In the end, Reepicheep dies.
That’s something I didn’t understand when I read Voyage of the Dawn Treader as a kid. Lewis wouldn’t—indeed, didn’t—say it that way. In fact, he says the opposite, right in the text of the novel: While no one can claim to have seen Reepicheep from the moment he crested the great wave at the end of the world, Lewis says, “my belief is that he came safe to Aslan’s country and is alive there to this day.”
This particular article was originally meant to be the last in our series on The Voyage of the Dawn Treader, rather than the second, but in the unique space we find ourselves at this moment, I decided to write it early. This novel is, in many ways, about the preparations we make for the moment when we reach world’s end, and Lewis’s ideas and thoughts about it may be helpful for us.
From the time he was a pup, Reepicheep was told that he would reach the utter East and come to Aslan’s Country. Is it, as Lucy asks, the sort of country one could sail to? Reepicheep doesn’t know, but a dryad prophesied these words over him:
Where sky and water meet,
Where the waves grow sweet,
Doubt not, Reepicheep,
To find all you seek,
There is the utter East.
During all their adventures in this novel, Reepicheep stays focused on his eventual goal which, unlike the others, is not to find the seven missing lords, but rather to find Aslan’s Country. He wants to live with Aslan, in his presence. That’s it. That’s really the core of the book. Every other thing in life—gold or riches, power, quests—means very little in the face of leaving this world and entering the next. There’s not a lot of mystery in Lewis’s intended metaphor of Aslan’s Country and what it is, but Lewis explained it at least once in a letter, when he said, “…of course anyone in our world who devotes his whole life to seeking Heaven will be like Reepicheep.”
Reepicheep is seeking Heaven in his daily life, and it changes the way he treats the people around him. Mostly for good (he’s the first to make friends with the poor endragoned Eustace) though sometimes he’s hard-headed, unable to compromise, or jumps too quickly into unnecessary adventures.
As our adventurers move toward the very end of the world, Reepicheep grows more excited. He leaps into the sea and discovers the water is sweet (as was prophesied) and that it is more like liquid light than water. Other problems and concerns begin to fall away, and there is a stillness that comes over the party. They don’t need to eat anymore, or even to sleep, and though the water is still they are moving with incredible speed, caught in a narrow current.
King Caspian eventually realizes he won’t be allowed to follow this journey to its end. He has responsibilities in Narnia. Reepicheep must go on without him, and Caspian will never see him again. The king is angry and grieving. He says they will all have to return home then. Reepicheep reminds him that not all would return from the journey and Caspian shouted, “Will no one silence that Mouse?”
Aslan gently confronts Caspian about this. Caspian tells the others about his interaction with Aslan: “And he said—he said—oh, I can’t bear it. The worst thing he could have said. You’re to go on—Reep and Edmund, and Lucy, and Eustace; and I’m to go back. Alone. And at once. And what is the good of anything?”
Alone. The resounding loneliness of losing a loved one can’t be exaggerated. “And at once.” There’s nothing to be done, no way to change the schedule or control it. When the time has come, it has come. What is the good of anything?
Lucy tries to comfort him: “Caspian, dear. You knew we’d have to go back to our own world sooner or later.”
Caspian, sobbing, replies, “Yes, but this is sooner.”
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Drowned Country
They had come to a strange line of white in the water: lilies. Lilies as far as they can see. Lilies of various kinds are used as metaphors in different religious traditions. These appear to be water lilies, which in Hinduism and Buddhism are often symbolic of purity, resurrection, and enlightenment. In Christian tradition, lilies (though usually not water lilies) are likewise symbols of purity, the virgin Mary and the Annunciation in Catholic tradition, and of course, the resurrection of Jesus. In fact, there is a tradition that says when Jesus began to sweat blood while praying to be released from torment on the cross, that lilies grew wherever his blood fell. Calla lilies are often used to represent the same sentiments at funerals—both the hope of resurrection and the restored purity and innocence of those who have passed.
Reepicheep throws away his sword. He won’t need it any longer. He is on his final adventure and there is no need for violence in the land he will soon enter.
As they come closer to world’s end they see the land beyond: so beautiful it would break your heart, as Lucy says. Edmund and Eustace can never even speak again of what they saw. But we are told there are high green mountains that are warm and full of trees. It’s a gorgeous world, and they glimpse it for just a handful of seconds. Reepicheep says his farewells, but even now his attention has turned away from his friends. He allows them to say their goodbyes, even to hug him, but he’s struggling trying to contain his excitement. He leaps into his little coracle as soon as he can and the last they see of him is his silhouette against the green wave as he journeys on his last great adventure, full of joy.
For Lewis, to enter into Aslan’s Country after a life well lived is a thing to be eagerly anticipated. There is grief and pain for those left behind, but for one like Reepicheep, who has been living his whole life seeking Aslan’s Country, there’s a joyous pleasure to that final journey. And, indeed, Lewis avoids even speaking of death in these scenes. Reepicheep is leaving this world, but so are the Pevensies. So is Eustace. Reep has gone on to be in Aslan’s Country, and it is a place far more beautiful and wonderful than Britain or Narnia, or any other place in our respective worlds.
The children immediately want to know how they can get to Aslan’s Country. Aslan tells them that they must enter through their own world and in their own time. “I will not tell you how long or short the way will be; only that it lies across a river. But do not fear that, for I am the great Bridge Builder.”
Lewis shows us in this book that the most important thing in life is to be people who are growing in our characters (we’ll have a full post about that idea soon). In fact, Edmund and Lucy are told they are leaving the world of Narnia, never to return, just like Reepicheep has done. It is time, Aslan tells them, for them to grow closer to their own world. He has a name in our world, too. “You must learn to know me by that name. This was the very reason why you were brought to Narnia, that by knowing me here for a little, you may know me better there.”
They are “too old” but in a different way than Peter and Susan. Edmund is only 12 and Lucy is 10 or 11 in Voyage, both of them still younger than Peter or Susan were old when they first walked through that wardrobe. Edmund and Lucy aren’t “too old” because of the number of birthdays they’ve celebrated. They are “too old” because they have learned all they are able to learn in Narnia, and it is time for the next lesson. They have outgrown Narnia, and they need another world, a different world, to continue to grow.
As an adult rereading Voyage of the Dawn Treader, I couldn’t help but think of the last days of my closest friend. She had cancer, and after a four-year journey she crested that final wave taking her from this world and into the bright mountains beyond the sun. This time when I read Voyage I felt Lewis was describing those final few weeks with my friend and her family, the few of us who were with her at that time. Other problems fell away, and every moment together seemed more precious. There was a stillness, and a sense that time didn’t pass the same way, that we were barely moving but also rushing toward a conclusion. Things like food became less central to our days, both for us as grief and stress settled deeper in, and for her as her body began to shut down.
Like Caspian, I was angry I couldn’t go further on the journey. Not because I wanted to die, but because I wanted more time with my friend. We went to a small park in Portland, me on a bench and she in her wheelchair, and stared at the water lilies in the pond below us. She told me she knew the treatments weren’t working anymore and I wanted to say we don’t know that, maybe there’s something that else that will work…but there wasn’t, everything had been tried. That last wave was looming over us.
We knew. We knew it would happen sooner or later.
“Yes, but this is sooner.” We held hands and I wept.
Right now on my social media and in my friend circles, people are talking about this journey we are on. Whether we have recently lost loved ones, or know someone who is sick, we can’t escape the conversation. In our culture, which generally avoids any serious discussion of death, we’re being reminded of it every day. The stress, the uncertainty, the real loss that we are experiencing, all those things are piling on us and many of us are struggling to cope.
I reached out to a friend you may know, a wonderful person named Susan Palwick. Susan is a gifted author who writes short stories and novels that have the rare ability to both entertain and heal. She has a keen eye for human beings, and writes about the human condition in a way that gives insight and shows paths forward for us. Her work is often heartbreaking, compassionate, and wise, and always beautiful. (Her most recent book is a collection of short stories, All Worlds Are Real. The first book I read of hers was The Necessary Beggar, which I also love.)
Susan is also a hospital chaplain, and has experience walking through end-of-life conversations with families who find themselves, often unexpectedly, at world’s end. I asked her to remind me of something I had seen her share once before: the “five last things” that people need to hear and say before they pass from this world and into the next. Susan says, “These didn’t originate with me; they’re common knowledge in EOL circles, and I can’t remember where I first encountered them.” We both looked for a source but couldn’t find whomever originated these, but I think they are both helpful and wise.
So here they are, the five things that we all want to hear or say before we pass from this world into the next:
- Forgive me.
- I forgive you.
- Thank you.
- I love you.
- Goodbye.
As we are experiencing this time of forced separation (or forced togetherness!), there is value in remembering these things. I am thinking about these five things, trying to make sure there is no one out there who I need to forgive or ask forgiveness from. Do the people I love know that I love them? Do the people who have changed my life for the better know that I am thankful? Are there people to whom I need to say goodbye?
As for Reepicheep and his friends, they say goodbye well. There are tears and hugs and yes, there is grief. Lewis doesn’t dwell on all that, but as the Dawn Treader leaves the human children and Reepicheep in the sea of lilies and heads for home, the King orders all the flags on the ship to be flown, and every shield to be hung out in their honor:
Tall and big and homelike she looked from their low position with the lilies all round them. And even before she was out of sight they saw her turn and begin rowing slowly westward. Yet though Lucy shed a few tears she could not feel it as much as you might have expected. The light, the silence, the tingling smell of the Silver Sea, even (in some odd way) the loneliness itself, were too exciting.
In time, we all will find the utter East. For some, like Reepicheep, it may be the culmination of everything we have been seeking over the years. For some of us there will be fear, or pain, or surprise. We may not have the same excitement that Reepicheep does. Some of us are looking for Aslan’s Country, others may have questions or doubts, or not believe in Aslan at all. None of us have been there, and even those who hope to see Aslan’s Country may have caught only the barest glimpse of the great green mountains beyond the last wave at world’s end.
We all must say goodbye at some point to people who we love, who are going on a journey where we cannot follow. When those days come I hope to share my love with them honestly, and raise all the flags and hang out all the shields in their honor.
And I hope that on the day when I walk over the bridge from our world into the next, that my friend will be waiting for me, standing at the garden gate in Aslan’s Country, eager to greet me and welcome me to a new world, and a new adventure. I hope that will be true for each of us.
Until that day, my friends, be well. Let us be generous in expressing our love for one another, and until we must part, let’s enjoy this great adventure as fellow travelers.
Matt Mikalatos is the author of the YA fantasy The Crescent Stone. You can follow him on Twitter or connect on Facebook.
Thank you for this beautiful essay. I am moved.
I am absolutely sure all of this escaped me when I read the series as a young adult. Thank you for the beautiful essay.
In a way I am reminded of Tolkien’s words of the far green country under a switf sunrise. I suppose it’s a common analogy.
@@@@@ 1. zdrakec and 2. Lisamarie
Thank you so much. This was a much more personal reflection than our previous articles, so I was a little nervous how it might be received. I’m thankful for your kind words.
“My own plans are made. While I can, I sail east in the Dawn Treader. When she fails me, I paddle east in my coracle. When she sinks, I shall swim east with my four paws. And when I can swim no longer, if I have not reached Aslan’s country, or shot over the edge of the world into some vast cataract, I shall sink with my nose to the sunrise.”
*GOOSEBUMPS*
Lovely and full of heartbreak.
Wow, Matt. Voyage is my favourite Narnia book, and its ending is one of my all-time favourite endings, and I must confess I thought there was almost no chance you could do it justice, but I must report I have been very happily proven wrong. I will read the book with fresh perspective next time I do a Narnia re-read and…well, probably get even more emotional over it than I usually do. Any other words I say here would be superfluous…but thank you for this essay. Greatly moving.
Your essay is one of beauty and insight. Thank you.
You brought me almost to tears. Thank you. I needed to read this essay today, in this moment of fear and uncertainty for my family and friends. Sharing this on.
I always assumed that Reepicheep passed straight into Aslan’s country without actually dying in the same way that (many believe) Enoch and Elijah were taken directly to heaven without having to die first (Gen 5:24 and 2 Kings 2:11). Of course, either way it’s clear he’ll be greatly missed.
One of my favorite bits from this books is when Eustace (who has been transformed into a dragon as a result of his greedy thoughts awakening the dark magic of a dragon’s hoard) is comforted by Reepicheep. This was something that struck me for two reasons: First, that Eustace was (then) in no way a friend of Reepicheep (when they first met Eustace insulted Reepicheep seriously enough that Reepicheep wanted to fight a duel with him). And, second, that what Reepicheep is doing is not at all what is usually thought of as heroic; he is not rescuing him from a dragon or fighting to save him in a desperate last stand. Instead he is just offering words of hope and encouragement to someone in trouble. It is worth noting too that Reepicheep is not doing this in public (which might be only affecting a pose of virtue) but rather when it was just the two of them alone together. “The noble Mouse would creep away from the merry circle at the camp fire and sit down by the dragon’s head,…”. It takes a truly noble soul to comfort someone in trouble when you don’t even like them.
Reepicheep is one of the great characters in Narnia, both inspiring and comic. Puddleglum in “The Silver Chair” is another.
@3 Honestly, I cried a little while reading it.
Wonderful essay–thank you.
I always find it interesting that Reepicheep has his sword again in The Last Battle. Apparently he did have need of it–at least as a fashion accessory.
A beautiful essay. I never thought about the ending of The Voyage of the “Dawn Treader” like that until reading this essay. It makes me think of At the Back of the North Wind by George MacDonald, who was a huge influencer on C.S. Lewis. The story is about a boy who meets the North Wind and “travels” with her. The novel is a metaphor for children who feared death, and it was written at a time when children died before reaching adulthood.
Thank you for this essay. I am crying, remembering my own friend and when cancer caused her to ascend into Aslan’s Country much sooner than we could all have hoped. Reepicheep, that wonderful Mouse, has long been a source of inspiration. I wish to live as fervently and faithfully as he is depicted.
What everyone else said. A really lovely essay. Thank you.
Hmm. “Pontifex” is presumed to come from the Latin for “bridge” and “builder/maker”, and the greatest high priest of Rome was the Pontifex Maximus, whose title was adopted by the Pope. Is Aslan both of them?
This reminds me of Mirror Dance, where the very last thing that Miles Vorkosigan thinks before he dies is “wait, I haven’t-“. Er, spoiler warning.
This essay is wise, poignant and beautiful. A fitting tribute to the best Narnia book and the best Narnian character.
Thank you, everyone, for the kind words. It means a lot to me!
@9 Nazrax. I think that’s a fair reading for sure.
@10 JohnnyMac. I love that part, too!
@13 Misty306 Apparently I missed this too! I’m going to have to reread MacDonald! Though at least I knew I didn’t understand what was happening when I read his books. When I read Lilith I remember getting to the end and thinking, “That was good? I think? What happened?”
@14 KYS I am so sorry to hear about your friend. Peace to you and her family and friends!
@16 Eugene R. That’s an interesting theory! Hmmmm
@9 That’s always been how I’ve read it as well, though in practical terms, I’m not sure there’s very much difference.
Beautiful, and perfect for this moment. (Mops eyes.)
This brought me to tears. Thank you for writing this.
3. Matt Mikalatos Please listen to your muse, continue with this kind of writing. You can obviously create a beautiful piece of literature with real love and compassion. What a moving piece. I wish I could relate my admiration for this work adequately.
Beautiful essay, thank you so much. Having lost my father a year ago and now dealing with my mother’s terminal cancer, I’ve been spending a lot of time thinking about the far country. Your insights are comforting and enlightening.
How often do I find a new favorite author by reading an article from my inbox? This would be the first time. I loved this article, and I’m going to go read the rest of them.
Again, friends, thank you so much for the kind words. I know they say never to read the comments on the internet, but you all are so generous and kind in the comments on these articles! (And huge thanks to the editors and mods here at Tor.com who have built this community!).
@23 Editus. Your comment is a great encouragement. Thank you!
@24 dshuford. I am so, so sorry for your loss, and for the journey you and your mother are on right now. Peace to you both! And if you need someone to talk to, please do send me a note… my DMs are open on Twitter, and my other social media and email are all pretty easy to find if you search my name!
@25 Abigrayce. Ha! I love that. Thank you. :)
This made me cry. Thank you.
Thank you so much for this. Is beautiful in so many ways! I almost cry at the end but i agree with you and the need of say to the people i love that actually i do it. Once again thank you!
@10 I love Puddleglum, too. (there really needs to be an essay called “From Plato to Puddleglum” about reflections, caves and shadows).
This was a most timely essay and brought me to tears as I read it. I know when I read this book as a young person, I understood that Reepicheep was leaving the company and was in a sense dying, but this reread as an adult truly brought it home to me. Maybe because as a child, I had not yet experienced death firsthand, so to me it was still a vague and mysterious concept, something that happened when you were old. Now that I am 45, and am approaching “mid-life” I felt the loss of this character much more profoundly, but also could not help but embrace Reepicheep’s sense of excitement. This was not an ending for him, but was the start of the next adventure, the greatest adventure, one he had been anticipating his entire life. I can not help but envy Reepicheep’s unwavering faith.
I am rather late to the party here, having just today discovered this discussion series. I’ve had lots of time to read during the lockdown and I’m retreading the Narnia series in chrono order. I just finished Dawn Treader today.
The scene where the children find the Lamb and the roasting fish reminded me of the Biblical account of Jesus and his disciples found in The Gospel of St. John, chapter 17. I found it curious that Lewis chose this place to insert the Lamb aspect of Christ here when he has consistently presented Aslan the Lion. If anyone has theories on this I’d love to hear them.
Another Reepicheep note: I was just browsing on Amazon and I was interested to see that the cover image for a Kindle edition of “Prince Caspian” is a sword-brandishing Reepicheep. Perhaps another indication of the popularity of the character.
@31 Pam This is exactly what I’m writing about for my article in two weeks!
From the first time I read the Chronicles of Narnia in elementary school I was devastated by Reepicheep’s farewell, and even as a child I wondered whether I could ever approach my death with an echo of his joy and impatience to make that crossing. Now as an adult who has said farewell too many times to dear ones, I find myself much more rooted in Caspian. No matter how long expected, or how complete the leave-taking, it always feels too soon.
Thank you for this lovely meditation.
Hi Matt,
I’ve been using my quarantine to read through your bibliography, and I’d like to thank you for the really cool stuff you produce.
Regarding this reread, do you plan to go into the theme of alchemy in the Dawn Treader? Every vignette in the book seems to be about people in the process of change (makes sense, given the genre). And Lewis included a few “changes” of a magical nature too.
In this book, it seems like Aslan is in the business of taking “base material” and converting it into treasure.
What a beautiful essay. I’m crying. And smiling. Thank you. (Warm hug.)
Very late to add comments, but thank you for this beautiful essay, which had me sobbing. Reepicheep is The Best Mouse (if not the best character) and your description of him being The Best because he’s someone who lives with this eyes on heaven is excellent. Is there a bit of Philippians here as well – 1: 21-26 about being content to stay in the world as long as that’s useful, but death being better because that is being with Christ (er, Aslan), but also the language in 3: 13-14 about pressing on and striving forward for the goal?
The Voyage of the Dawn Treader reminds me of another book. The Tibetan Book of the Dead.
The Book of the Dead guides the dying soul through the realms of the afterlife. The maps used are the maps used by spiritually advanced monks.
Lewis is describing—from a Christian viewpoint—the quest of a spiritually advanced soul. It would not be wonderful if two explorations of similar territory had elements in common.
The Cliff Notes of the Dead: The soul dies and immediately sees the Pure Light of the Void. It is too much for most souls. Only the enlightened can bear it. If the soul cannot stand the Light, it falls back a level. If the dilute Void is still too much, it falls back another level. And on until it finds its own level. A monk reads instructions to one on his deathbed. Explaining and orienting him on his journey. Those instructions are laid out in The Book of the Dead.
Aboard the Dawn Treader, the tale is reversed. It is more like following the spiritual explorations of those monks. Towards the Pure Light of the Void. Not every monk reaches the Void. Most stop along the way. They’ve gone as far as they can. Or as far as they can bear.
The Dawn Treaders each go as far as they can. Each finds their own treasure. Stop at their own level. The farther the voyage, the more drop out.
Only Reepicheep can stand the Pure Light of the Lion.
This was lovely. My mum died this morning, and I found this as I was clearing my inbox. Smiling through my tears.
I just stumbled onto this series, and am enjoying this tremendously. Thank you for taking time to share this. Every time I think about Aslan’s country it brings a deep sense of sorrow, but also joy. Most importantly, it brings a sense of immeasurable longing; longing so strong that often brings tears. It’s like remembering a Home I’ve never been to, but I know that’s where I belong, where beauty is beyond imagination, where I can finally meet Him face to face. Thank you for reminding me this.
The ending of this beautiful book has always made me sob uncontrollably. Never more so than now, mourning the loss of my beloved sister back in late March, to whom I never got a chance to say those five blessed things. But I take some comfort in saying them now, and knowing that she can hear me where she is now, safe in Aslan’s country with all our loved ones and Asian himself. Thank you for this precious consolation.
Hi There,
Thank you for this lovely essay. The End of Life mantra seems to come from the Hawaiian practice of hoʻoponopono a traditional practice of forgiveness and “making things right” between families and extended community and has been borrowed by the new age movement. Hope this is useful! Dalya x
Like @9 I had always read it as meaning that Reepicheep is taken straight to heaven like Elijah. This happens to Ransom in the end of the Interplanetary trilogy, I think. But it also works as symbolizing death.
Reepicheep even talks back to Aslan in Prince Caspian. When Aslan comments that he thinks a bit too much about honor, Reepicheep protests that he’s small and has to assert his dignity. Arguing with Aslan: this really is a fearless Mouse.
The Great Bridge Builder is a reference to “Christ our great high priest” rather than the pope’s title, I would assume. More subtle: “Are you there too?” “I am. But there I have another name.” Firstly, this reminds us that God isn’t in a particular place, he IS, absolutely. Secondly, the other name – “I am” is the name of God.
I don’t know what prompted me to look for this post today, but reading it back in 2020 was the catalyst for something very important in my life. It prompted me to get hold of a copy of the Chronicles of Narnia and join in the rest of the re-read – and then move on to the Space Trilogy and (my favourite) Till We Have Faces and… to cut a long story short… last year I was baptised and now every week I take part in what could be described as joining with the song of Aslan’s Country.