
  • “I, Rocket”, by Ray Bradbury (Amazing Stories, May 1944)
  • “The Wedge” (“The Traders”), by Isaac Asimov (Astounding Science Fiction, October 1944)

Best Series

  • Captain Future, by Brett Sterling
  • The Cthulhu Mythos, by H. P. Lovecraft, August Derleth, and others
  • Doc Savage, by Kenneth Robeson/Lester Dent
  • Jules de Grandin, by Seabury Quinn
  • Pellucidar, by Edgar Rice Burroughs
  • The Shadow, by Maxwell Grant (Walter B. Gibson)

Best Related Work

  • Fancyclopedia, by Jack Speer (Forrest J. Ackerman)
  • ’42 To ’44: A Contemporary Memoir Upon Human Behavior During the Crisis of the World Revolution, by H.G. Wells (Secker & Warburg)
  • Mr. Tompkins Explores the Atom, by George Gamow (Cambridge University Press)
  • Rockets: The Future of Travel Beyond the Stratosphere, by Willy Ley (Viking Press)
  • “The Science-Fiction Field”, by Leigh Brackett (Writer’s Digest, July 1944)
  • “The Works of H.P. Lovecraft: Suggestions for a Critical Appraisal”, by Fritz Leiber (The Acolyte, Fall 1944)

Best Graphic Story or Comic

  • Buck Rogers: “Hollow Planetoid”, by Dick Calkins (National Newspaper Service)
  • Donald Duck: “The Mad Chemist”, by Carl Barks (Dell Comics)
  • Flash Gordon: “Battle for Tropica”, by Alex Raymond (King Features Syndicate)
  • Flash Gordon: “Triumph in Tropica”, by Alex Raymond (King Features Syndicate)
  • The Spirit: “For the Love of Clara Defoe”, by Manly Wade Wellman, Lou Fine and Don Komisarow (Register and Tribune Syndicate)
  • Superman: “The Mysterious Mr. Mxyztplk”, by Jerry Siegel and Joe Shuster (Detective Comics, Inc.)

Best Dramatic Presentation, Short Form

  • The Canterville Ghost, screenplay by Edwin Harvey Blum from a story by Oscar Wilde, directed by Jules Dassin (Metro-Goldwyn-Mayer (MGM))
  • The Curse of the Cat People, written by DeWitt Bodeen, directed by Gunther V. Fritsch and Robert Wise (RKO Radio Pictures)
  • Donovan’s Brain, adapted by Robert L. Richards from a story by Curt Siodmak, producer, director and editor William Spier (CBS Radio Network)
  • House of Frankenstein, screenplay by Edward T. Lowe, Jr. from a story by Curt Siodmak, directed by Erle C. Kenton (Universal Pictures)
  • The Invisible Man’s Revenge, written by Bertram Millhauser, directed by Ford Beebe (Universal Pictures)
  • It Happened Tomorrow, screenplay and adaptation by Dudley Nichols and René Clair, directed by René Clair (Arnold Pressburger Films)

Best Editor, Short Form

  • John W. Campbell, Jr.
  • Oscar J. Friend
  • Mary Gnaedinger
  • Dorothy McIlwraith
  • Raymond A. Palmer
  • W. Scott Peacock

Best Professional Artist

  • Earle Bergey
  • Margaret Brundage
  • Boris Dolgov
  • Matt Fox
  • Paul Orban
  • William Timmins

Best Fanzine

  • The Acolyte, edited by Francis T. Laney and Samuel D. Russell
  • Diablerie, edited by Bill Watson
  • Futurian War Digest, edited by J. Michael Rosenblum
  • Shangri L’Affaires, edited by Charles Burbee
  • Voice of the Imagi-Nation, edited by Forrest J. Ackerman and Myrtle R. Douglas
  • Le Zombie, edited by Bob Tucker and E.E. Evans

Best Fan Writer

  • Fritz Leiber
  • Morojo/Myrtle R. Douglas
  • J. Michael Rosenblum
  • Jack Speer
  • Bob Tucker
  • Harry Warner, Jr.

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23 Comments
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Wimsey
5 years ago

The Light Brigade? Really? It was a third-rate Forever War. I haven’t read all the entries, but A Memory Called Empire was an excellent novel.

Avatar
5 years ago

I own half the Best Novel nominees. Middlegame and Gideon the Ninth are both great choices. I haven’t read The City in the Middle of the Night yet.

Avatar
5 years ago

Congrats to Mr. Nicoll!  And Mr. Whitehead for that matter.  Nice.

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Gideon Marcus
5 years ago

Indeed!  Hear hear for James!  And Cora, too! :)

Misty306
5 years ago

Congratulations to all of the nominees!!!

Avatar
5 years ago

I feel like there really needs to be a separate audio category to recognize all the amazing audiodrama that’s out there right now and not currently getting recognized under dramatic short subject. Some of the most fantastic horror and space opera writing in the business is happening in podcast form. It also frustrates me that there are no webcomics in the graphic novel category this year.

Regardless of my particular windmill, congrats to all the nominees! I’m very excited to read the short stories in particular to while away the quarantine. And it tickles me to see T. Kingfisher’s Minor Mage up for the Lodestone; as I recall she had to self publish that one because her agent and editors thought the book was too gruesome for young audiences? I found it delightful, harps made of bones and all. It has some pretty steep competition from Catfishing on Catnet, too. 

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Katja
5 years ago

 Was “The Future of Another Timeline” by Annalee Newitz eligible? I’m really surprised that it’s not on the list. Much better than her first book and probably my favourite from last year.

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Sarah
5 years ago

@6 I very much second your audio drama category suggestion. 

 

 

Avatar
5 years ago

There’s some very strong categories there. I’m glad I’m not a judge!

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Saavik
5 years ago

Once again, Tor does very well in the novel category, congratulations! Personally I would vote for A Memory Called Empire over The City in the Middle of the Night and The Ten Thousand Doors of January, though all three deserve the nomination. I haven’t read the others in the Novel category yet. Though, speaking of Seanan McGuire, I would vote for the InCryptid series in that category, for the Aeslin mice alone. All glory to the Aeslin mice! My other strong vote is for Emily Tesh as best new writer.

In 1945: Carl Barks’ “Mad Chemist” Donald Duck story, of course!

Now I am going to go order me a copy of the book on Joanna Russ….

 

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Stephen
5 years ago

I didn’t read everything in the novel/novella categories, but everything I did read deserves recognition. Congratulations to all the nominees.

Paul Weimer
5 years ago

Congrats to all the Finalists!  

 

I’m gobsmacked to be one.

 

I’ve read all six novel nomines which gives me a chance to concentrate on shorter works

Avatar
5 years ago

This is going to be a tough one for voters. So many worthy nominees.

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5 years ago

I’m curious how close “Black Leopard, Red Wolf” was for a nomination. That book blew me away last year, and I’m bummed it’s not nominated for best novel.

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sue
5 years ago

Did The Future of Another Timeline come out after the eligibility cutoff? 

Avatar
5 years ago

@15. sue

Looks like The Future of Another Timeline was eligible since it came out in the summer of 2019. Just didn’t get enough votes, would be my guess. I’ve heard wonderful things about the book, though.

Avatar
5 years ago

LOL… it’s a joke for the Novella, Novelette, & short story categories.

Not ONE SINGLE story from Asimov’s or Analog?  

A shame and a joke and a farce. Of course there are some excellent authors in those three categories nominated; but nothing from the world’s two best pro magazines?

LMAO.  I hope Sheila wins and it would be egg on the Hugo’s faces.

Avatar
5 years ago

My picks (of those I’ve read, and if you care):

● Novel: A Memory Called Empire, by Arkady Martine. My take:

https://www.goodreads.com/review/show/2596126434

● Novella:To Be Taught, If Fortunate, by Becky Chambers. My take:

https://www.goodreads.com/review/show/2950814607

● Novelette: “For He Can Creep”, by Siobhan Carroll. My take:

https://www.goodreads.com/review/show/2912001249

All of the above got 5 stars from me, on GR’s rating scheme. And I have some catch-up reading to do! I don’t see The Verge’s usual, helpful list of story links, yet….

 

Mel-EpicReading
5 years ago

That is some steep competition for best novel. And while I normally adore everything McGuire does; I don’t think Middlegame was all that great. But Ten Thousand Doors, and Gideon the Ninth were both tremendous. I need to read three others ASAP! I will say that having read 50% of the novels in the running feels makes me feel like I did pretty good at keeping up in 2019. :) 

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MagickChicken
5 years ago

I feel like the retro fan writer awards are kind of a cop out.  I couldn’t *not* vote for Bradbury or Lovecraft (or Leiber!).

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ClauClauClaudia
5 years ago

I know we’re all about the writing here, but *damn* the dramatic presentation categories are strong this year. Congratulations to all the nominees!

For me personally, none of the long form nominees scores less than 9 out of 10. (Endgame on its own maybe isn’t that strong, but add in its finale status and it makes it.) Russian Doll may win for me as the most original thing I’ve seen in a while. I’m going to have to rewatch some episodic television to remind me which episodes are what, but I suspect a Watchmen episode will be my short-form winner.

 

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Mark Joseph
4 years ago

@17:

There hasn’t been a nominee for best novella from Asimov’s, Analog, or F&SF since 2015, and not one that finished higher than “no award” since 2014.

For novelettes, those three have had a total of one nomination since 2016, although Analog had three nominations in 2015.

None of the three have had a nomination in the short story category since 2012 (!).

Remember, it’s about the politics, not the quality.

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John Beck
4 years ago

@22

You don’t think being available for free online has something to do with publications getting award nominations?