There are movies, and then there are cinematic experiences that simply must be shared. So move over, Hitchcock, and take your old skool birds with you. Director James Nguyen is the new maestro in town. And if Birdemic: Shock And Terror (2008) is any indication, he’s kicking ass and taking names.
Well, sorta.
Birdemic: Shock And Terror is basically about a guy, a girl, and their epic battle with the deleterious effects of global warming. Said effects take the form of—wait for it—angry birds. But, these are some really, really angry birds.
Having experienced Birdemic: Shock and Terror, as well as the illuminating Blu-ray bonus features, I realize that Mr. Nguyen categorizes this film as a “romantic thriller,” yet despite the astute Hitchcockian elements, the film struck me as more of a science fiction romance film.
Why?
First of all, the film doesn’t just focus on Our Hero—Rod—stopping for gas or mumbling head-scratching lines like “Hey, look! There’s an old guy on the bridge!” upon seeing… well, an old guy on a bridge.
It also takes the time to develop his romance with Victoria’s Secret model Nathalie. And develops it. And develops it some more. The happy couple go to Half Moon Bay restaurants. Attend the Half Moon Bay Pumpkin Festival. Walk around downtown Half Moon Bay. (You get to see a lot of this Northern California hamlet in the movie—a lot.) But hey, what’s a little attention to detail? Frankly, it builds more tension for when the titular birds finally make their illustrious appearance much later in the film.
This is a bold move on the director’s part. I’m trying to imagine following the kids of Nightmare on Elm Street as they attend school, discuss homework, watch some TV, and do some chores… only to have a Freddy Kruger finally show up 40 minutes into the movie. (Note to Syd Field: it’s time to update your workshops.)
SF-wise, Birdemic: Shock and Terror tackles issues like global warming and nanotechnology applications in solar power panels. Because Rod is in sales, you see. And mutated, mad-as-hell-and-I’m-not-going-to-take-it-anymore birds of prey are angry with non-solar paneled homes. And when these birds talk—you better listen! From their rather skewed perspective, some of these winged monsters are larger than houses! Not only that, but they sound like Messerschmitts and EXPLODE upon impact! If all of the above doesn’t combine into one tasty sci-fi romance morsel, I don’t know what would.
Birdemic: Shock and Terror boasts a few other elements worth mentioning—elements worth their weight in gold, I might add. First of all, the film features such iconic characters as “Tree Hugger,” “AK-47 Ex-Army Dude,” and “Old Guy on a Bridge.” You have to see these gurus in action to believe them.
Speaking of action, Birdemic: Shock and Terror demonstrates the true versatility of coat hangers. Apparently waving them wildly in the air is kryptonite to malevolent birds. Bear this in mind. You may want to keep a few extra hangers on hand, just in case.
The film also showcases the most inventive use of sound mixing—or in some cases, the lack thereof—that I’ve ever heard in a film (and I’ve experienced quite a few Manos Hands of Fate/War in Space extravaganzas). Thank goodness Severin Films released this with a lossless DTS-HD Master Audio soundtrack on the Blu-ray disc so I could hear every dropout with crystal clarity.
So that’s Birdemic: Shock and Terror in an avian nutshell. Personally, I’m not a fan of bad movies that are shot intentionally bad. Those are just boring. But that’s not the case here. Nguyen strived to do the absolute best with what he had… it just wasn’t much.
I can say this without the sarcasm tags: this film is more memorable and entertaining than many higher budgeted films I’ve seen recently. I’d be hard-pressed to remember much about the average RomCom a week after I’ve seen it, but there are scenes in Birdemic: Shock and Terror that are going to stay with me throughout the decade. Hopefully the James Nguyen fun doesn’t stop here.
His home base is Moviehead Pictures and he also wrote, directed, and produced two other films, Julie and Jack and Replica.
Julie and Jack is a Romeo and Juliet riff that tackles the ever-burning question of “Can there be love without sex?” It’s the philosophical debate of the century, to be sure. Anyway, you can find Julie and Jack on Netflix, but here’s an in-depth review (Via B-movie Heaven) if you can’t even wait that long. I certainly couldn’t.
Unfortunately, Replica has yet to find distribution (boo hiss). Count me in as someone who will risk the wrath of a thousand mutated CG eagles to see this film, because Replica promises a biopunk romantic thriller of epic proportions.
I’ve compiled a few links of interest for all of you potential James Nguyen connoisseurs:
- From Entertainment Weekly: ‘Birdemic: Shock and Terror’: Our new, crazy movie obsession
- James Nguyen’s appearance at the Vietnam International Film Festival 2011
- An interview with the director at Back Stage.
- Fan Favorite “Hangin’ Out With My Family” Song Now Available In Severin Store!
Oh, and one more thing. I hear a mountain lion! I gotta get back to my house and you better get to your car!
Heather Massey is a lifelong fan of science fiction romance. She searches for sci-fi romance adventures aboard her blog, The Galaxy Express.
Sometimes, you see a movie where an actor is phoning it in. Heck, sometimes most of the actors aren’t talented enough to be in movies. Sometimes, the special effects are lacking. Sometimes, there’s a lack of basic technical competence on the part of the cast and crew. There are bad scripts, there are bad directors, there are inexplicable musical numbers.
I have never, ever, seen a movie with acting as terrible as in Birdemic. Even something like Manos, or Spawn of the Slithis, or, hell, even the Room, the actors show some form of familiarity with humans, and the way they interact with each other. This is absolutely not the case with Birdemic. The first scene, where a waitress shows Rob to a table . . . it’s like a restaurant being reenacted a thousand years in the future. By animatronic robots. Animatronic robots who were programed by Martians. And who aren’t very good animatronic robots.
Similarly, I can understand having birds that hang in one place, flapping their wings in place. Some times, when you’re doing a power-point presentation, you go with the cheap animated clip art. But even assuming that the special effects were done by an eight year old using Windows Movie Maker, why are those birds exploding? I mean, the people involved in the movie have presumably seen birds. They must know that birds do not, as a general rule, turn into fireballs. Do they think that the audience is sufficiently unaware of how birds work to assume that they probably have fuel tanks?
There is more to be said about Birdemic, of course. But, welp, there’s a mountain lion. I gotta go.
Even something like Manos…the actors show some form of familiarity with humans, and the way they interact with each other
Exactly. In Birdemic, Rod had this amazing ability to avoid eye contact with his fellow actors. Unparalleled in the history of film, IMHO. I’m betting it was intended as a commentary about our relationship with global warming. Pure genius!
Incidentally, after seeing Manos, I didn’t think it could get any better than that film. Clearly, I was wrong.
why are those birds exploding?
Because anything less wouldn’t be as entertaining. :P
Since I have not seen the movie, I suppose I shouldn’t comment. I just had to pop in and LOL! The link to Jack and Julie. Wow. I will admit I have enjoyed many a truly awful movie. I guess I need to check this one out. (grin) Fun post!