As many of you know, our ongoing Malazan Reread recently reached the end of The Crippled God, the final novel in the series. To mark the occasion, author Steven Erikson graciously offered to participate in a Q&A covering both the novel and the series as a whole.
You can read the entirety of the discussion here, but for those who might have missed it, we wanted to share the following statement from Steven, addressing all the fans who’ve followed the series, as well as our intrepid Tor.com rereaders, Bill Capossere and Amanda Rutter.
Hello everyone and congratulations to all of you who have hung in there right through to the series end. It was quite a journey for me and, hopefully, the same for you. When I look back on how and where and when it all began, I could not have imagined the effect The Malazan Book of the Fallen would have on so many people. That said, every author dreams of such a future, one in which what one writes has meaning for other people. But such notions are always vague, obscured by all the intangibles of something that hasn’t happened yet.
One of those intangibles is the invitation that arrives, beginning in a tentative trickle and then becoming a steady flood, for the author to converse with his or her readers, which at first seems daunting, only to then become essential. I feel so privileged to have the opportunity to engage with you all, via this screen and Tor.com, as well as via your emails to me through StevenErikson.com. While I may not be able to respond to each and every one of you (I’d never get any work done), be assured that I appreciate your reaching out to me.
These days, the Malazan Book of the Fallen hovers in my wake—to glance back over a shoulder is to see it looming behind me, a mountain I already climbed, its shadow thrown out over me and for miles ahead. It may well be a shadow I never emerge from. You know, this damned series should probably have been my last work as an author, assembled as a final sounding note to a long career. Instead, it started it.
Shit. ’Cause here’s the thing: what do I do for an encore? Is one even possible? That series bled me dry. It took every emotion within me and pounded each one into submission. Writing it felt like more than one lifetime: it felt like hundreds of lifetimes, all crowded into a single place and a single time, crunched and compacted but not one losing a single detail of its veracity. In that way, I died and was reborn a thousand times in these ten novels, and I wonder now how many times a single soul can go through that, without losing something, without the colours starting to fade.
And that’s the shadow. And it’s also why I try to avoid glancing back over a shoulder. So, I’m proud of Forge of Darkness. I’m satisfied with what I’ve done to date on Fall of Light. I expect Walk in Shadow to conclude the trilogy as it should. I spin round the rim of Willful Child, a part of me desperate to plunge into that vortex of absurdity again, and yet again. It beckons like a lifeline to some new iteration of me as a writer, less of the weary dismissive wave than the gesture of something close to defiance.
Compassion is a plea. I voiced it through ten straight novels. Of that (and as I see that virtue die day by day around me, in that depressing deluge of despair and stupidity we call the News), I have nothing left to give. Now don’t take that as self-pity. It isn’t. It would be without the existence of the Malazan Book of the Fallen (for me, that is). But the series does exist, and in it I said everything I had to say, in as many ways of saying it as I could. That voice has run its course. And I know, for good or ill, that it was the best I could do, and if that isn’t good enough, then nothing is.
And maybe that’s another part of that shadow. The whispering thought: maybe nothing is. Good enough, I mean. A notion leading me back, yet again, to my ongoing reconciliation with failure. Compassion as a plea is actually a complicated idea. It demands so much of the reader (and so many rejected the request, as was and is their right, and for me, no harm no foul) and then, when the reader accepts, it demands still more of them. Sure, the plot says ‘engage your brain for this: you’ll need it’ but the story says ‘now engage your feelings, and yes, if I can, I will make you cry, and grieve, and, hopefully, come out the other side feeling strangely elated, with life shining a bit brighter than it did before.’ It’s a big ask, because it wants your trust, and the only trust I could offer in return was this promise: It will work out in the end. We will end up in a place, open and solemn and brimming with love. Because (and this is so obvious and so simple it hurts to say it) you can’t know compassion without love. Of course, the only way for me to say that was to assure you all that I knew what I was doing, and where I was going. But sometimes that’s not enough.
There was no primer on how to read this series. Maybe there should have been one. But the only primer I came up with was Gardens of the Moon, the novel itself. Talk about piling on, huh? That said, it was also my primer.
My deep appreciation goes to Amanda and Bill. Between the two of them, only Bill knew what he was getting into. So kudos to Amanda, especially since she hated the first few chapters of Gardens of the Moon. I always looked forward to her surprise, her responses to the unexpected—it’s easy for re-readers to forget, but each scene and each novel was written to an audience that did not know what to expect, lending a purity to its response (and this is most relevant regarding Hetan’s hobbling and her rebirth, but of that, more later). At the same time, yes, I did my best to make sure there was enough meat on the bones for re-reads.
And for Bill, thank you for plunging right into theme and subtext, and for assuming that I knew what I was up to (believe me, I never got that at Iowa!). My ideal audience is the one whose radar is inclined in that direction, and who holds to that faith in an author, unless and until proved otherwise—and it seems you held to that faith all the way through (barring a few hiccups on my part, mea culpa and all that), and each time you ventured into that territory, it was so gratifying to see other readers chime in. There have been some great discussions and debates throughout this (Re)Read.
This is not to imply that I am disappointed in readers who read just for the prospect of being entertained, or propelled along a plot or storyline. I’m not disappointed at all, probably because I laid traps for you time and time again, pits for your unwary headlong rush—the plunge intended to make you feel whether you wanted to or not. With luck, you stepped into a few of those. If I was a god, I’d throw you into every one of them, but I’m not (lucky you!).
Now, here’s my usual overlong preamble, before getting to these questions. So, here we go…
Many thanks again to Steven for sharing his thoughts and reflections with us! You can find the Malazan Reread in its entirety here , and please join us in January as Bill and Amanda embark on the next stage of their journey…
There’s one spoiled in there, regarding Hetan. You may want to edit that out if possible.
I read the first book in the last couple of years, found it moving and huge and admirable…and it just was not the right time for me to undertake the series. Kinda like Kurasawa films, an event not to be undertaken lightly. But I very much look forward to a Malazan binge when I can manage it, and will look forward to reading Tor’s reread then.
I loved reading this series. It was like no other reading experience I’ve ever had (and I’m no stranger to epic fantasy stories or to complex, cerebral fiction). It was work – no doubt – to read these, like reading the postmodernists (who Erikson might be counted among, in the end of things), but it was immensely rewarding. It was funny and entertaining and astonishing, and so bleak that at times I was moved to what can only be described as a deep despair for all of humanity… and in the end, and throughout, and periodically still, I was moved to profound compassion for people fictional and real. Anyway … for all the reading I did of the reread posts I never once commented, and wanted to do so now, just to let anyone know who doesn’t already: this series is like no other, and it can change you. And if you did read these, or you’re in the middle of them, you should enjoy a jolly good row around the downright fun with Willful Child — because it’s a real blast.
Hello,
I have no where else to ask this:
why did you change from Ralph Lister on Audiobooks?
Possibly the greatest all around entertainment I have had in the last 3 years, be it movies, video games, television, the absolute highest point was listening to the first 3 audiobooks.
Michael Page has completely ruined this experience. He is terrible. He has ruined this experience. Any chance we can get if not Ralph a different, quality british performer?
Thank you for the series.
Compassion: I read your words here in reference to this, and thought to myself “Yes! And YES!” As a person who meanders about questions of meaning and relevance for the time we have in our lives, it’s been a vague portion of those thoughts for years, in a “if not that, then what else, what ever, possibly, else could matter?” Sort of way. And it was throughout my reading of Malazan that it crystalized further. Where in Malazan it could he said there were no, fully, heroes, or even villains…. even Kallor has his moments. Instead I learned to measure the heroism or villainy of any character not by their actions, or even their intentions… the misguided or naive or ignorant abound in MBoTF as in our own real world…. no, the measure I came to use when evaluating these complex figures is simpler, the ammount of compassion and empathy on display. It is a yard stick I try to use on both myself and others, in private and professional life. Mistakes, unanticipated consequences, chaos, catastrophe… these happen. But I find myself able to forgive much in others so long as I find those qualities, and more importantly as its the little in my direct control, judge my own actions and intentions, and thereby guide them, by that same yardstick. I won’t say i learned this from your series. But that reading it made clear, and crystalized what was already there. And was a damn fun read too, all else aside. So, thanks.