Series: Genre in the Mainstream Archives

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Genre in the Mainstream

A series highlighting genre elements and books that are considered more literary or “mainstream.”

Six Literary Visions of the Future

By Leah Schnelbach

August 23, 2018

Forever Is Our Today: Suicide Club by Rachel Heng

By Leah Schnelbach

August 22, 2018

All of Us Are in Search of An Author: Lacking Character by Curtis White

By Leah Schnelbach

March 19, 2018

A Subtle Apocalypse: Simon Jacobs’s Palaces

By Tobias Carroll

January 26, 2018

The Future Is the Past: Regressive Science Fiction

By Tobias Carroll

January 10, 2018

The Strange Case of Sequels and Genre

By Tobias Carroll

November 29, 2017

Internationalism, Surrealism, Futurism: The Novels of Deji Bryce Olukotun

By Tobias Carroll

October 10, 2017

Her Body and Other Parties by Carmen Maria Machado

Her Body, Her Self: Carmen Maria Machado’s Her Body and Other Parties

By Leah Schnelbach

October 4, 2017

The Challenge of Modern Fables: Ben Loory’s Erudite Surrealism

By Tobias Carroll

September 29, 2017

The Horror of Home Ownership: Jac Jemc’s The Grip of It

By Leah Schnelbach

August 14, 2017

Ursula Le Guin’s “The Ones Who Walk Away from Omelas” Defies Genre

By Gabrielle Bellot

August 7, 2017

Swords, Lances, and Innuendo: James Branch Cabell’s Jurgen

By Matthew Keeley

June 14, 2017

The Unruly Lives of Fictional Superheroes

By Tobias Carroll

June 6, 2017

A Walk Around Inland: Russell Hoban’s Riddley Walker

By Matthew Keeley

May 24, 2017

Lives of the Monster Dogs by Kirsten Bakis

The Monstrous and the Tragic: Kirsten Bakis’s Lives of the Monster Dogs

By Tobias Carroll

May 15, 2017

The Real Magic of Moebius’ Edena

By Gabrielle Bellot

May 9, 2017

Bodies in Space: Lidia Yuknavitch’s The Book of Joan

By Leah Schnelbach

April 18, 2017

Altered Skulls, Body Modification, and Visceral Corruption: The Fiction of Jeremy Robert Johnson

By Tobias Carroll

April 11, 2017

Revisiting Lovecraft, in Horror and in Ambiguity

By Tobias Carroll

March 16, 2017

The Void of Space is No Match for the Weight of History: Spaceman of Bohemia by Jaroslav Kalfař

By Leah Schnelbach

March 13, 2017

Genre in the Mainstream

Six Literary Visions of the Future

Forever Is Our Today: Suicide Club by Rachel Heng

All of Us Are in Search of An Author: Lacking Character by Curtis White

A Subtle Apocalypse: Simon Jacobs’s Palaces

The Future Is the Past: Regressive Science Fiction

The Strange Case of Sequels and Genre

Internationalism, Surrealism, Futurism: The Novels of Deji Bryce Olukotun

Her Body, Her Self: Carmen Maria Machado’s Her Body and Other Parties

The Challenge of Modern Fables: Ben Loory’s Erudite Surrealism

The Horror of Home Ownership: Jac Jemc’s The Grip of It

Ursula Le Guin’s “The Ones Who Walk Away from Omelas” Defies Genre

Swords, Lances, and Innuendo: James Branch Cabell’s Jurgen

The Unruly Lives of Fictional Superheroes

A Walk Around Inland: Russell Hoban’s Riddley Walker

The Monstrous and the Tragic: Kirsten Bakis’s Lives of the Monster Dogs

The Real Magic of Moebius’ Edena

Bodies in Space: Lidia Yuknavitch’s The Book of Joan

Altered Skulls, Body Modification, and Visceral Corruption: The Fiction of Jeremy Robert Johnson

Revisiting Lovecraft, in Horror and in Ambiguity

The Void of Space is No Match for the Weight of History: Spaceman of Bohemia by Jaroslav Kalfař

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