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Marvel’s Agents of S.H.I.E.L.D.: All Good Things Must Come to an End

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Marvel’s Agents of S.H.I.E.L.D.: All Good Things Must Come to an End

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Marvel’s Agents of S.H.I.E.L.D.: All Good Things Must Come to an End

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Published on May 28, 2020

Screenshot: Marvel/ABC
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Clark Gregg in Marvel's Agents of SHIELD
Screenshot: Marvel/ABC

The Agents of S.H.I.E.L.D. are back for one final season. During the previous season, the team beat back a monster that consumed planets, only to have the alien race called Chronicoms target the Earth for disrupting the space-time continuum. The team found themselves shifted in time to New York City in 1931, and now it’s up to Mack, Yo-Yo, May, Fitz, Simmons, Deke, Daisy, and a robotic version of Coulson to save the world one more time. There are hints that their travels during the season will take them to different time periods, and their mission will be intertwined with the origins and history of S.H.I.E.L.D. itself. It looks like we are in for a season filled with action, guest stars, and more than a little fan service!

Only Agents who are cleared to observe SPOILERS should proceed beyond this point! You have been warned!

Marvel’s Agents of S.H.I.E.L.D. returned for the seventh and final season last night (Wed., May 27). This marked an ending not only for the show, but for the era of Marvel Television, a unit that has been disbanded and merged into the larger Marvel Studios organization. Instead of appearing on the traditional network, ABC, it is likely that future Marvel TV shows will appear on the new Disney Plus streaming service. In the six seasons to date, Agents of S.H.I.E.L.D. covered a lot of territory, including the destruction of the larger S.H.I.E.L.D. organization, the emergence of the Inhumans, battles with Hydra, attacks by aliens, monsters, and robots, and travels through space and time. The show was co-created by Joss Whedon, Jed Whedon, and Maurissa Tancharoen, with Jed Whedon, Tancharoen, and Jeffrey Bell served as showrunners.

Agents of S.H.I.E.L.D. has fared better than other Marvel shows appearing on ABC. Agent Carter, while very well received critically, had low ratings, and lasted only two seasons. Inhumans was dead on arrival, its abbreviated first season not connecting with fans at all. But Agents of S.H.I.E.L.D. kept plugging along, earning decent ratings and gaining improved critical reception as it continued, and building a worldwide following in syndication and on streaming services.

 

The Story So Far

Marvel's Agents of SHIELD
Screenshot: Marvel/ABC

As Season One debuted, a large audience tuned in to find out how Agent Coulson (Clark Gregg) would return after his high-profile death in the first Avengers movie. On a giant aircraft nicknamed “the Bus,” he traveled the world with an elite team: Melinda May (Ming-Na Wen), a tough senior agent; Grant Ward (Brett Dalton), a dashing leading-man type; Jemma Simmons (Elizabeth Henstridge), a brilliant biologist; and Leo Fitz (Iain De Caestecker), gadget builder extraordinaire. The team’s mission was to seek out “0-8-4s”: superhuman threats and objects of unknown origin. But eager viewers were a bit let down by the lack of A-list villains among these threats, and the character Skye (Chloe Bennet) was not terribly convincing as an activist hacker.

All that changed when Captain America: The Winter Soldier revealed that S.H.I.E.L.D. was riddled with evil Hydra agents, giving the show a shot in the narrative arm. Agent Ward turned out to be allied with Hydra, along with his mentor John Garrett (played by the excellent Bill Paxton). Also appearing were femme fatale Raina (Ruth Negga) and the mysterious Agent Koenig (Patton Oswalt), the first of a whole family of siblings working for S.H.I.E.L.D. As the season continued, there were several key cameos from Marvel movie characters, most notably Nick Fury (Samuel L. Jackson).

Season Two continuing the battles between Hydra and the remnants of S.H.I.E.L.D. Notable additions included Agents Triplett (B.J. Britt), mercenary Lance Hunter (Nick Blood), and Bobbi Morse (Adrianne Palicki, who arrived in one of the show’s standout fight scenes). Skye became an apprentice agent and grew more likeable. Coulson was obsessed with alien symbols, and the team searched for a mysterious obelisk that might be tied to his resurrection. The show introduced the Inhumans to the Marvel Cinematic Universe, and we discovered Skye was a latent Inhuman. Viewers were introduced to Skye’s (or Daisy’s) parents, Calvin Johnson (Kyle MacLachlan) and Jiaying (Dichen Lachman), with both actors breathing life into roles that could have been clichés. Two new additions who would have larger roles going forward were Agent “Mack” MacKenzie (Henry Simmons) and “frenemy” General Glenn Talbot (Adrian Pasdar). In a cliffhanger ending, Agent Simmons disappeared, absorbed into the obelisk. The season was well received critically, as the show seemed to be finding its groove.

Season Three followed Inhumans, like Daisy, on the run from authorities, who wanted to register superpowered persons. S.H.I.E.L.D. took some of these under their wing as the “Secret Warriors,” including Elena “Yo-Yo” Rodriguez (Natalia Cordova-Buckley). Agents Hunter and Morse unfortunately left the team. Former Agent Ward tried to rebuild Hydra with the help of powerful allies, and killed Coulson’s new girlfriend. The Agents raced Hydra to build a portal to the far-off world where Simmons was stranded, and on that planet Coulson gave into hatred and killed Ward. But when an evil monster called Hive, long exiled to the planet, inhabited Ward’s body to return to Earth, Coulson had reason to regret that decision. The season ended with a massive battle between S.H.I.E.L.D. and Hive with the fate of the world hanging in the balance.

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Harrow the Ninth
Harrow the Ninth

Harrow the Ninth

Season Four introduced magic to the series in the form of an evil book called the Darkhold, and the arrival of Robbie Reyes, the Ghost Rider (Gabriel Luna). It also introduced the technology of Life Model Decoys (or LMDs), and LMD character Aida (Mallory Jansen). And in a very well-received arc, Aida stranded many of the Agents in a virtual world that was a twisted version of our own, where Hydra ruled, Aida was Madame Hydra, Fitz was her evil confidant, and Coulson was a schoolteacher. The battle with Aida spilled back into the real world, and with the help of Ghost Rider, Aida was defeated. In order to win, Coulson took on the Ghost Rider powers, a deal with dark repercussions. In yet another cliffhanger ending, the entire team (except Fitz) was kidnapped and transported to some sort of alien space station.

In Season Five, Agents Mack and Yo-Yo took on more prominent roles. The team found themselves in the far future, on remnants of Earth floating in space, ruled by cruel Kree invaders. The team was aided by the mysterious Deke Shaw (Jeff Ward), who turned out to be Fitz and Simmons’ grandson. Back in the present, Fitz met an alien Chronicom named Enoch (Joel Stoffer), who put him into suspended animation on a spaceship so that he could rejoin his friends in the future. The team raced to build a device into the Zephyr, their new aircraft, so they could return to the present and head off the cataclysm that destroyed the Earth. This turned out to be the work of General Talbott; though he had the best of intentions, Talbott ended up transformed into the villain Graviton, and Fitz was killed in the final battle. Coulson unfortunately succumbed to an illness brought on by his temporary absorption of Ghost Rider powers, and after he and May admitted their love to one another, decided to spend his final days with her on a tropical island. He put Mack in charge of the Agents, and their first mission (with Deke as a new team member) was to go into space to find Fitz, whose younger self was still in suspended animation.

While Season Five could have provided a solid final ending to the series, the network ordered two more shorter seasons of the show. Season Six had the team split between rescuing Fitz and Enoch out in space and fighting a mysterious team of aliens whose leader, Sarge, looked just like Coulson. But that team, while amoral, turned out to be fighting an evil force that destroyed whole planets. It took the entire season to reunite Fitz and Simmons, and the while the evil force was eventually defeated, the team found themselves once again unstuck in time, with their Zephyr aircraft back in New York of 1931. They needed an expert on the history of S.H.I.E.L.D., so they re-created Coulson as a Life Model Decoy to guide them.

 

The Season Seven Premiere Episode (701): “The New Deal”

Marvel's Agents of SHIELD
Screenshot: Marvel/ABC

The network announcement of the new season stated: “Coulson and the Agents of S.H.I.E.L.D. are thrust backward in time and stranded in 1931 New York City. With the all-new Zephyr set to time-jump at any moment, the team must hurry to find out exactly what happened. If they fail, it would mean disaster for the past, present and future of the world on the rip-roaring season premiere…”

And wow, even though I had reviewed my notes on what had gone on before, I found myself having trouble keeping up. The alien Chronicoms are traveling through time, trying to disrupt human history to prevent the pesky Earthlings from thwarting their efforts in the future. They were able to download all of Fitz and Simmons’ knowledge of S.H.I.E.L.D., so Fitz has gone into hiding, and (taking a few years to do it, using time travel stuff) Simmons and Enoch have upgraded the Zephyr, which now has the ability to follow the Chronicoms through time.

Simmons stays in the Zephyr to oversee the mission. May is still in a suspended animation tube recovering, Enoch is working to heal her, and she won’t be ready to decant for about a week. Yo-Yo is recovering from her Shrike infestation from last season, and getting a new set of prosthetic arms courtesy of Simmons. They activate the Life Model Decoy version of Coulson, but it takes two attempts to get him oriented. Clark Gregg does a marvelous job playing a slightly younger and more lighthearted Coulson—but with a tinge of sadness, because the LMD knows the only reason he is here is because the original is dead. Then Coulson, Mack, Daisy and Deke head out into Jazz Age New York.

One thing that is immediately apparent is the quality of this season, which appears to have received a healthy budget increase. The special effects are great, as are the 1930s sets, props, vehicles, and costumes. The fight scenes are exciting and well-choreographed, and the acting is top-notch. The show is getting a chance to go out in style.

The Chronicoms show up in a shop, where they kill and impersonate some dirty cops, then kill a bootlegger. Daisy and Deke, impersonating RCMP Mounties, go in to look at the faceless bodies the Chronicoms left behind. Coulson and Mack find a clue on the dead bootlegger which Coulson recognizes as being connected to a speakeasy that was later used as a S.H.I.E.L.D. safehouse, so they go to investigate. They find the speakeasy owned by Ernest Koenig (played, like all male Koenigs, by Patton Oswalt). The two take out Koenig’s goons and sit down to talk business. Koenig introduces a young bartender named Freddy, and will be hosting a party soon, attended by the governor of New York, Franklin Roosevelt. The Chronicom cops try to jump Deke and Daisy, but one Chronicom is disabled, and they capture the other and bring him back to the Zephyr.

Mack, Coulson, Daisy, and Freddy head out to the party, and the Agents go all fanboy on FDR. But despite his importance to history, FDR is not the target. A knockout brunette in a red dress meets Freddy and gives him some vials full of green stuff; she tells him they contain the future. On the Zephyr, Simmons, Yo-Yo, and Enoch interrogate the captured Chronicom and find out Freddy is the actual target. The Chronicom cops show up, shoot the woman in red, and are about to kill Freddy when the Agents save the day. Coulson and Daisy take the woman in red back to Koenig’s speakeasy and find out that Freddy is Wilfred Malick, father to Gideon Malick, a founder of modern Hydra. So, it looks like to keep the time stream intact, they may have to save not only S.H.I.E.L.D., but also Hydra. And Freddy and the others have not shown up yet…

In the stinger, May has awakened and is hiding in the Zephyr from Enoch, who she apparently does not trust. And in the preview of upcoming episodes, we see that S.H.I.E.L.D. itself is the target for the Chronicoms.

 

Final Thoughts

Marvel's Agents of SHIELD
Screenshot: Marvel/ABC

The premiere was a bit hard to follow at first, as I caught up on the backstory. But I was soon absorbed in the new storyline and going right along with things. The actors are all at the top of their game, and their experience working together definitely shows. It was nice to see all the historical references, and there was a lot of humor in the mix to keep things from being too dark. There was also a lot of S.H.I.E.L.D. fan service, calling back to previous episodes and plotlines, and it looks like there will be a lot more to come as the season unfolds. If this episode is any indication, we are in for a fun and exciting ride!

As we’ve done in the past, this post kicks off a discussion thread I will shepherd as the season unfolds, adding new comments every time another episode airs. I’m eager to hear what you thought of this episode. If you want to follow the discussion, the best way to do it is to use your Tor.com user account. If you don’t have one, it’s easy to sign up. Then you will be able to follow the thread using the “My Conversations” feature, which makes it a lot easier to participate in discussions on the website. Feel free to come back each week and discuss the latest episodes, or share any S.H.I.E.L.D. news you might hear. In the words of the dearly missed Stan Lee, “Don’t yield, back S.H.I.E.L.D.!”

Alan Brown has been a fan of S.H.I.E.L.D. from its comic book beginning over fifty years ago.  He still remembers reading that very first adventure in Strange Tales #135.

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Alan Brown

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Alan Brown has been a science fiction fan for over five decades, especially fiction that deals with science, military matters, exploration and adventure.
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4 years ago

Yay, the S.H.I.E.L.D. posts are back on Tor.com! Once again, thanks for doing these, Alan.

S7E1 was a great start to the final season. I agree that the visuals were really good (better than “we moved from one underground base to another. I’m hopeful that it is due to budget increases, but I’m a little concerned it’s going to be one of those “we spent a ton of money to make 1931 look great, and have no more money for the middle episodes” type deals. Hopefully not.

The actors were, as you mentioned, in fine form. It’s weird to think about the fact that they basically filmed all of this a year ago – so for them, S6 and S7 were done pretty much as one season. If it had been broadcast that way (or with only a few months in between), the first episode probably wouldn’t have been confusing for you (I had brushed up on what had gone down in S6 so I wasn’t terribly lost).

One minor quibble I had was at one point Daisy tells FDR that Coulson is “a big fan”. I was pretty sure using the word “fan” as short for “fanatic” wasn’t a thing in the 1930’s. Turns out the first usage of it was in 1882 according to Google, so maybe FDR didn’t need to act confused like I had thought he should.

I do think they are doing a good job of showing how things like a well-dressed black man and a female police officer both stick out in the 1930’s, without belaboring it. I wonder if they won’t make the same case about YoYo and May?

Looking forward to the rest of S7 – I’m hoping (without much actual hope) that they can use AoS S7 to maybe explain the whole Captain America kerfluffle at the end of Endgame.

 

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teel77
4 years ago

I really enjoyed last night’s episode!  I wonder how long it will be until we get to see Fitz and find out where/when he is.  I hope Piper and Flint are with him! 

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4 years ago

Anyone have any guesses as to the full name of the woman who gave Freddie the vials?  I would not be surprised to learn she is the ancestor of some character Shield has come across in earlier seasons.

Thanks for reading my musings.
AndrewHB

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4 years ago

@1 I am hoping for some Cap references, at the very least. I know Agent Souza has a cameo at some point, and I hope to see Peggy Carter as well.

@3 If I have the right actress, Wikipedia lists the red dress girl’s name as “Viola,” played by Nora Zehetner.

@2 And I too am hoping Piper shows up at some point, perhaps when they get back to the present.

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4 years ago

It’s good to be back to the show and this discussion.  Did anyone else notice the old comics style for the show’s name at the beginning.  Fun.

Coulson’s delight in having super strength and invulnerability was a joy. 

Mack and Coulson in Thirties tuxs!  Daisy in that stunning green gown!  Lots of nice eye candy for fans.  The most unrealistic thing was a giant like Mack finding a tux to fit off the rack.  

Steve Rogers is a 12-13 year old child in the 1931 so they need to move forward for some Captain America goodness.  

Could that green goo be an early version of supersoldier serum?  Is May feral bonkers?  Will our heroes save or kill Freddy, father of monsters?  

I am looking forward to the answers.  

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Cybersnark
4 years ago

“You had one job, Enoch. One job.

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Ron
4 years ago

I have a like/hate relationship with this show. The show itself is good but it definitely isn’t Steranko good—the best version of SHIELD.  They created their own characters and ignored or misused existing character: Countessa  Clay Quartemain Jasper Sitwell.  And they lost some of the best character they created: Trip Lucy Lawless Edward James Olmos.

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4 years ago

I’m glad we’re back here again with you hosting this, Alan!

I don’t have much to add to your review, Alan. Pretty spot on.

@@@@@5. MByerly: I just finished rewatching Season 2 and the colour of the serum reminded me of Cal’s serum. so who knows?

@@@@@7. Ron: “And they lost some of the best character they created: Trip Lucy Lawless Edward James Olmos.”.
Trip had to be written out because the actor had a contract with another show. As for Lucy Lawless, although I’m always happy to see her, I found the way that they used her to play Hartley pretty satisfying and shocking at the same time in S02E01. We did see her later again in the part about reclaiming the Iskarion.

As for Olmos, I also love the guy, but I did not mind seeing Gonzalez go out like that at all.

On a side note, I watched part of a clip on YT where Elizatbeth Henstridge and her partner (I assume) were giving comments on this episode in a shared videochat with Chloe Bennet. Henstridge had trouble getting the feed working which was a bit of a letdown for Simmons… ;)

 

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4 years ago

I may be alone in this, but I hope they don’t address the Cap mess from Endgame.

ChocolateRob
4 years ago

I’m kinda fuzzy on why the Cronicoms want Earth and the destruction of shield. They needed shield to get time travel from Fitz but you would think that they would try to use that to save their own world and its lost population instead of stealing another already occupied one for the survivors. And why go to the effort of time travel to erase shield when they have the tech to just invade conventionally?

While this season looks set to be lots of fun it does not seem very coherently based so far. Maybe it will surprise me but I think it maybe should have ended with season 5.

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4 years ago

@10 You raise good points, but I have found it doesn’t pay to think too much when reading comic books, or watching the shows derived from them. The writers wrapped things up quite neatly when they thought the show was ending with Season 5. But I  am not going to begrudge the chance for a little something more. It is kind of like Babylon 5, which ended with Season 4, but then gave us Season 5, and a number of TV movies. Lagniappe!

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4 years ago

, 11.

Let’s just hope this season doesn’t end up below par when compared to the previous seasons, like B5 season 5 did. One Byron is enough for SF TV shows ;)

I wouldn’t mind a few stand alone movies though. I always wondered what would happen to that inhuman brother of that senator who started a second changing after being dumped in that lake in season 3…

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4 years ago

I was confused at first, because the scene with Freddy and the spy screamed Hydra, and it seemed like the product he was delivering could only be supersoldier serum. But how could this be when the Nazis are not even in power yet? I had completely forgotten that in this universe, Hydra aren’t Nazis, but rather Nazis are Hydra. Still, if they had the serum all along, why did they wait so long to use it? Why weren’t there more Red Skulls? I suppose the serum doesn’t yet fully work, but did it ever? Even the improved versions were only able to create the Abomination and the Centipede soldiers. Deathlok and Captain America might be the only stable results of using that serum.

I don’t understand the Hunters’ plan either, but I’m impressed with their commitment to preserving history. Destroying S.H.I.E.L.D. and Hydra means Iron Man will die, Captain America will never be, Thor will be killed by Loki, and Thanos will succeed in killing half the universe (and whoever is in charge of collecting the Space Stone will probably kill all of humanity anyway). At this point, preserving history doesn’t really matter. Typically, killing Roosevelt means that at worse, the Nazis will win WW2. But they will all be dead with the rest of humanity within 80 years, so why even bother?

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4 years ago

@12 I always felt sorry for the actor who played the inhuman in the lake. He is probably still sitting by his phone, waiting for a call to come back.

@13 Remember that serum is just a small part of the supersoldier process. And we’re not yet sure exactly what is in those vials.

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4 years ago

, 14:

I would not be surprised if this serum IS a predecessor of the super soldier serum, and that it somehow (either by our Agents or not) ends up in the hands of those who start the super soldier process that brought us Captain America.

Even more reason to save Hydra, although only us viewers would appreciate the irony. Or maybe Coulson if he’d be aware…

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4 years ago

Episode 702, 3 June 2020, “Know Your Onions”

The ABC pre-show teaser: “NEVER UNDERESTIMATE THE LITTLE GUY – With the identity of the timeline-unraveling “thread” revealed, the team’s mission to protect him at all costs leads each agent to question their own values. Is preserving the future of the world as they know it worth the destruction they could prevent?”

In the recap, we are reminded the Agents must save SHIELD from being eliminated by the Chronicoms currently disguised as cops. Freddie is the “thread” because he is the father of Gideon Malik, the founder of Hydra in America. To save SHIELD, they must save Hydra.

Mack, Deke and Freddie are being chased by the cops, and pull into an alley. Behind their backs, Freddie puts a vial, marked with a Hydra symbol, into a bottle he is smuggling to hide it. Koenig is upset with Coulson and Daisy for bringing the injured woman in red to his club. Simmons and Yo-Yo arrive in period costume, and Simmons pulls a bullet out of the mystery woman. The team has a conversation about the perils of changing history. Enoch tells them May is awake, and on the loose in the Zephyr. He reminds her that after her last battle, she died, was resurrected by Simmons, and is now in 1-9-3-1. Freddie tells Mack and Deke that to make his delivery, they need to hop a train. The Chronicom cops arrive at Koenig’s speakeasy.

Koenig tries to give the cops the runaround when they ask about Freddie. The woman in red wakes up, and a falling bottle almost gives the hiding agents away, but the Chronicoms get word that the getaway car has been found, and they leave. The SHIELD team interrogates the woman in red. She has a drop of something on her shoe and Simmons analyzes it. Meanwhile, Mack and Deke ride the rails with Freddie, who gives them some backstory. Simmons, whom Koenig finds fascinating, discovers the liquid is a key ingredient in the super-soldier serum (kudos to watchers who saw that one coming)!

Mack hears Enoch but can’t establish comms. May is in her field togs, and ready to go, but still acting strange. The team wants to head off the creation of the Red Skull. Koenig suspects Freddie is heading to Hell’s Harbor, and says if they take him along, he will helps. The Chronicom cops figure out that Mack, Malik and Deke are on a train. Mack wants the truth from Freddie, but Freddie pulls a gun on him. May is positively robotic, and takes on Enoch. They have a great fight scene, and May is getting the upper hand when Coulson arrives to stop her.

The team discusses May, who Enoch says is “malfunctioning.” They head out to Hell’s Harbor in the Zephyr. They take a hood off Koenig, and he realizes that he is on a spaceship, talking to a robot. Mack gets the gun from Freddie, and the train arrives. Koenig gets the backstory from the SHIELD team, but his mind is boggling. Simmons says the “window is closing” in 17 minutes, and they will soon make another time jump. Daisy finally gets in touch with Deke, hears he has a gun, and tells him to take Freddie out. But Deke balks.

Mack finds the green vial, and Deke tells him who Freddie is, and who his son will be. Deke raises his gun, but Mack tells him not to shoot. Then the Chronicom cops arrive with energy weapons. And SHIELD arrives with tommy guns. Mack swings into action barehanded, while Freddie grabs the green vial and ducks out. SHIELD blasts away at the alien coppers. Koenig asks if those cops are the Martians and Coulson says yes. They have three minutes till the time jump. Koenig confronts Freddie, trying to get him to do the right thing. But Freddie shoots him in the shoulder, gets into a car and leaves. The Chronicoms need to go too, because the “window is closing.” The SHIELD team heads to the Zephyr. Enoch finds that Freddie made his delivery, and the future is secure, and reports that to the team. Not everyone is happy with that outcome. Enoch doesn’t make it back in to the Zephyr, and is left behind.

In the stinger, Enoch becomes the new bartender in Koenig’s place. Koenig wants to help SHIELD, and Enoch says he will. Evoking the spirit of the movie Casablanca, Koenig says “this will be the start of a marvelous friendship.”

And in the preview of the next episode, at the end of their next time jump, the SHIELD team finds themselves at Area 51, where they meet Daniel Souza, former partner of Peggy Carter.

This was an enjoyable episode. There were too many good quips to repeat in this short summary, and the actors are having fun with their gangster accents, costumes and weapons. The mission turned out to be inconclusive, but there was a lot of exciting adventure along the way.

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4 years ago

Do you think they could have used “marvel-ous” with a knowing smirk at the camera more times than they did?

I wanted to grab our friends from SHIELD by their Thirties lapels and yell, “Shut up.  Shut up.”  They happily tossed info, history, and tech from the future like confetti at a parade.  Jeez, people.  Butterfly effect much.  I’m guessing this is the reason future Koenigs are so future Koenigs.  

This final season is going for the nostalgia of characters and places.  That’s always fun for a series like this.  

In Captain America history, was the Hydra serum and the one created by the Allies for Cap the same thing/same source?  If so, our gang stopping it from moving forward would have meant that Cap never would have happened, and the future would have been in deep poo and one half snapped.  

And no reference to CASABLANCA is ever remiss.  

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teel77
4 years ago

Any guesses about what’s going on with Yo-Yo?  She didn’t even try to stop the bottle from falling and only Daisy seemed to notice.

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4 years ago

@18 Yo-yo is definitely off her game. If my memory serves me, she was the only person in the last season who was infested by those shrike creatures and lived. I hope there is not some toxic after effect–that poor dear has been through enough.

JamesP
4 years ago

I’m going to assume that Enoch will meet up with the team again after their jump, no worse for wear, him being a chronicom and all 

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4 years ago

@20 That was my thought. That’s what he did while Fitz hibernated in season 5.

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Cybersnark
4 years ago

Wasn’t it implied back when we first met him that Enoch has been living on Earth as an observer for hundreds if not thousands of years?

Which would mean there are currently two Enochs wandering around, though naturally, “our” Enoch would have the foreknowledge to avoid his younger self.

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4 years ago

I can imagine Enoch thinking, as the Zephyr disappears, “Well, I guess it is anthropology time.”

 

When Wilfred Malik was described as “the future head of Hydra”, something clicked for me: why is Hydra’s symbol one head and lots of tentacle? Why does the hydra have only one head? Its members always boast that if you cut one head, two more will take its place, but if you cut the head of that weird octopus thing, you end up with lots of tentacles flailing about with no central control until they finally die on their own. Which is basically what we saw after Malik and Hive died (defeated off-screen by Talbot). Anyway, looking into this question, I came across this.

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4 years ago

@23 That video you linked to at the end of your comment was hilarious!

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4 years ago

I’d sort of assumed that they’d be spending longer in the 1930’s, but it looks like we’re going to be visiting a sort of greatest-hits compilation of S.H.I.E.L.D. eras every few episodes. I just hope Fritz turns up soon.

And they’re still sticking with a version of time-travel which is completely different from the version in Endgame.

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4 years ago

 @23 Athreeren,

“why is Hydra’s symbol one head and lots of tentacle? “

I believe it is because that is what Hive’s real head looked like.

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4 years ago

@25 This season was filmed before and just after ENDGAME hit the theaters so I doubt the time travel rules of split timelines were shared with the writers and the showrunners who had set up the final story arcs long before then.

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4 years ago

@27 I remember reading somewhere that, because of Endgame secrecy, the writers were not privy to any Endgame secrets when mapping out season 6. Which might apply to season 7 as well, since they were done back to back. 

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4 years ago

@@@@@12 Fiddler, @@@@@14 AlanBrown re: Vijay Nadeer, I guess I never thought there was any chance/reason for him to return. I figured the reason for the stinger showing him undergoing another Terrigenesis was to show that his Inhuman power was “reactive evolution” ala Darwin from the X-Men comics. And the reason they needed to show that was to give reasoning as to why AIDA/Madame Hydra had regenerative powers in Season 4 when she escaped the Framework with all of the Inhuman powers that EVIL!Fitz had taken from the various Inhumans they had captured.

@@@@@22 Yes, Enoch tells Fitz in Season 5 that he has been observing earth for thousands of years.

@@@@@23 Athereen Great find with that video. Very amusing. The wording in your second paragraph took me a second, though – I thought you were saying that Malik and Hive were defeated by Talbot off-screen. I figured it out, just took me a couple read-throughs. :)

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4 years ago

Episode 703, 10 June 2020, “Alien Commies from the Future!”

The ABC pre-show teaser: “A surprise leap forward in time has stranded Enoch in 1931 and landed the team in yet another unfamiliar decade. Now, in order to stop the chronicoms from launching their newest future-dismantling plan, the agents will have to infiltrate one of S.H.I.E.L.D.’s most secure bases. They won’t be able to succeed without help from a familiar face or two on an all-new episode…”

In the desert, a young couple is startled by the Zephyr coming in for a landing. The SHIELD team cloaks the ship. They are in 1955, just north of Groom Lake, Nevada, a place called Area 51 (cue ominous music).

In a big glowing room, the chronicom cops talk to a mystery woman. She is a “predictor,” who examines the threads of time. There are chronicoms already under cover at Area 51. The team discusses the dangers of changing history, and how they are being pulled through time in the wake of the chronicom ship. Coulson says Area 51 is a SHIELD base, and home of Operation Helios, an early fusion power experiment. The scene shifts to the Flying Rocket Diner, where Mack and Yo-Yo are sharing fries and milkshakes, along with Coulson and Daisy. A DoD guy walks in, who Coulson calls their mark. Daisy slips a drug into his coffee and he awakens in the Zephyr. Coulson enters the base using the ID of the DoD guy they captured, while Simmons impersonates Peggy Carter.

A SHIELD scientist is delighted to show his lab and gadgets to the visitors (including an electromagnetic pulse device, which will be important later). There is a Helios test this afternoon, and Coulson wants to talk to the science team. The DoD rep thinks he is being interrogated by commies, and goes all racist on Mack and Yo-Yo. Coulson and Simmons are trying to figure out how to tell scientists from chronicoms. There is a cute little montage of them trying to generate emotional responses. There is a whole bus full of additional visitors arriving. And also Agent Souza (from the Peggy Carter show). Deke and Daisy find a file on Souza and realize he could blow their whole operation. But when Souza meets Simmons, he pretends to be fooled.

Simmons realizes Souza knows the real Agent Carter, and he pulls a gun and arrests her. Coulson interrogates the visitors on the bus, until Souza calls for his arrest. The interrogation of the racist DoD guy is not going well, and they decide to send in Deke, the only white guy on the Zephyr. Souza is taking charge at the base, but meets a mystery woman (Daisy). She knows all about him, which convinces him she is CIA. Souza is worried about moles inside SHIELD. Deke gets the DoD guy to reveal that Helios isn’t important, because it doesn’t work. But they realize a chronicom could activate it, and blow it up. Mack decides to send in May, because the situation calls for an unemotional killbot, which is the way she has been acting. One of the visitors, a blonde woman, interfaces with the scientific gear with glowing tendrils from her fingertips. I think we may have found the chronicom!

May and Yo-Yo are in army uniforms, and go into the facility with gas bombs. Souza takes Daisy to interrogate Coulson and Simmons, and they lock him into the cell. The panicked scientists are leaving the facility. May has a panic attack, and Yo-Yo sees the chronicom, but her powers don’t work. And the Helios device comes to life. The DoD guy escapes and shows up in the Zephyr command center, and Mack decks him. May and Yo-Yo grab a jeep to pursue the blonde chronicom, who is heading toward Helios. She takes out the MPs, and plugs herself into the device, which goes into high gear.

May and Yo-Yo confront the blonde chronicom and while May fights her, Yo-Yo unplugs her from Helios. In the control room, a scientist chronicom attacks Daisy and Simmons. Then Coulson attacks him using his LMD robot powers. The blonde chronicom at Helios is trying to plug herself back in. Souza tries to help Coulson. Yo-Yo is getting choked. Simmons triggers an electromagnetic pulse device that disables the chronicoms, who self destruct. Souza examines the ashes of the scientist chronicom while the Coulson LMD is unconscious. But Coulson is waking up.

In the stinger, Deke and Mack drop the DoD guy off in the desert, and convince him he was abducted by a flying saucer. Naturally, no one believes him. And in the preview for next week, we see that Daniel Souza is destined to become the first fallen agent of SHIELD, just before he reveals that Hydra has infiltrated SHIELD. But will our team let that happen?

This was a great episode, fast paced and full of twists and turns. Souza’s guest appearance was beautifully handled, and the premise for next week’s episode is fascinating.

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4 years ago

This show is really, really funny when it wants to be, and Clark Gregg’s comic timing is wonderful.  Need I say “moist?”

Again a wonderful title card, this time done in the style of a Fifties science fiction B movie.  

I had the impression that only a small group of Chromicons went back in to the past, but they dropping like cybernetic flies.  

Now both May and YoYo are falling apart.  It’s always good to handicap the good guys to give the bad guys a bit of an advantage, but I find them failing more annoying than interesting.  

Next week, a noir murder mystery.  I hope they can save Sousa.  He deserves better.  

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4 years ago

Another great episode. A couple thoughts I had while watching:

1. Wow, the casual racism of the diner (segregated restrooms) and then Coulson saying “We’ve got a ways to go yet.” – are we sure this episode was shot a year ago and not during the past week?

2. Wow, the overt racism of the Old White Guy ™ – are we SURE this episode was shot a year ago and not during the past week?

3. Going to have nightmares about Coulson saying “Moist. MOIST.” tonight. (This turned out to be untrue, but I did have a dream/nightmare where I was laying on a grassy field and the space shuttle came down (inverted) and looked like it was going to land right on me, but then it turned out to be a trick of perspective and it kept flying past.)

4. Where is Iain De Caestecker?! This is like Season 3 but at least we saw a GLIMPSE of Simmons during those first few episodes. Is Fitz going to get a great solo episode ala 4,722 Hours?

5. Loved the title card. A bit bothered by the fact that it said Marvel Agents of SHIELD instead of Marvel’s Agents of SHIELD though.

6. As Coulson was reawakening, his eye color changes from his natural blue to a yellowish sort of thing. Is he going to not be Coulson/work properly?

 

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4 years ago

@31 That “moist” thing was hilarious, and Clark Gregg’s delivery was perfect. And I also hope Souza can be rescued somehow. I feel sorry for him, having lost his girlfriend when her old boyfriend Steve showed up again (I wonder if the show will address that elephant in the room?).

@32 With May suffering from what appears to be PTSD, Yo-Yo’s powers misfiring, and Daisy adopting a “shoot first, worry about the timeline later” policy, our SHIELD team is not firing on all cylinders. If Coulson comes back compromised in some way, things are going to be even more difficult. And I too want to see Fitz, and soon.

While Season 6 completely ignored the MCU continuity, I have read recently that the showrunners are hinting the show WILL cross over into MCU territory at some point, which could be interesting.

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4 years ago

@32  Sadly, it isn’t contemporary, and you can find time travel shows like TIMELESS and QUANTUM LEAP that take the same stance as AGENTS.  I wondered about Coulson’s eye, too, and I fear we are in for some out of control Coulson in the near future.  If the FitzSimmon romance doesn’t have a happy ending, many of us will be very unhappy.  Not to mention the other romances.  

@33 I imagine we may get a cameo from one or two of cheapest actors, I mean minor characters from the movies, but the shooting schedule was just too tight to bring the ENDGAME story in to the show.  

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4 years ago

I am enjoying this season so much.

29. KalvinKingsley: Good point on Vijay Nadeer.

 

34. MByerly Re: Cameos.

How about a town loaded with refugee Asgardians? Tessa Thompson fits your description. It would have been nice.

For a real Cameo, I could see Lady Sif making a return.

EDIT: Speaking of Asgardians, we still have Peter MacNicol as an option…

 

Short observation now. More details later.

I suspect Fitz is doing his own task where ever and whenever he is. I think he is working on how to get a better lock on the Chronicom Mothership.

EDIT: if his absence pays off like it did in Season 5, I’ll be happy with it. Because that episode where he contacts Lance Hunter through ranting in a football/soccer magazine is one of my favourite episodes.

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4 years ago

How can there be a planned test of the Helios device when it doesn’t work? What were they intending to show?

 

I’m a bit confused by May’s reaction to being called an “Oriental”; namely, that there was one. So Coulson is now alive as an alien robot from the future and they’re on their way to the fifties: business as usual. But a white guy from the fifties is racist? Who could have anticipated such a shocking twist? By contrast, I was impressed by Mack’s and Elena’s countenance, when they are usually not the kind to keep their cool under such abuse. In fact, it was strange how little they did to inconvenience the prisoner they were meant to interrogate; it’s like they were too wary of his white fragility to even risk making him uncomfortable. In fact, I don’t get what they were trying to achieve with that character. He’s apparently a highly trained agent, fully devoted to his country, and yet he doesn’t even try to get info as to why the Soviets would assemble such a team? He reveals for no reason that the secret weapon doesn’t work, when the Cold War was all about maintaining appearances of power? In Peggy Carter, the SSR agents were sexist, but otherwise mostly competent. Here, I’m not sure whether the guy is supposed to be a hardass agent who gets his comeuppance for his racism at the end, or if he’s just a buffoon through and through (in which case we have three competent agents – and Deke – losing to a buffoon).

 

One might think that’s it’s awfully convenient that the Chronicom just happens to have a compatible port on her body, but Chronicoms are meant to be able to adapt to any form of society. Chronicoms are actually universal adapters with a few functions added on top!

 

@33: on top of all these problems, Simmons appears to be unable to convincingly fake an English accent (that  remark of Sousa was hilarious)!

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4 years ago

@36 Good observation on May. If she is emotionless, she shouldn’t be irritated by the DoD man’s remark.

And I also enjoyed Souza’s suspicion of Jemma’s accent. Although, I will attempt an answer of the type people formulated to win a Marvel No-Prize, which Stan Lee used to award comic readers who helped rationalize apparent discrepancies. There has been some drift in accents over the decades, so maybe the English accents he heard back in WWII were a bit different than her modern accent. 

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4 years ago

@36 and @37 re: May – I feel like May’s emotions are…”thawing” or something. She was “emotionless murderbot” at first (hence the nonreaction to Coulson) but the longer she has to recover from her ordeal, the more she’s gaining emotions (to the point of having the panic attack during the raid on Area 51).

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4 years ago

@38 KalvinKingsley

Maybe the better description here would be ’emotionally short circuiting’ , considering she almost died and then waking up with a Coulson LMD around…

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4 years ago

Episode 704, 17 June 2020, “Out of the Past”

HISTORY COMES BACK TO HAUNT THE TEAM WHEN AN ALL-NEW EPISODE OF ABC’S ‘MARVEL’S AGENTS OF S.H.I.E.L.D.’ GOES NOIR.

The ABC episode synopsis: “It was just another average morning on July 22, 1955, when Agent Phil Coulson realized the importance of that day in the S.H.I.E.L.D. history books. With a chip on his shoulder and a genre-bending glitch in his system, he’d set into motion a chain of events that would hopefully preserve the timeline as we know it and ensure those pesky chronicoms get the ending they deserve. What could go wrong?”

We are in black and white tonight, with a grey tone logo, and at the Hotel Roosevelt, we have a Coulson narration in full film noir mode, with lines that could have been written by Dashiell Hammett or Leigh Brackett. The Coulson LMD is in handcuffs for interrogation, with his mind is not working well. He knows his history: Souza delivered a secret device to Howard Stark that day, but got killed, the first fallen Agent of SHIELD. Coulson volunteers to help deliver the device. He calls a bartender, Enoch at “The Crazy Canoe,” who patches him through to the Zephyr, and fills in the team. Yo-Yo and Deke go to get the device from the dead scientist’s house. They find someone has been there before them. Yo-Yo finds a man on the floor without a face, and then the device. The Chronicoms got there first. And Deke gets decked by the intruders, and captured.

Coulson and Souza board a steam train, but there was no SHIELD team to meet them. At the Crazy Canoe, Enoch gets another call, from Yo-Yo, and transfers her to the Zephyr. Mack will send a quinjet to meet her, while she goes and looks for Deke. Souza and Coulson chat about Howard Stark, and life as an agent. While Souza gets a drink, a mystery agent offers Coulson a proposition.

The Chronicoms know Coulson is an LMD, and offers him help, which Coulson refuses. Souza meets a knockout blonde and enjoys a drink with her. But it is an act; she is a bad girl with bad friends. He swings into action, almost escapes on his own, and Daisy, Mack and Coulson arrive to rescue him. They bring Souza onboard the Zephyr, and he meets May, who is kind of twitchy. Souza has never seen a plane like this. And isn’t impressed by the device they are delivering to Stark. Souza thinks SHIELD is being infiltrated by Hydra, which is probably the real reason he died. Deke is brought before the head bad guy, who is also Souza’s boss. And he is the Malik they saved back in the 30s!

Deke tries to talk his way out of trouble. Malik guns down one of his own men, just because he is angry. Mack doesn’t want to let Souza die, but Coulson isn’t sure that’s a good idea. Deke reminds Freddie Malik he knows him, and Malik lets him live. Simmons can’t figure out what is wrong with May, who either feels nothing, or her emotions are out of control (it turns out she is feeling everyone else’s emotions). Enoch gets another call, from Deke, and connects him to the Zephyr. Enoch is hurt that no one wants him as anything but a telephone operator and a shoulder to cry on. Mack wants to make the drop for Souza and save him, but Souza takes a motorcycle (and the device) out of the Zephyr, heading for his destiny at the hotel.

Can the SHIELD team get to Souza before the killer? Malik orders his goons to rub him out. The Chronicoms are there, too. Souza delivers the case to the concierge, and then encounters the guy with a gun, and we see the body in the pool. But all is not as it seems. It is Coulson who shoots Souza, but with an icer gun. The guy the bad guys shoot in the back is LMD Coulson, who can take bullets and float face down without a problem. The morgue team is SHIELD. On the Zephyr, Coulson gets readjusted, and when he does, the internal monologue goes away, and the episode returns to full color (pretty clever!). The team heads to their next time destination, with Souza onboard. Coulson admits they are time travelers, and faked his death. Souza gets a talk about life after death from Coulson.

In the stinger, a Chronicom stays behind to help Malik and Hydra infiltrate SHIELD. And in the previews for next week, it’s 70s time, complete with corny soundtracks, muscle cars, and cheesy catch phrases.

This was a great, great episode. There were lots of twists and turns, and the noir overlay worked beautifully. It is great to see Souza join the team, and I hope he is part of the rest of the season. The show is now in the Silver Age of Marvel Comics, and it will be interesting to see if there will be any references to the superheroes of the day. And speaking of comics, SHIELD was in their heyday during this period, and it will be interesting how the show portrays the organization.

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4 years ago

Another fun episode.  I’m glad Coulson’s glitch was just a clever narrative gimmick, not a rogue robot bit.  Now Mae and YoYo need a fix, too.  

Poor Enoch.  Ignored and left, once again.  The slow way through history sounds boring for him.  

How could the Chromicon left with Hydra not totally change a future he knows?  

The promo looks like we’ll have another great episode next week.  

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4 years ago

I loved this episode.

The black/white filming really worked here. I loved how they even used classic techniques for filming, like when Elena and Deke have their talk while driving.

I am glad they took Souza along to the Seventies. Poor Enoch was left behind again, but considering Hydra has a Chronicon advisor now, this may turn out not to be a bad thing to counter that as early as possible. Maybe a Fitz/Enoch episode coming soon?

So now we are in the Seventies. It may be too early yet, but if we get to see Nick Fury that would be both fitting and awesome for this season. If not now maybe later in the nineties, but that’s probably just me hoping. A guest appearance by Samuel Jackson would be very hard to keep.

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4 years ago

@41 The chronicom with Malik doesn’t change history. He was there all along,  we just didn’t know it. 

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Cybersnark
4 years ago

The colour comes back into Coulson’s world just as May walks in. *shipper squee*

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4 years ago

Another great episode. I’ll echo the others and say the noir/black&white/voiceover deal worked very well (for one episode). 

I’m thinking May is going to end up being able to use the “sense things when she touches someone” deal as a super power. Which will mean that of our original 6 Agents of SHIELD, only Fitz and Simmons will still have always been “non-enhanced” (and even that may change before the finale somehow):

May – Empathic senses
Daisy – Duh
Coulson – LMD
Ward – Hive

Also WE WANT FITZ DAMMIT

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4 years ago

@43 Alan:

If that were true there would be some major time loops going on, including the first part of Season 5 (including Daisy breaking that loop) and the whole of season 6, considering the Hunters went after Fitz because of traveling to the future (and the consequences of that) and the whole main thread in season 6.

I’m not buying that.

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4 years ago

That was awesome! Certainly one of the best episodes in the show!

From the justification for the B/W + internal monologue at the start, everything was great!

May has now become a Chronicom detector. That might come in handy (although it’s not as if Chronicoms were any good at blending in). Also, she’s been shown to have an excellent control over her emotions (for instance, she was the only one who managed to wield the Berserker Staff while remaining in control, despite feeling an intense rage that wasn’t hers). So now that she knows what’s happening to her, she should be able to manage it well.

I’m surprised that Coulson floats: I thought Chronicoms were much heavier. On that topic: a hero like Sousa never got a burial? Nobody even cared that his body disappeared? The team didn’t have time to catch Enoch, so they certainly didn’t have time to fake his corpse. Talking about Enoch, that running gag was both hilarious and really sad. He deserves better (for instance, getting to see Fitz again. And so do we!)

No More Mister Nice Guy is from 1973. But Wilfred Malick apparently died on February 9th 1970. I wonder whether they’re going to retcon that, or if we’re going to see the consequences of his actions over the past 20 years. Or maybe the Chronicoms have already changed the timeline enough for him to have survived.

Prediction: Sousa will have his leg fixed, and will then leave the team to be a policeman in 2012 New York.

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4 years ago

The episode even gave us an early clue as to how it would end – it starts like Sunset Boulevard, with Coulson narrating and Souza in the pool. But in SB, the body in the pool is the narrator – and so it was here.

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4 years ago

Episode 705, 24 June 2020, “A Trout in the Milk”

IT’S A REAL 1–2 JUMP ON AN ALL-NEW EPISODE OF ‘MARVEL’S AGENTS OF S.H.I.E.L.D,’ Patrick Warburton Returns as Guest Star.

The ABC episode synopsis: “After a bumpy landing in the disco decade, the team – Daniel Sousa in tow – reunites with more than one familiar face at the S.H.I.E.L.D. hangout and discovers exactly how to dismantle the Chronicoms’ latest plan. But when they get too close for comfort, the Zephyr unexpectedly leaps forward again, this time to a date pivotal to not only the future of S.H.I.E.L.D. but to the future of Director Mack as well on “Marvel’s Agents of S.H.I.E.L.D..”

We get a funky animated opening sequence, perfect for New York in the 70s. Coulson is flashing back to his childhood, while May is learning to deal with experiencing other people’s emotions. Souza can’t find new clothing to suit his tastes, and isn’t adapting well to the new era. The team heads down to Enoch’s club, which is nothing like it used to be. Meanwhile, Jemma is monitoring instruments. Deke asks if she has heard from Fitz, and Jemma can’t reveal anything about him because the Chronicoms might read their minds. He calls her Nana. And we see she has a glowing device implanted on her neck. Yo-Yo and Mack are investigating the Lighthouse, which was abandoned by SHIELD a few years ago (hey, that’s Portland Head Light, why did I never notice that before!). They are bonding again. But the base is not quite abandoned. May is absorbing drunkenness from the people around her in Enoch’s place, where Enoch has not been seen for over a year. And there in the crowd is General Rick Stoner (aka Patrick Warburton), who introduces his boss, Wilfred Malik (He’s still alive! History is different!). Project Insight (the death helicarrier system from Captain America: The Winter Soldier) is being announced, about 40 years ahead of schedule.

Coulson thinks the Chronicoms are behind the shift in history. May asks Stoner to buy her a drink, introduces herself as Chastity McBride, and flirts with him. Project Insight is still three years away from implementation. May meets young Gideon Malik, and calls him the next big thing. Souza pretends he is her fiancé to rescue her from the creep. Coulson briefs Jemma, who is probing him for information. Kind of suspiciously. At the Lighthouse, everything is different. They are wearing jumpsuits, and building some sort of giant James Bond-type device. Daisy finds the secret back room, filled with the latest in computing technology, and starts hacking. Souza steals a gun. Bruce Banner is on Hydra’s list, even though he is a kid. The Chronicoms must be feeding them info. And they show up to capture Coulson and May.

Freddie Malik remembers Coulson. And Daisy captures his youngest son. It’s a standoff. The team heads down the hall and escapes. The head Chronicom orders his agents to take out the SHIELD team, but Daisy quakes them. They need wheels, and Enoch shows up, “Come with me if you want to continue to exist.” They roar down the street accompanied by an electric guitar solo. Something is wrong with the Zephyr displays. The Chronicoms are jumping early, and the Zephyr is jumping, too. To 1976, when Project Insight is ready to launch. No helicarriers this time, just a booster that looks like a Delta IV Heavy, years ahead of its time.

Jemma is getting confused, and afraid. Enoch offers to help her. Souza is pissed, and so is Deke. Both of them were taken out of their times. Mack wants to infiltrate the Lighthouse, and disable the launch. Deke and Yo-Yo are sent out to capture Malik. The head Chronicom lectures him about priorities. He wants him to capture someone to give Hydra leverage. Daisy (with Souza standing guard) hacks into the system, finding that Hydra is already using firewalls, but transfers surveillance feeds to the Zephyr. Coulson and May are in retro bright blue SHIELD coveralls with white accessories, just like in the old comics. The youngest Malik shoots Daisy and Souza with an icer gun.

Coulson and May need a door opened, but Daisy isn’t there to do it. Deke and Yo-Yo burst in on Malik. Mack needs those security systems bypassed. Agent May and Coulson try to tell General Stoner about Hydra and the Chronicoms, but May decides it is easier to deck him, and steal his access card. The overhead hatch opens, and the launch is ready. Malik explains how the Chronicoms have been ten steps ahead all along. But Deke disrupts things by gunning him down (or thinks he does). May and Coulson have the charges in place, but Mack freezes. He sees his parents, prisoners in the base. The Chronicoms knew he would be in command. Mack orders an abort, and Coulson and May are taken prisoner. The rocket launches. But the Zephyr is going after it, and they successfully destroy the missile.

In the stinger, the youngest Malik is in a phone booth and wants orders. And next week, the Zephyr fights to survive, while it appears the Chronicoms are replacing agents with Chronicom duplicates.

Another good episode, with lots of nice comedy touches, especially the riffs on 70s adventure movies and James Bond tropes. But we have a lot of mysteries brewing, and with the Chronicoms getting more ruthless, the agents will have their hands full.

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4 years ago

Boy, that was fast!  Well done.

Love the 70s spy show graphics with the cast.  Even ABC was given a retro name.  Bell bottoms, amber monitors, boom boxes!  I lived through the era.  High school, college, graduate school! Wouldn’t recommend it as a time travel landing.  

The Portland Head Light gave me a mild start.  It’s one of my desktop pics., and the visuals, minus the Zephyr, were exactly the same including angle of view. Spooky.

I love Enoch is back with the group, and I’m guessing the blinky lights at Jemma’s brain stem are his way to keep the Chronicoms for finding or reading her.

Things do not look good for our heroes, and I hope they don’t kill Sousa.  He deserves better.  They should have also fixed his leg with their future tech.   

 

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4 years ago

How is this season constantly getting better? The only thing that was missing to this intro was “and… Iain De Caestecker, as Leopold Fitz”. 

Sousa is an amazing addition to the team (he needs to get a lawn, just to ask kids to get off of it)! But I would like one day to see someone in this universe handle a trolley problem in a way that makes sense. This “we don’t trade lives” shtick is getting old, considering this has only ever worked because the plot said it would.

Another prediction: the show will end with the Chitauri invasion, so we can see Coulson get killed by Loki, and end where the show began.

@49: I think you meant Daisy meets Gideon Malick. And Sousa’s “Wow! High tech!” needs to be in that summary too!

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Cybersnark
4 years ago

I love that, even while out of step, Sousa’s detective’s mind is putting together clues and staying on-mission. There’s a reason he’s a SHIELD legend.

I also want him and Deke to bond, and for Sousa to at least hear about Steve Rogers, to know that he’s not the only person having to deal with unwitting temporal displacement.

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Henry Higgins
4 years ago

This season finally made me ask the rhetorical question: why ARE Fitz and Simmons doomed to always be apart? Then I read that Iain De Caestecker acts all over the place and needs time away from the show…

Man. It’s like every single aspect of this already really good show is a new facet of “what could have been”. Never in my life (I’m 43) have I watched a show from its inception with such a weird feeling of missed opportunity.

Don’t get me wrong, I love this show and believe it to be one of the more worthwhile shows to waste time with of the past 20 years. Maybe it’s that affection that makes me see so many avenues of missed opportunity. This show could have been an all time great; maybe even could have challenged for the title of best sci-fi series of all time…

“I coulda been a contendah… I coulda been somebody!”

You ARE somebody SHIELD, you ARE somebody. (Dany DeVito to Arnold Schwarzenegger in TWiNS perhaps? Still good, just never given all the breaks.)

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4 years ago

@50 I have gotten a lot of practice over the years. I copy the network’s blurb before the show starts, take the notes in real time, tweak them during commercials, spell check them after the show ends, and post the comment. I am an “early to bed” kind of guy, and 11 is past my bedtime!  :-) 

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4 years ago

Another great episode. I loved the opening theme and sent it to a couple friends of mine who haven’t been watching this season yet.

A couple of things –

1. As someone else mentioned, you have “May meets a young Gideon Malik” but that should be Daisy meets a young Gideon Malick” (Malick is misspelled a couple other places too).

2. “Younger Malick” is named Nathaniel. He isn’t supposed to be around either, because in the original timeline he was sent through the monolith to Maveth and was taken by Hive.

3. At the end, Nathaniel Malick isn’t asking for instructions. He’s telling someone within SHIELD that he wants all of Dr. Daniel Whitehall’s notes on how to transfer powers from an enhanced person to another person – because he wants to take Daisy’s powers.

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4 years ago

@55 Thanks for those details on the younger Malick, you picked up a lot that I missed. His presence is more significant than I realized.

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4 years ago

Episode 706, 1 July 2020, “Adapt or Die”

TIME TO MEET THE PARENTS ON AN ALL-NEW EPISODE OF ‘MARVEL’S AGENTS OF S.H.I.E.L.D.

The ABC episode synopsis: “The stakes are higher than ever when, after blowing their cover and damaging the Zephyr in the process, the team must scramble to rescue Mack’s parents, save S.H.I.E.L.D. from a chronicom infestation, and fix the ship … all before the next time-jump. Meanwhile, Daisy and Sousa find themselves at a disadvantage against a power hungry Nathaniel Malick and his goons, and Coulson will have to do the thing he does best in order to save the future…”

The Chronicom Seer watches the strands of time, and intones, “As one branch dies, a new one bears fruit.” Project Insight was destroyed and Malick is dead, but they now have the location of the Zephyr, and Nathaniel Malick has Daisy and Souza. The head Chronicom goes to awaken some Chronicom Hunters. In the Lighthouse, General Stoner confronts the captured Coulson and May. Unfortunately, the Chronicoms gave SHIELD the means to see through the Zephyr’s cloaking. Returning to the Zephyr with Yo-Yo, Deke tells the team he shot Malick, and Mack is pissed. Mack wants to rescue his parents, and bring the pain to the Chronicoms for once. He and Yo-yo head out in a quinjet. In the Lighthouse, General Stoner wants to know who ordered a lockdown, and the system fires missiles at the Zephyr. Enoch launches countermeasures, but at least one missile gets through.

Daisy and Souza wake up in handcuffs on arms and legs, and Daisy can’t quake. Nathaniel Malick goes into a villain speech; he doesn’t like Hydra the way Dad did. He wants powers like Daisy. He will borrow Doctor Rhinehart aka Daniel Whitehall’s means of stealing powers. Stoner interrogates Coulson and May, and Coulson tells him about the Chronicoms. A woman comes and gets Stoner, and May thinks she is a Chronicom. The Zephyr is still in the air, but heavily damaged, including the shielding that allows the ship to stay together during time jumps. They need to fix it quick. In the Lighthouse, Mack and Yo-Yo cut their way into his parents’ cell. Mack gives mom an awkward hug. Stoner is led downstairs to the computer room by the mystery woman. Coulson and May have a conversation about the frustrations posed by him being a robot now, and then he breaks free. He realizes that the Chronicoms may be replacing agents with duplicates. And when Stoner reaches the computer room, the waiting agent was just replaced by a Chronicom. Uh oh!

Mack, Yo-Yo and mom and dad are trying to escape. He and dad make a great team; it’s as if the man taught him everything he knows. Downstairs, Coulson and May kick Chronicom butt with big ray guns, and rescue Stoner, who finally believes them. Coulson finds a ladder, and goes to find more Chronicoms. Nathaniel has been torturing Daisy, taking her blood and all sorts of samples. Souza tells her about his war wounds to try to keep her awake, telling her they are going home. On the Zephyr, Deke catches Enoch doing something to Simmons, and takes him out with a defibrillator, thinking Enoch is a traitor. Under the Lighthouse, Coulson finds the room full of Chronicom Hunter pods, touches some glowing spheres, and links to the Chronicom Seer.

Mack gives dad a gun, and goes to see if any Chronicoms are coming. They are, and he is getting his butt kicked. Coulson meets the Seer, whose name is Sybil. Simmons is mad at Deke, and explains that Enoch was fixing her memories that kept her from remembering where Fitz is hiding, a place from where he can help foil the Chronicom plans. Deke may have screwed up badly. Souza takes a guard out, and frees himself and Daisy. But in comes Nathaniel, who has Quake powers. Sybil tells Coulson Daisy should survive. She explains the Chronicoms want to save their planet. They are different from humans because they never die. Coulson says she is wrong, the difference is sacrifice, time is limited which means sacrifice has a real cost, it’s not just data, but heart and pain and good human stuff. And humans will never give up. Coulson says he hasn’t feared death in a long time, and tells Sybil dying is kind of his superpower. He snaps back into the real world, drops a satchel charge beside the Chronicom pods, and blows it up.

Mack is in trouble, but Stoner and May come to the rescue. May tells Stoner to clear out the base and create a cover story. On the quinjet, May tells the team Coulson is gone, but he will come back, he always does. On the Zephyr, Deke apologizes to Enoch, who is operational again, and fixing Simmons. She swears Deke to secrecy. On the quinjet, Mack goes all mechanical fanboy with dad, while Yo-Yo talks about kids with mom. Dad pats May on the shoulder, but she senses something and puts the quinjet on autopilot. She tells Mack dad might be a Chronicom, and he is, and so is mom, and there is a big fight. Fake dad and mom go out the stern ramp, and Mack is naturally traumatized. Everybody has made it back to the Zephyr, and Daisy is in a medical stasis tube. The Zephyr is jumping again. When it lands, Mack heads out on a motorcycle.

In the stinger, Mack sits and mourns. Deke goes to console him, but gets a call from Daisy; the Zephyr is jumping without them. In the preview of the next episode, we see Deke and Mack in 1982. Where the Lighthouse has been turned into some kind of hippy spa?

Another good episode, with a lot of twists and turns, and some good jokes. Patrick Warburton was a fun guest star. There was a lot of pain as well, and the twist of Mack finding his parents had been murdered by Chronicoms was a sad one. I have no idea where the story is going from here, but it is an exciting ride!

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4 years ago

Another great episode. AB, did you notice that Daisy (while having blood, spinal fluid and “a few glands” harvested) managed to grab some broken glass? Souza finds it and that’s how he takes out the guard.

Also in your 2nd-to-last paragraph, it is Simmons calling Deke, not Daisy (who is still in the stasis dealiebob).

I’m wondering if the place that Deke and Mack are in isn’t actually the SHIELD safehouse that Enoch worked at, rather than the Lighthouse. Mack’s beard is pretty epic.

I have to think that at some point our intrepid SHIELD agents are going to find a way to undo all of this damage to the timeline that Sybil and co. have done. Looking forward to the next episode! (And Fitz!)

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4 years ago

Our agents need to finally figure out that not only are the Chromicoms smart with good tech, they seem to have unlimited resources.  You’re a Chronicom, and you’re a Chronicom, and you’re a Chronicom.  

Naming a seer Sybil is sooooo imaginative.  Snort. But Aisha Tyler is always a joy.  

Daniel Sousa and Daisy?  A much better fit than Daisy and Deke.  

These guys are burning through SHIELD history really fast.  Although the Marvel movies would be a very interesting backdrop to our time travelers vs. the Chronicoms.   

Now on to the hippies! 

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Cybersnark
4 years ago

Nice touch that Nathaniel basically self-destructed from being unable to use Daisy’s quake powers (remember why she has to wear those gauntlets). Note that this is probably the first time Sousa has heard the word “Inhuman,” because no one has taken time to brief him.

And in the preview, those look like the robots from Chopping Mall, which is gonna be a fun call-back. (And we know it’s the Lighthouse because Coulson’s digital brain appears to be present and playing the role of Max Headroom.)

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4 years ago

The bad part about watching the eps on Hulu is no preview!  Will have to hunt it down.

Yes please to Daniel & Daisy, but please no triangle BS with Deke, especially since Daisy has never shown any interest beyond friendship with him.  Plus, even though I like him, still haven’t forgiven the creepy VR Daisy he created…

I wish Coulson had called the BS about the Chromicons not being afraid of death.  This situation is ALL ABOUT them being afraid to die!

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4 years ago

@61  The CW site and YouTube usually have the previews up within a day.  

Unless the Chronicoms have a backup database of memories of destroyed Chronicoms’ memories, they definitely die.  Add to that, Chronicoms now have human memories and emotions implanted along with a human face, and humans fear death and the loss of self.  That kind of change in an android or computer race never ends well.  

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4 years ago

@58 Thanks for those corrections, my episode summaries are done in real time, quick and dirty, and subject to errors.

I am starting to think that the bottom line with the Chronicoms is that they have never died, because they always had a backup on their planet and could be downloaded into new bodies. But with their planet gone, they can now die for real. And that scares the crap out of them. So they are desperate enough to do risky things like mess with the time stream. That makes Coulson, who in his own words has made dying his superpower, their worse nightmare.

 

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4 years ago

@63  That makes a lot of sense.

Alan, could you ask Tor to let you have some more article space for the updates.  The scrolling is getting to the point of the ridiculous, and we’ve got a bunch of episodes to go.  

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4 years ago

@64 I’m afraid you’ll have to live with the current format. Even the most popular shows don’t rate a new article for each episode. There will be a separate new article covering the grand finale, however.

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4 years ago

I really dislike that “humans are special” trope. We’ve seen Chronicoms die left and right, but they can’t die? And they’re not afraid to die, even though the whole plot is about them trying to prevent the death of their species? Chronicoms can’t sacrifice themselves? Then what did Enoch do in the future when he used all his energy to let the team escape through the monolith, condemning himself to have his body remain forever on a dead world?

The focus on Coulson’s deaths made me wonder what happened to him: when he made the deal with the Ghost Rider, this somehow removed the healing abilities of the Kree serum, which led to his natural death in Tahiti (it’s a magical place). Then I don’t remember how Sarge got his face. And the current version is not Coulson, but a Chronicom LMD made in his likeness (and everything we’ve seen of Chronicoms so far tells us there’s no reason for him to survive this explosion). So what are the chances that the original Coulson’s soul went to hell, and that he will return as the Ghost Rider or equivalent? Are deals with the devil even valid through time travel?

So now the team doesn’t care at all about the timeline, and sees no problem with dumping Chronicom bodies where anyone can find them. Considering the technological disruption that was caused by the remnants of Chitauri technology, I wonder how many centuries of progress will have been achieved by 2020…

Leaving the Zephyr before they even checked the year was a stupid move, especially from the director of S.H.I.E.L.D. (also, people who don’t have superpowers shouldn’t rid without a helmet. I don’t understand how we managed to ban on-screen smoking but not riding without protection)

Did anything come from the Zephyr revealing its position? Sure they suffer a hit, but that came from S.H.I.E.L.D. (and they didn’t have a lot of difficulties fixing it. In fact, from what the Chronicoms know about Jemma’s skills, that shouldn’t have stopped them at all); the Chronicoms didn’t even try to board them. Was sacrificing project Insight really worth that? Talking about Chronicom lack of strategy, I question the tactical advantage of bringing weapons that can easily destroy them, when they could easily withstand any shots S.H.I.E.L.D. could have fired at them otherwise. And Sibyl still hasn’t explained why it had to be Earth (by the way, as a seer, I believe her name is spelled that way, rather than Sybil).

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4 years ago

@66  A few minutes before the ship jumped in time, Mack not only learned that his parents were murdered, but he also had to kill the Chromicoms wearing their faces.  I gave him some slack on his stupid move to leave the ship.  This Enoch is from another timeline.  With the Chromicoms setting up shop in the past, the timeline is toally screwed so, beyond making sure the SHIELD agents going through time are safe and keeping the Lighthouse preserved for much later use, they can do little else beyond stopping the current Chromicom evil plot.  Coulson is an LMD, not a Chronicom, so emotions.  The Chromicoms self-destruct if they fail so humans have neither evidence nor their technology. My questions are why don’t our heroes have a high tech way to spot a Chronicom instead of using May’s convenient new skill, and why don’t they figure out a way to weaponize and focus EMPs to kill or disable the Chromicoms.  

JamesP
4 years ago

It’ll be fun to see some of the fleshies take the long way around this time. I wonder what the Zephyr’s next destination is, while Mack and Deke are stuck in 1982.

MByerly @@@@@ 59 – I thought the same thing about naming the seer Sibyl. Also, while I also made the same mistake (and I easily confuse the two), Sibyl is played by Tamara Taylor (who played Cam on “Bones”), not Aisha Tyler.

 

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4 years ago

Episode 707, 8 July 2020, “The Totally Excellent Adventures of Mack and The D”

The ABC episode synopsis: “DON’T YOU FORGET ABOUT DEKE… After being unexpectedly stranded in 1982, Mack retreats to his childhood home to process the death of his parents, while Deke gets to work scouting a chart-topping group of new agents. With no idea if or when the team is coming back for them, time seems to finally be on their side … at least until the killer robots show up…”

The show starts with a despondent Deke being debriefed by Agent May. We flash back to a preppy who needs his PC repaired. When the geeky repairman plugs it in, it asks him for help. And prints out a picture of the Chronicom seer, Sibyl. The Agents of SHIELD logo appears in glowing green letters on a black screen. We cut to Deke freaking out because he and Mack have been left behind in 1982. The despondent Mack, who just lost his parents, leaves Deke standing in the field, takes his bike and heads to the cemetery to lay flowers on his parents’ grave. He goes to his house, and sees his young self and brother getting out of a car with their Uncle Marcus. At the computer store, the geek is totally focused on building a voice box for Sibyl. She sends him blueprints so he can build her a body. Mack has rented a cheap apartment, and builds a Corvette model. There is a knock; it is Deke dropping by. Mack locks him out again and again, grows a big beard, and keeps building car models. Deke leaves food for Mack, but he never brings it in. Mack is drinking too much. Deke slips an invitation to a bar under the door. The geek brings Sibyl some flowers, and she now has an ‘80s robot body, complete with a glowing red eye. Mack goes to the bar, and it turns out Deke calls himself the “D,” wears a headband, sings in the “Deke Squad,” and has quite a following.

Deke’s “new” songs are all oldies he has introduced before their time, which does not impress Mack. But Deke has not just assembled a band; they are a band of amateur secret agents, who Deke says Mack can mold into SHIELD agents. Deke has turned the Lighthouse into the band’s clubhouse. He turns on a TV that contains Coulson’s downloaded personality, which survived the explosion in the last episode (and looks a lot like Max Headroom). Coulson is happy to see Mack, because he thinks Sibyl is still out there, building new Hunters. Which is true; the geek finds her building friends, gets upset, and she executes him.

TV Coulson is chattier than ever. Deke shows Mack his new training gauntlet, which is kind of slipshod. Deke has built Mack a new, chrome-plated shotgun axe. Mack calls them a bunch of losers, Deke defends them, and Mack walks out. Sibyl and her Hunter robot friends arrive at the Lighthouse, and kill Deke’s drummer, who is with a groupie. The brunette band member follows Mack to defend Deke. She tells Mack Deke has been visiting young Mack, and helping him out. Then a Hunter robot arrives, says, “Exterminate,” and starts shooting.

Deke is doubting himself when the groupie runs in, just in time to be murdered by a Hunter robot. Olga faces the robot down, while another robot roams the corridors. Mack and the brunette girl hide, and he says someone is going to pay (she wants to know if that would be the robots). Olga is losing when Mack arrives, takes the robot out, and tells Deke he never should have left. Mack has a plan, if the team will help him. We get a montage of Mack trimming his beard, dressing, and arming himself. Coulson thinks Sibyl is attacking the base because she has lost her other resources, and needs something in the base to restore the time stream (or something like that). Mack leads the team in attacking one of the robots, and as the robot blows up, Deke uses the catch phrase, “Say hello to the Deke Squad.” An even more advanced robot arrives; it is Sibyl, and she is armed with laser beams!

The team, after some running away, defeats the Sibyl robot. Deke bonds with Mack, who draws the line at being called “Mack Daddy.” But there is still one robot left out there, and it has found a glowing mcguffin. Deke takes Mack to meet his young self; he wants to give his young self a car model. The Zephyr re-appears, May and Yo-Yo head out to find Mack at the Lighthouse, and he gets a big Yo-Yo kiss. May says hi to Deke and TV Coulson, who hopes they have built him a new body. Mack says he was lucky to have friends; the new SHIELD agents.

In the stinger, the last robot, which doesn’t do steps well, brings the glowing mcguffin to a laboratory, and gives it to Nathaniel Malick, who has Sibyl on his TV set. In the preview, the SHIELD team meets Daisy’s mom Jiaying and the Inhumans, and it looks like their adventures will overlap with some of their earliest missions.

This was a fun mission, played for laughs, with the zealous but inept Deke pitted against the stoic Mack. There were lots of cute lines and spy movie references The self-appointed agents were fun, as was the concept of the rock band that spies together. TV Coulson was a clever touch, very ‘80s.

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4 years ago

So many DOCTOR WHO and the A-TEAM references and in jokes. The robot/Dalek’s famous inability to do steps gave me a good laugh.  Deke’s version of “Don’t You Forget About Me” included mentions of Daisy.  That boy keeps a crush forever.   And he always comes through in his own Deke way which finally even Mack saw.  Go, D!

The shiny thing seems to be Sybil’s crystal ball and the key to the time stream.  

And as an FYI, the human body doesn’t have the amount of blood shown after the groupie was murdered.  

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4 years ago

Another great episode.

Surprised nobody mentioned the fact that the robots are dead ringers from Mack’s favorite B movie, Chopping Mall.

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Cybersnark
4 years ago

The heads are inspired by Chopping Mall, but the bodies looked more like Johnny Five from Short Circuit.

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Philippa Chapman
4 years ago

The weeny robot which retrieved the glowing blue box is basically a Scutter from Red Dwarf.

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teel77
4 years ago

Is the guy at the end with Sybil really Nathaniel Malick?  Didn’t Nathanial Malick die last episode when he tried to take Daisy’s powers?

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4 years ago

@74 Wikipedia says it was Nathaniel. He was having trouble with those quake powers, but we never saw him die. His return is thus well rooted in comic book traditions.

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4 years ago

Now that the timeline is completely messed up, will Mack save his daughter (assuming she is ever born)?

You can tell this is the MCU, because even in 1982, the robot can go on for days without charging. I think its battery is more powerful than Stark’s first arc reactor!

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4 years ago

Episode 708, 15 July 2020, “After, Before”

The ABC episode synopsis: “IT’S TIME TO BOUNCE BACK… Dichen Lachman Returns as Guest Star. With the Zephyr’s time drive malfunctioning, the team is quite literally hurling toward disaster and Yo-Yo may be their only hope. The only problem? To get her powers back, she’ll need to enlist the help of an old adversary and revisit part of her past long hidden away…”

The show starts with Deke and Mack heading out for their excellent adventure, repeating the opening scene from last week, and making me think this might be a repeat. But the action shifts back into the Zephyr, where the time machine is malfunctioning. They jump twice before Yo-Yo and May can head out in a quinjet, and bring back Mack and Deke. We get a SHIELD logo from the early video game era. Jemma tells everyone they are skipping through time like a stone, and will eventually collapse into a singularity. Daisy says her mom Jaying, at the Afterlife Inhuman haven, might be able to help. Mack orders Jemma to reboot LMD Coulson, who immediately guesses what’s going on. May and Yo-Yo head out to Afterlife in a quinjet, and the Zephyr jumps out just after they leave. May’s telempath powers are getting stronger. This is fortunately before Jaying was tortured by Hydra and turned evil. The agents arrive at Afterlife and immediately run into some Inhumans chasing a young woman prisoner, Cora, and surrender themselves.

Jaying walks in on the agents, and Yo-Yo tells her she’s an Inhuman who lost her powers. The Inhumans test Yo-Yo, and she passes. Jaying wants to help, and find out how Yo-Yo’s powers were taken, while her associate, Lee, is suspicious. They conduct tests, while May gets nasty vibes from Lee, who pulls a knife on her. Yo-Yo and May hear Cora screaming, and don’t like the situation. Meanwhile on the Zephyr, Deke, Souza and Enoch work to fix the time device, but electrical thingamabobs are sparking in ways that don’t look good. The Zephyr jumps out again. We find out Yo-Yo snores. In the morning, Jaying comes and says the problem is not physical, it is in her mind.

Yo-Yo is not happy at the news. Jaying knows that May is an empath, and her new gift might be the key to helping Yo-Yo. The agents initially resist the idea, and are uncomfortable with this touchy-feely stuff. May decides sparring might help, and they start to have fun and relax. They make a breakthrough as Yo-Yo flashes back to traumatic memories; ingesting the shrikes, losing her arms, and a childhood incident. Souza is making preparations to abandon ship, while Daisy and Coulson share a moment. Jemma has made Souza a robotic prosthetic. The Zephyr jumps again. Yo-Yo remembers when she was about 11, and saw her uncle murdered, and blamed herself. May listens in on Lee and Jaying, and decides to intervene. It turns out Cora cannot control her new Inhuman gifts, and might destroy Afterlife. May knows what the young girl fears. We cut to Cora running away with an automatic, and attempting suicide, only to have the pistol shake apart in her hands. It is Nathaniel Malick, who has not only survived, but mastered his quake powers.

Nathaniel tells Cora their fates are written in the stars, and invites her to come along. Sybil has guided him here. Helicopter gunships are coming; friends of Nathaniel. Soldiers are in Afterlife, and May and Yo-Yo fight back. On the Zephyr, Jemma records a heartfelt message for Fitz, which Deke overhears. They time jump again. Afterlife is shaking apart, and Nathaniel and Cora confront Jaying. Cora is siding with Nathaniel, does a glowing eye thing, and blasts Lee when he tries to attack her. Jaying and her teleporting Inhuman help the agents escape, and they plan to get together again later. The quinjet has only seconds to get back to the Zephyr before they jump again. Mack orders the Zephyr crew to abandon ship.

The Zephyr reappears, and May docks with some fancy flying, just before they blip out again. The Zephyr jumps again, and Yo-Yo finally figures out how to restart her powers. She goes to the time machine in super-speed mode, reaches in at the correct moment, and turns it off. Daisy goes back into her healing tube. Coulson takes a robo-nap. Enoch is guardedly optimistic about fixing the time machine. But then it blips them out again.

In the stinger, Nathaniel and Cora burst in on Inhuman prisoners. Nathaniel wants to take their powers, give them to others, and create some anarchy. In the previews for next week, the Zephyr is trapped in a time storm. Anybody up for a remake of the movie Groundhog Day?

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4 years ago

For what it’s worth my closed captions spell it “Kora.”  I totally didn’t buy her switch to evil and killing everyone whom she’s grown up with.  Being a frightened teen who is willing to sacrifice herself to protect her inhuman family to their murderer in a matter of minutes is just bad writing.  

Yeah, on the new leg for Sousa.  And about time.  

And I so want to see Deke and Enoch starting a band together.

Jim Butcher once said that every writer wants to write a heist story.  I agree with that, and my addition is that every TV show wants to do GROUNDHOG DAY.  It sounds like it will be time-killing bottle episode that won’t move the plot forward, but it will be fun.  

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4 years ago

” ingesting the shrikes, losing her arms,”

She actually flashed back to killing Ruby, not losing her arms. Her guilt over that (and what happened when she was 11) is what was holding her back.

Also, not sure if you made note, but Yo-Yo can now use her super-speed without needing to “bounce back” – return to her original position.

I’m thinking Nathaniel intends to take the powers of all of those Inhumans himself – he did say “redistribute the wealth” but I mean he’s a Malick…

The Inhuman teleporter’s name is Gordon.

I’m hoping Malick didn’t end up actually STEALING Daisy’s powers, but rather copied them. Maybe we’ll find out next week.

 

WHERE’S MY DAMN FITZ?

 

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4 years ago

@78 Thanks for the spelling of Kora. And since 80s bands often used drum machines, Enoch would be perfect for the job.

@79 Flashing back to Ruby’s death does make more sense, since Yo-Yo’s impediment has been guilt. Not having to bounce back significantly increases the utility of her powers. And I agree with you that Nathaniel’s idea of fair distribution will make him part of the fortunate 1%. Thanks for remembering Gordon’s name, and I agree, it is long past time for Fitz to return. He had already moved on to other acting jobs when Season 7 was ordered, but is expected to appear at some point.

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4 years ago

At this point I’m just waiting for Fitz to come riding in on a robot dinosaur or something to save the day.

 

(I did notice a possible other Red Dwarf nod in the last episode. TV Colson looks a look like janitor Holly from Queeg:

That entire episode was just so much fun)

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4 years ago

Episode 709, 22 July 2020, “As I Have Always Been”

The ABC episode synopsis: “THERE’S NEVER ENOUGH TIME … Series Regular Elizabeth Henstridge’s Directorial Debut … A time storm ravages the Zephyr, propelling it toward destruction while simultaneously forcing Daisy and Coulson to relive their failed attempts to save the team over and over, until they find a solution or are swallowed by the storm. Making it to their next destination will take trust, courage and sacrifice from everyone on board, but it will all come down to having enough time…”

Daisy wakes up in her medical tube, and sees Souza, who has been sitting with her. The time drive has overloaded, and they are in trouble. The Zephyr is heading toward a glowing tube in space. Yo-Yo is trying to get the quinjet ready if they need it, but gets trapped. Deke understands this situation better than anyone, but even he doesn’t understand the science. Mack is blinded by an explosion. Even the imperturbable May looks worried. Jemma works on Mack while Daisy puts out an electrical fire. She sees the time drive flickering, and wakes up again in her medical tube. The same scene replays, right along with the credits again. But this time, Daisy knows what everyone is going to say, and saves Mack from having his eyes injured. Daisy thinks she’s time looping. She is right on top of things, until she wakes up again, in the medical tube. This time she awakens Coulson, who immediately knows what is happening.

Coulson remembers everything, including how Daisy died. Fourteen times, in over 80 loops. Like a record skipping. They need to fix the drive, or they will keep going deeper in the vortex. They can’t increase the length of the loops, so they need to think faster. Deke begs Simmons to disable her implant so her memory comes back, and she can fix the drive. Simmons doesn’t want to betray Fitz, which is what the implant is for. She tries to disable it in an isolation chamber, but she collapses. And Daisy wakes up again. This time, Daisy goes into the chamber with Jemma, but both collapse, dead. Someone sabotaged the ventilation, which means there is a murderer among them. As if time vortexes aren’t enough of a problem…

Fortunately, because of the time loop, Daisy and Jemma aren’t permanently dead. They need to find that murderer, who is doing it to keep Jemma’s implant intact. Maybe someone was brainwashed, or replaced by a Chronicom. Yo-Yo might be the solution, if they can free her from the quinjet. But when Souza tries to get the scanner, he dies. And Daisy wakes again. Coulson is pissed and frustrated. He remembers every death, over and over. He hates being a machine. And thinks Enoch is the murderer. Enoch might be programmed in a way he doesn’t even realize. And they test him by trying to disable the implant. And it does trigger his programming, which is to protect the implant at all costs, and Daisy quakes him, prompting an ironic, “Oh dear.” Anyone know how to debug a Chronicom?

Daisy awakens again. And asks Souza why he cares about her. They convince Jemma to deactivate the implant without Enoch knowing. And they loop again. And this time, Souza distracts Enoch. But it doesn’t work. The next time, they go right to Enoch but loop again, and Jemma attempts to countermand her previous order. It doesn’t work, so the whole team confronts Enoch. And it doesn’t go well. Jemma talks to Souza. He says he wants to help. Her in particular. In the next loop, the whole team delays Enoch, and they almost get the implant disabled, but loop again. This time, Daisy kisses Souza, and they try the same plan, but faster. They remove the implant, and Jemma says Enoch is the key; they must kill him to remove the component that can fix the time drive. She starts to cry, and Daisy awakens again.

Daisy has a new plan, she wants Jemma and Enoch to join her. They are only a kilometer from the vortex. They awaken Coulson. She tells everyone they are about to die. They tell Enoch about the component, and since no one is trying to remove the implant and triggering his murderous programming, he doesn’t try to kill them. He simply pulls out the component, even though he will die. He says “Oh my,” and collapses. Deke is fixing the time machine. Daisy and Coulson stay with Enoch. He admits that the team has given him feelings. Coulson says he is not alone. Enoch doesn’t want to leave. Coulson knows how to die, and tells Enoch he won’t feel lonely for long. Enoch says he has seen the future, and this is their final mission, the team will break up. Enoch dies, and the drive is fixed.

In the stinger, Nathaniel has been training Kora, who is getting pretty good with destructive energy blasting. And next week, it is the team versus Nathaniel and Kora, back at Afterlife with Jaying in the mix. And in keeping with fan speculation, there are hints that Kora may be Daisy’s sister after all.

This week’s time loop story was a very cleverly constructed episode, and for a character whose primary role in the past has been comic relief, Enoch’s death sure gave me all the feels.

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4 years ago

I was right.  It was a bottle episode.  A time ship in a bottle episode.  

The most surprising thing–not the first mention of GROUNDHOG DAY that I could tell.  

The best thing–Daisy and Sousa are a definite possibility.  He was describing her and Peggy Carter in that long talk.  

The worst thing.  Enoch–noooooooo!  You will be missed.

The most poignant.  Enoch’s final moments.  

The most annoying thing–the comment that Deke was dead, and should we be upset?  And everyone still alive said “No.”  Give Deke some love, guys.  

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4 years ago

Great episode. Small error in the recap:

It doesn’t work, so the whole team confronts Enoch. And it doesn’t go well. Jemma talks to Souza. He says he wants to help. Her in particular.

I think that’s supposed to be Daisy talks to Souza.

One thing that bothered me as I was watching – in an earlier episode, May kicks Enoch’s ass single-handedly. Now the entire team loses to him? Including YoYo and Daisy both with powers, and Coulson being in a robotic super-strong body? I realize that the one line of “Where’d he get all those weapons?” was supposed to explain that, but seemed kinda weak.

I mean, I guess when May defeated Enoch, Enoch wasn’t in full-on murderbot mode, he was trying to keep her on the plane without injuring her. But still…

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4 years ago

@84 You are right, it was Daisy talking to Souza. And while my brain wondered how Enoch got so powerful, the “murderbot mode” is a perfect explanation. That was such a clever episode, the more I think about it,  the more I like it.

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4 years ago

@84  At some point in this season, Enoch said he upgraded to include Hunter programming so he learned fighting skills.  I don’t know if that was before or after May whooped his rear.  Enoch has always had an ethical/moral center, unless the plot needed him not to, so killing May was an unlikely outcome.  Jemma’s special programming took that away in certain situations.  

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4 years ago

@86 Enoch said that while he was fighting May, when he blocked one of her kicks (she looked shocked that he did so, so he explained).

But yeah, I think we’re going to have to chalk it up to he was “playing nice”. And I have to assume that he’s more than just augmented by Hunter programming – Fitz and Simmons must have upgraded him a lot – because even other Chronicom Hunters were going down like chumps to Daisy/Coulson/May/Mack/YoYo…

JamesP
4 years ago

I’ve lost count of the genre shows I’ve watched that do the “Groundhog Day” episode – TNG had “Cause and Effect,” SG1 had “Window of Opportunity,” The Librarians “…And the Point of Salvation,” and now this. And that’s just off the top of my head. The thing is, despite all following the same general structure, they all do something differently to make it work, and this was no different. I was captivated by this episode from start to finish.

I loved the Souza/Daisy shipping. I had caught a whiff of it in earlier episodes, but it was good to see it take off. And I agree with MByerly @@@@@ 83 – Souza’s description could very easily apply to Peggy Carter.

Very interested to see the payoff on what it was that had Simmons so broken up at the end of the cycle where they finally got her implant out.

And I haven’t been that emotional about a “robot” dying since probably The Iron Giant.

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4 years ago

@88  There was a 1974 TV movie called THE QUESTOR TAPES that was a pilot attempt by Roddenbery and Coon. Sadly, it failed.  The main characters were a human-looking android and a human so it was essentially a buddy film.  At the end, the android takes the bullets to protect his human friend and stops the bad guys then falls over.  Other humans stare at the “dead guy” and say, “But there’s no blood.”  His friend screams, “There’s blood all over him!”  That line always comes back to me when a cool android character dies.  

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4 years ago

About last week episode, I loved the part where May suggests that the rest of the team might have found a solution on their own, but then agrees with Yo-yo that they couldn’t have in only 20 minutes: how could they ever solve a problem in less than one episode?

There was no discussion from Souza when he was offered the new prosthetic, as there have been in the past with Yo-yo for instance. I take it as Souza deciding to embrace the future he now lives in.

If Kora can’t control her “gift”, telling her to bottle it up makes no sense: a regular release harmlessly blasting rocks would have been much better.

 

For this week’s episode, this is an interesting variation to have two characters doing the loop, with both of them not necessarily remembering everything every time. But having a hard limit on the number of loops doesn’t work as well I think: traditionally, the pace of the story accelerates with every loop, as we’ve seen most of it already, and there’s no point focusing on what we’ve already seen. But on the other hand, a bomb scenario should have time slow down when the counter gets near zeros, which this episode does too. As a result, the threat of the last loop is never believable, and Daisy can even afford to have a heart to heart with Coulson and then Souza, even though they’re running out of time. How could she think that she can afford to take a loop out? And the length of a loop seems to be random, even though they say it’s fixed, since they tried to lengthen it in earlier loops. In one loop Coulson barely has enough time to free Yo-yo, and in another, Yo-yo can be there to stop Enoch, and there’s still enough time to do surgery on Jemma (and by the way, Yo-yo alone should be enough to take Enoch, there’s no reason for the others being there).

Remember at the end of season 4, when Enoch was this creepy guy who kidnapped the entire team in the bar? I’m going to miss him. And it’s really a pity that Fitz couldn’t be there for his death. I wonder whether Sibyl caught that brief instant when Jemma remembered Fitz: is he in danger now?

 

So next week, we should be going back to Afterlife. Which means that as Daisy and Sousa are starting to become closer, Sousa is going to meet Jiaying: Victor and Sierra are obviously going to end up together, they always do. Poor Daisy.

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4 years ago

Episode 710, 29 July 2020, “Stolen”

The ABC episode synopsis: “FAMILY IS A TRICKY THING… After Enoch’s sacrifice propelled them out of the time storm, the team arrives back in 1983 where Nathanial and Kora are hard at work building an army of hand-selected anarchist Inhumans at Afterlife. When the agents split up to cover more ground, Daisy is tasked with protecting Jiaying and is compelled to confront her mother for the first time since her death; while the others quickly learn they’ll need to face yet another supercharged former enemy in order to stop Malick…”

In a bar, a young man playing darts is approached by Nathaniel Malik. Nate tells him his career with SHIELD will not go well, and offers him superpowers. The man’s name: John Garrett (aka The Clairvoyant, played by James Paxton, Bill Paxton’s son). The current team is in the Lighthouse with one of the Deke Squad. She mentions the Triskelion, years ahead of when it should have been created; the timeline is all hosed up. In the lab, Jemma notices some romantic vibes between Daniel and Daisy. Jemma’s memory block is back in place, but Daisy wonders why she was inconsolable when the block was removed. In the command center, the team decides they must stop Nathaniel at any costs. Jiaying and her teleporter, Gordon, blip into the Lighthouse. Nathaniel has taken over Afterlife, and shows Garrett the timestream machine, which then shows him his future. Jiaying needs help, but doesn’t trust the SHIELD team. Coulson volunteers to infiltrate Afterlife because he is “recyclable,” and Gordon offers to teleport him. Jiaying also wants to go, because Kora is her daughter, and Daisy realizes she has a sister.

Daisy wonders why no one mentioned this sister. May warns her Kora is volatile, and tells her about the suicide attempt. They talk about how the timeline has changed, but still want to preserve what they can, like keeping Jiaying alive so Daisy can be born. Nathaniel does an evil monologue in a lab as his minions take Lee’s Inhuman powers. Kora kills Lee at Nate’s direction. A quinjet is inbound with Yo-Yo, Mack, Gordon and Coulson aboard. Meanwhile, Deke grooves under his headphones, until Jemma interrupts him. They talk about Enoch’s sacrifice. They have lost contact with Fitz, who they thought was controlling the time jumps, but the jumps have become erratic. Jemma worries that Fitz might be dead, but Deke has faith. The quinjet lands, and Gordon and Coulson blip into Afterlife. Nathaniel ices Gordon, and they take him to the lab. Nathaniel knows everything that will happen because he has access to the time stream. Uh oh!

Coulson warns Nate about Sybil’s motivation, and brings up his dead dad. Which triggers an angry response from Nate. Coulson likes that, you can see him planning to use it. Coulson is introduced to Garrett, and they have a conversation where all the tenses of the verbs are mixed up because of time travel. The minions start taking Gordon’s powers and giving them to Garrett. Meanwhile, Daniel is liking his new leg, because he can catch up to Daisy in the corridor. Daniel knows who Jiaying is, and tells Daisy to talk to her. She has a chance to talk to her mother, the timeline is screwed up anyhow, and she should take that chance. Daisy thinks he is square, which he thinks is harsh. Yo-Yo and Mack argue, and he decides to go in to find out what’s happened. Kora tells Coulson that “justice isn’t pretty.” The power transfer process has worked, and Garrett teleports, which he thinks is awesome.

Jiaying is nervous, and Daisy and Daniel talk to her. Daniel says Daisy has been to Afterlife. Daisy shows her the quake powers. She says Jiaying taught her to use those powers, that they are from the future. Jiaying has a feeling that Daisy is familiar. She knows Nathaniel took Daisy’s power. Daisy asks if Jiaying and Kora were close. They were, but terragenisis changed her, and they grew apart. Everyone was afraid of Kora, but Jiaying still thinks she has a good heart, and is worth saving. She says Kora was her greatest gift. Daisy admits she never knew her mom, and when she found her, she wasn’t who she thought she would be. Jiaying says if she was her mother, sometimes trying to do the right thing comes out all wrong, and Daisy cries. Meanwhile, Garrett transports Nate into the Lighthouse. Back at Afterlife, they put Gordon and Coulson into a reinforced cell. Gordon still has some powers, and gets them out. But dies in the process. In the Lighthouse, May meets young Garrett. She attacks him, but he teleports. She realizes he stole Gordon’s powers. And she attacks him again, landing some blows until he remembers his powers, and blips out. May warns Daisy Garrett is in the facility. And then Daisy and Jiaying meet Nate.

Mack finds Coulson, and Yo-Yo runs in with superspeed. Coulson warns them Nathaniel can see the future. Yo-Yo uses her powers to neutralize the guy with Lee’s powers, and they work to free the Inhumans. In the Lighthouse, Nate does another evil monologue, revealing Daisy is Jiaying’s daughter. He taunts Jiaying by telling her the story of her being cut apart, and fighting Daisy, until Daisy quakes Nate across the room. He quakes her back. But Jiaying has energy sucking powers, and almost takes him out. Until he takes her out with quake powers. Daisy goes berserker, accompanied by dramatic music. And May tries to get Nate, but he escapes. Daisy goes to Jiaying, who is lying on the floor. Jemma gets captured by Garrett and he blips out before Daniel can stop him. In Afterlife, Coulson finds Kora. He tells her she is abandoned. She says she wanted to meet her sister, and he ices her. Jiaying is dead, and the other Inhumans are on the Quinjet, with Nate’s goons, who were captured. Daisy is angry. Nate is battered, but is happy to see they captured Jemma. Deke is also aboard the Zephyr, wearing his headphones, and doesn’t realize what is happening until they take off. Nate and Garrett are at the controls, gloating as they emerge from the Lighthouse and head off to parts unknown. So only one person can save the day; Deke!

In the stinger, Nate and Garrett continue to gloat on the Zephyr, and Nate tells Jemma that Sybil needs to find Fitz. And Nate thinks Jemma knows where to find him. In the previews, Kora wants to become an Agent of SHIELD, but thinks it is all about killing bad guys. We see spaceships arriving; it appears the Chronicoms will be invading.

This was a fast-paced episode, with lots of twists and turns. It flowed very well, and meeting young Garrett was a good touch. Jiaying was doomed to suffer no matter what happened to the timeline, and the moments she had with Daisy were gut-wrenching. Nathaniel is growing into the villain role, but it is a rather cliched version of villainy; if he had a moustache, he would be twirling the ends of it as he cackled.

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4 years ago

I so wanted to see Hulk Daisy turn Nate into pate. A fate he richly deserves, but we have 3 hours left before that will happen unless the Chronicoms show their usual loyalty to those who help them.  

If Jialing is self-healing, would a broken neck kill her?  

Nate is definitely the standard whiny anarchist.  The only thing he lacks is being played by Jesse Eisenberg.  He has, however, distanced himself from Hydra’s future which is a good thing.  

A nice is frustrating episode.  Do they have to keep killing everyone with half a personality?  

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4 years ago

Jaiying was defeated at the end of season 2 by having her neck broken by Cal, which is why Nathaniel went that route (he’d seen it in her future via Sibyl). My understanding is that she can heal from all kinds of wounds, but breaking her neck just plain kills her. Probably any other method of instant death (decapitation for example) would do the same.

I’ll echo your thoughts about this episode being frustrating. I know the payoff will be worth it, but I really have a sense of dissatisfaction when watching these “darkest before the dawn” episodes of AoS. This episode reminded me of the end of season 4 when Daisy was under Hive’s “sway” and beat Mack to a pulp with her powers.

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Cybersnark
4 years ago

One amusing note: Deke’s walkman and uncomfortable-looking headphones are the exact same type Peter Quill had in Guardians of the Galaxy.

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4 years ago

I read last night that the actor playing young Garrett is the late Bill Paxton’s son.  A nice touch.  He looks more like a young Steve Rogers, though.  

@93  Thanks.  I didn’t remember Jialying’s first death.

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4 years ago

The moment the dart player smiled I was ‘oh crap, it’s young Garrett’ quickly followed by ‘Holy crap, they did an amazing job finding someone who looks so much like Bill Paxton!’.  I didn’t even wait for the credits to Google who played him.  James has the exact same smile as his dad.

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4 years ago

Enoch’s sacrifice was wonderfully done. Gordon’s on the other hand was the worst kind of sacrifice. The villain telling their underling “You have outlived your usefulness” is properly stupid, but it can be worse: when the hero decides on their own that they have played their part in the story and might as well die now. Coulson seems to know what he’s doing, tells Gordon that he can easily get them out of the prison (although why would he try to destroy the door when the walls are clearly less solid?), and that Gordon should save his powers so they can use them when it actually matters, but Gordon “heroically” decides to sacrifice himself to gain, what, 10 seconds? If the writers didn’t want Gordon’s powers to make things too easy for the heroes, they could just have him be exhausted and unable to help for the next 10 hours for instance, there was no reason for him to die. Also, Coulson being recyclable, there’s little advantage to having him escape without Gordon.

I don’t understand how Whitehall’s method is supposed to work: he clearly is a competent scientist who has worked on the method for a long time, yet he only succeeded with Jiaying, because her power makes her more resilient than other Inhumans. But Nathaniel, with no training whatsoever, is able to do the same to Daisy, using notes from Whitehall that are clearly incomplete, since he hasn’t worked on Jiaying yet at that point; and not only is the method successful, but Daisy lives? For the other Inhumans, I assume that Sybil helped him improve the method.

It’s fun seeing Garett again: in season 1, Fitz assured us that seeing future was impossible, and he was right: the Clairvoyant just had a high S.H.I.E.L.D. clearance level. Now, Nathaniel can casually explain that he knows the future because he has a friend who is a robot from the future who knows all possible timelines. That show has evolved a lot over the years!

There’s a lot to sort out for one episode. I wonder how they’re going to end this show!

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4 years ago

@97  YEARS have passed since Nathaniel got Daisy’s powers.  Time travel, remember.  And I totally agree about Gordon.  

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4 years ago

Theory time.  I think there is a Firestorm situation with Fitz and Simmons.  I know that Firestorm is a DC character; I cannot think of a Marvel character with a similar symbiotic relationship.  I think that Fitz is somehow a part of Simmons’ mind.  A part of her mind that at the moment she cannot access.  It is that knowledge that she is hiding from the rest of her mind.  At the right moment (i.e. when it is absolutely necessary for Simmons and her team’s success, Fitz will reveal himself to Simmons.  Just like the smarter mind of the Firestorm character does).

Thanks for reading my musings.

AndrewHB

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4 years ago

Episode 710, 5 August 2020, “Brand New Day”

The ABC episode synopsis: “IT’S TIME TO GET UNPREDICTABLE… With the help of Kora on the inside, Sibyl and Nathanial continue their fight to shape a dark new future for S.H.I.E.L.D., managing to stay one step ahead of the agents along the way. If the team is going to turn this one around, they’ll have to get creative, and maybe even a little out of this world, on the penultimate episode.”

Nathaniel has the Zephyr under his control, and Deke is in Nakatomi Plaza mode; he even says “yippee kay yay” when young Garrett captures him. In the Lighthouse command center, Kora has ideas about what SHIELD should be, serving mankind by killing. She tells them they are now in a new timeline. And she has 30 names of people they should kill right now (kind of like a poor man’s Project Insight). Then Daisy and Kora have a face to face. Kora wants to work together with her sister, but is mega-creepy. On the Zephyr (in space), Nathaniel is surfing through Jemma’s memories of Fitz. He wants to know where Fitz is now, but can’t break through, so he starts slapping Jemma around. They bring in Deke, who calls her Nana. In the Lighthouse, Daisy wants to act unpredictable, steal a quinjet and throw off Sybil’s predictions. Sousa wants to tag along. She wants to save Jemma!

Sousa is disturbed at Daisy’s lack of quinjet flight time. And in comes Mack. With his shotgun axe. He wants to come along! In the command center, Coulson and May watch the radar. She doesn’t like this plan. Coulson wants May to talk to Kora. On the Zephyr, Deke gets tortured. Nate finds the glowing implant on Jemma, and tells his minions to remove it. The quinjet is in zero G, and Sousa sees outer space for the first time. They find the Zephyr, and head toward it. Kora is not happy to see May, and blasts a wall out of frustration. The Lighthouse goes dark, and their firewalls are lowered so Sybil can access their computers. Uh oh!

Coulson realizes that’s why Kora was here, and starts talking to Sybil, who answers on their computer screen. Coulson starts trying to read everything on their monitors. On the quinjet, Daisy talks to Mack, wondering if they can ever get back to their own timeline. They are short on fuel and oxygen. Enoch said this would be the team’s last mission together, which might mean they survive, but not together. And Mack might not mind that, because they can still phone each other. Daisy gets emotional because the team is her family. On the Zephyr, Nathaniel is mad because he can’t get past Jemma’s implant. He tries to surf her memories again, climbing into a memory tube with her. In the Lighthouse, Coulson is trying to interfere with Sybil, who is looking for something in their databases. Coulson is busy, so it is up to May to try to get through to Kora. Sybil unlocks the cell doors, and evil knife power guy is free. But YoYo captures him and his friend. And Kora kills him in cold blood. Creepy doesn’t begin to describe her.

Kora proposes killing Grant Ward, while he is still a kid. Coulson says people can change, even you. But she thinks she is what she’s meant to be. On the Zephyr, Mack asks Sousa what his intentions are regarding Daisy. Mack tells him to be careful and not hurt her, which he says he would never do. Sousa hears her superhero name, Quake, and just can’t wrap his head around it. In the Zephyr, inside Jemma’s memories, she talks with Enoch, and Fitz says he might be jealous. He wants time alone with Jemma. He proposes they use the power of time machines to take some time to live together, no mission, just be. He ominously mentions a problem with some blood work. In the Lighthouse, May and Kora go to see Jiaying’s body. Kora thinks she can heal, and tries to use her energy to help. And May tells Kora Nathaniel murdered her. In Jemma’s memories, Nathaniel watches Fitz and Jemma argue. But Nathaniel can’t tell where they are, and leaves, telling them they will have a front row seat to the greatest show on Earth. Daisy doesn’t even remember Fitz at all now.

Kora doesn’t think Jiaying loved her. May says Nathaniel is using her, all he wants is chaos. They fight, but then Garrett teleports in, grabs Kora and teleports her back to the Zephyr. Coulson is looking at the list of SHIELD bases that Sybil accessed. The quinjet is ready to dock. Sousa calls Daisy Quake, and they engage in playful banter. Then a bunch of hyperspace portals open up. Lots of Chronicom ships arrive. Nathaniel tells the Chronicoms to fire when ready, and SHIELD bases start going off line. We see the Triskelon blow to smithereens.

In the stinger, Malick says he is just getting started. He welcomes Kora back, but even though she kisses him, it is obvious she isn’t buying it. In the preview for the next episode, we get ominous music, lots of action, and promises we will see an Epic! Farewell! Event!

There was a lot of set-up in this episode, but it flowed very well. I sure hope that Fitz doesn’t turn out to be dead or something, because I (and lots of others) will be upset. I’m glad the Chronicoms showed up, because I just can’t buy Nathaniel as a “big bad.” I just want to tell the little creep to get off my lawn.

And just a reminder, the two-hour series finale will air Wednesday, Aug. 12 at 9PM EDT. I will not post my usual recap immediately after the show. Instead, within a day or two of the show, Tor.com will be publishing a new column that looks at the final episode, and discusses the show over its entire run.

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4 years ago

Kora is a giant garden slug on nastiness, and Nathaniel only barely manages to top her.  We can but hope that she turns on him and Sybil and helps finish them off.  Blech!  And Nathaniel is stupid as well as crazy to think Sybil will allow him to survive in the sterile world the Chronicoms want to create.  

Daisy and Danny Boy are sweet.  I hope they have a happy ending as does Fitz and Simmons although that blood work comment sounds very ominous.  Not to mention YoYo and Mack.  If not, I hope the producers and writers know a safe place to hide from the wrath of thousands of angry romantic nerds.  

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4 years ago

Sybil doesn’t predict the team’s moves, she knows them. Even if they were to cast a die to decide on their next move, she would know the result and act accordingly: the “act randomly” strategy can never work.

I wonder why Jemma’s implant needs those lights in the first place. Maybe they helped Enoch find the implant when he needs to, but then why doesn’t he have a code to turn them on? Having the implant directly visible only serves to endanger the secret.

Those two false Inhumans are complete mooks: since they don’t have a name, they don’t even get to use their powers before being captured by Elena. I wonder why Sybil even got them: she should have seen that they wouldn’t get to do a thing. Not that it was hard to predict…

I liked the mention of the Framework version of Ward. I think even May doesn’t want him dead now. Ward must have been the least persuasive name on Kora’s list!

How are Chronicoms, the purest incarnation of order, good allies for Mr. Anarchy? He really hasn’t thought his plan through. The big bad has always been Sybil.

@101: The last episode is written by Jed Whedon: does destroying ships run in the family?

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4 years ago

@102 I hope Fitz doesn’t end up being a leaf on the wind…  :-(

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4 years ago

@102  Kora says that everything beyond this point will be new because history has been changed.  Sybil may know what happens/happened in the future before these changes, courtesy of Jemma and Fitz’s memories, etc., and she may be able to predict the team’s behavior because of that, but she cannot totally know the future at this point.  The team is using this wiggle room by doing the most unpredicatable things they can think of to stop her.  

These episodes were written and filmed before ENDGAME hit the theaters, and ENDGAME’s explanation of alternate time lines may not be the explanation for what is happening here.  The producers of SHIELD have also said that this series is outside of events of the movies.  The movies may influence the series, HYDRA infiltrating SHIELD for example, but the series has no influence on the movies.  In other words, who knows what will happen with this timeline where Daisy’s mom is dead before she has Daisy, and SHIELD is destroyed.  

Consider the lovesick nerd who gives Sybil her first body.  She uses him then destroys him.  Nathaniel and his group of anarchists will suffer the same fate if Sybil wins.  That’s the only good news if Sybil wins.

@103  A DOCTOR WHO reference?  

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4 years ago

@104 Firefly reference. Jed Whedon is writing the finale, and his brother is notable for killing off characters.

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4 years ago

Sorry, but I think Fitz is totally dead.  Been thinking it for a while & Simmon’s melt down during the time loop, the blood work line & making her forget their last days together/him completely aren’t encouraging.  And I know Joss doesn’t really have anything to do with the show, but his finger prints are still on it & he can’t stand the existence of a lasting relationship in his work.  But maybe Jed will surprise us by doing a reverse Whedon not just with Fitz Simmons, but ALL the couples on the show.  Except Nathaniel & Kora – they can both be shot into the sun!

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4 years ago

@104: Kora is saying everything will be new for the team. Sybil has the timestream, which allows her to predict for instance where and when Coulson will teleport with Gordon inside Afterlife, which hasn’t happened in the original timeline. There is some wiggle room (Sybil only knows the probability of the most likely courses of action), but now that she’s in their system watching them, it’s going to be very limited.

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4 years ago

ABC, apparently accidently, just dropped a LOT of promo pictures on their website, and quickly removed them. The pictures contain big spoilers, and are circulating in SHIELD related Facebook groups, so be careful in your browsing until next Wednesday.

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4 years ago

Thanks for the head’s up Alan.

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teel77
4 years ago

I enjoyed this article at Slate ahead of tonight’s series finale.  No spoilers for tonight’s episode but does discuss prior episodes and the differences between the MCU on tv and the MCU at the movies.

https://slate.com/culture/2020/08/agents-of-shield-finale-marvel-tv.html

Can’t wait to read Alan’s last write up when it gets posted!

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4 years ago

Great finale – got me misty-eyed and I had to blow my nose. Looking forward to the Episode, Season and Series recap, Alan!

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4 years ago

 I guess the shot of the Triskelon getting blown to bits is one of the last little favours from the movies to their TV cousins, as I’m guessing ABC were given the CGI models they used for Civil War.

I’ve been assuming that Sybil’s ‘power’ is less perfect precognition, and more like very, very good predictions at this point. So even if the team toss a coin between (for example) attacking the front door, or sneaking in through the back, she’d probably be able to predict how they’d carry out both plans, based on all the futures she’s seen, and how the team have reacted in the past, but she wouldn’t be able to predict the coin toss. In that example she could tell Nate to be ready for both possible attacks, and roughly when they’d occur, which is still a massive advantage.

Just my head canon though.

 

Can’t believe that this crazy ride is almost over (hopefully I’ll be watching the finale tonight). It’s been a lot of fun, and reading Alan’s recaps and chatting with all of you has been a big part of it for me, so thanks all of you :)

And remember: Don’t yield, back SHIELD!

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4 years ago

The review of the final episode has been posted, and you can find our discussion continuing there: https://www.tor.com/2020/08/13/marvels-agents-of-shield-finale-review/