Spring is in the air and we all know what that means…that’s right, new cartoons! In addition to the return of a few favorites—Fate/stay night UBW begins its second half and cynical school comedy My Teen Romantic Comedy SNAFU is back, among others—this season brings a slew of anticipated adaptations. From the ultra-stylish Blood Blockade Battlefront to the sweeping historical landscapes of The Heroic Legend of Arslan and the genuine and sweet Ore Monogatari, there’s something for everyone this season. And with simulcasts of basically everything airing in Japan, there’s no reason to wait. The sunshine outside might tempt you to go out, but here are six new shows that are worth staying in for!
Blood Blockade Battlefront / Kekkai Sensen
One day, as New York City was just sitting there minding its own business, a portal to another dimension opened up, trapping New Yorkers with a bunch of alien creatures from another world. Luckily, New York didn’t seem to mind all that much, and the city swiftly became known as Hellsalem’s Lot, a hodgepodge of humans and extra-dimensional monsters living together in sci-fi squalor. Libra, an organization led by Klaus Von Reinhertz (voiced by Rikiya Koyama), has taken it upon itself to police the paranormal chaos. Young photographer (and sometimes pizza deliverer) Leonardo Watch (Daisuke Sakaguchi) came to Hellsalem’s Lot looking for clues to his sister’s illness, but becomes an impromptu Libra recruit after a chance meeting with hotheaded member Zapp Renfro (Kazuya Nakai).
It’s no exaggeration to say that Blood Blockade Battlefront starts off with a bang. Based on a manga by Trigun author Yasuhiro Nightow and directed by rising star Rie Matsumoto (Kyousougiga) at animation studio Bones (Space Dandy, Fullmetal Alchemist), this action comedy is chock-full of talent. It’s also totally nuts. Blood Blockade Battlefront paints a New York that is as weird and chaotic as its denizens. Matsumoto’s directorial flair is certainly on full display here, and the show has style and swagger to spare. Add a jazzy soundtrack and some flashy battles, and you’ve got a fun series that’s sure to be a treat for the eyes and ears week to week. As for the story, it’s definitely more in the stages of “what’s happening?” than “what’s going to happen next?”, but I’m willing to give this one time to come together—I’m sure that even if the plot remains nebulous, I’m not going to regret watching.
For fans of: Baccano!, Space Dandy, Trigun, Kyousougiga, Redline, strangely placed security cameras
Watch it on Hulu and Funimation
The Heroic Legend of Arslan / Arslan Senki
Arslan (Yuusuke Kobayashi) has been raised a pampered prince of the prosperous Pars kingdom, where he spends his days training for battle and yearning for the acknowledgement of his father, the warrior king Andragoras. At fourteen, Arslan is thrown into a battle that threatens to destroy the powerful kingdom that his father has built. Arslan must turn to his father’s general and advisor, Daryun (Yoshimasa Hosoya), for help in regaining his place in the kingdom.
This historical fantasy adventure has quite a pedigree—the anime adapts a manga by Hiromu Arakawa (Fullmetal Alchemist, Silver Spoon), which itself is an adaptation of an ongoing fantasy novel series by Legend of the Galactic Heroes author Yoshiki Tanaka. Though there were some worries going in that inexperienced animation studio Liden Films (Terraformars) would drag the quality down, so far the visuals are certainly serviceable, though they won’t be winning any awards for art or style (or use of CG soldiers). Arslan has spent the first two episodes setting the stage for what is obviously going to be a long, slow-building plot, and while I was skeptical after the first episode, the tense and exciting second had me hooked. With this source material I have no doubt that Arslan has a very good story to tell…but since both the novels and the manga are ongoing, beware unfinished endings.
For fans of: Akatsuki no Yona (Soo-won’s voice actor plays Arslan here), Magi, Fullmetal Alchemist, Legend of the Galactic Heroes, Saiunkoku Monogatari, Moribito: Guardian of the Spirit/Seirei no Moribito, military strategy
Watch it on Hulu or Funimation
My Love Story / Ore Monogatari
Ore Monogatari has your typical shoujo romance lead: a big beefy dude who sucks at getting a girlfriend. Takeo Gouda (Takuya Eguchi) is a high school freshman who is used to taking a backseat to his super-popular, super-handsome best friend Makoto Sunakawa (Nobunaga Shimazaki), who also happens to be super-uninterested in the cute girls that flock to his side. One day while riding the train home with Sunakawa, Takeo saves a girl, Rinko Yamato (Megumi Han), getting harassed by a molester and falls head over heels in love. Yamato is determined to see her saviors again—but is she interested in Takeo or Sunakawa? Cue shoujo sparkles.
This high school romcom is adorable right off the bat. Takeo is an incredibly likable protagonist: earnest, loyal to a fault, and oblivious to the point of density. The selling point here is obviously not only that Ore Monogatari is told from a male perspective, but that Takeo is not the typical shoujo romance hero (shockingly he is neither handsome, popular, a genius, nor secretly rich). While this brings a lot of humor and originality to the premise, at its heart, Ore Monogatari is still a bona fide shoujo romance, filled with blushing, copious sparkles, and a heartwarming love story. Production-wise, this show is blessed with the studio, director, and character designer of Chihayafuru (if you didn’t see the resemblance between Suna and Taichi, you’re guaranteed to now), and they are hitting the mark with a polished, delightful premiere and seriously, so SO many sparkles.
For fans of: Monthly Girls’ Nozaki-kun/Gekkan Shoujo Nozaki-kun, Chihayafuru, Lovely Complex, macarons, Fraw Bow
Watch it on Crunchyroll
Food Wars! Shokugeki no Soma
Soma Yukihira (Yoshitsugu Matsuoka) has helped out in the kitchen at his father’s humble neighborhood restaurant since he was a kid, and dreams of someday surpassing his father’s skill and taking over the place. Just as he’s about to graduate middle school, Soma is thrown for a loop when Dad announces he’s packing Soma off to boarding school while he closes the restaurant to go cook in swanky kitchens overseas for a few years. Soma is left to the mercy of the Totsuki Institute, an elite cooking school where only the best of the best will survive to graduation.
This cooking comedy is essentially a battle anime where the characters fight with olive oil and demi-glace instead of swords or fists. If the idea of extreme cooking doesn’t appeal to you, then turn around now; if you’ve always secretly yearned for an Iron Chef anime, then rejoice, because this is your moment. Although the adaption by J.C. Staff (Witch Craft Works, Raildex franchise) is nothing special visually, director Yoshitomo (Dororon Enma-kun Meeramera) has succeeded in capturing a lot of what makes the source material fun, milking every last bit of tension in the cooking scenes with fittingly overdramatic music and hilariously hyperbolic character reactions.
The reactions themselves do deserve a mention, as they may be a deal-breaker for some viewers. One of the gimmicks of Shokugeki is the over the top “foodgasms” whenever anyone takes a bite of something delicious. While I find the fan service to be pretty equal-opportunity (both men and women succumb to the overwhelming power of a tasty dish), as well as just plain funny in a lot of cases, some may find it too much. For those that don’t mind characters stripping for the sake of a soufflé, Shokugeki has good odds of being a fun ride this season.
For fans of: Yakitate!! Japan, Koufuku Graffiti, Toriko, omnipandering
Watch it on Crunchyroll
Yamada-kun and the Seven Witches / Yamada-kun to 7-nin no Majo
Ryuu Yamada (Ryota Ohsaka) is a high school delinquent who generally tries to mind his own business and slog through school. His boring school life changes one day when he falls down a flight of stairs with honor student Urara Shiraishi (Saori Hayami) and wakes up to find out they’ve swapped bodies. After numerous body-switch shenanigans, the pair figure out that their predicament was caused by kissing—in fact, Yamada can switch with anyone he kisses. It’s student council vice president Toranosuke Miyamura (Toshiki Masuda) who provides the clues they need: a legend that the school is home to seven witches with mysterious powers. Eager to learn more, the three revive the Supernatural Studies Club.
This kiss-and-switch romantic comedy is a highly anticipated adaptation of Miki Yoshikawa’s popular manga. Yamada is heaps of fun, with wacky characters and lots of supernatural school adventures, and Yoshikawa (Yankee-kun & Megane-chan) expertly balances more serious moments with goofy slapstick humor. I confess that, as a fan of the manga, I was pretty worried about this one. The first episode, however, allayed some of those fears. Though the production quality isn’t everything it could be and the pacing is frightfully quick due to adapting the material to fit the one-cour length, the spirit and humor of the source material still shines through. If they manage to keep it up for 12 episodes, Yamada should be a worthwhile watch this season for those looking for a fun school comedy.
For fans of: Yankee-kun & Megane-chan, Monthly Girls’ Nozaki-kun/Gekkan Shoujo Nozaki-kun, Kokoro Connect, Witch Craft Works, Nisekoi, Miyamura
Watch it on Crunchyroll
Seraph of the End / Owari no Seraph
In a world where a devastating virus has killed everyone over the age of 13 and vampires have enslaved the remains of humanity as a food source, Yuuichirou Hyakuya (Miyu Irino), a young orphan, lives as livestock in one of the underground vampire cities in Tokyo. He and his closest friend from the orphanage, Mikaela Hyakuya (Kensho Ono), dream of killing the vampires and leading the rest of the children to freedom in the outside world.
This supernatural action show is based on a manga written by Takaya Kagami (Legend of the Legendary Heroes). Owari no Seraph hits the ground running with a tense first episode, sporting strong art and animation from Wit Studio (Attack on Titan, The Rolling Girls), gorgeous post-apocalyptic backgrounds, and a dramatic score from composer Hiroyuki Sawano (Kill la Kill, Aldnoah.Zero). Plot-wise Seraph doesn’t bring anything terribly new to the table: this is very much another “last desperate remains of humanity face an overwhelming enemy” story in the vein of Attack on Titan or Knights of Sidonia, and indeed, by the second episode, the show is already beginning to fall back on some tired tropes. This may be a case, however, where production quality carries the material through—if you are craving flashy battles, sadistic vampires, and a healthy dose of angst, Seraph is a good pick this season.
For fans of: Attack on Titan, Blue Exorcist/Ao no Exorcist, D.Gray-man, Pandora Hearts, vampires in capes
Watch it on Hulu and Funimation
Nothing on this list strike your fancy? Try KyoAni’s Sound! Euphonium for a high school drama with brass instruments. Too fluffy? Take a look at Plastic Memories, a near-future sci-fi story about AI and humanoid robots from the writer of Steins;Gate. Not wacky enough? Check out Show By Rock!!, a thinly-veiled rhythm game advertisement that’s completely bonkers and surprisingly entertaining. Too much animation? There’s always Trigger’s Ninja Slayer, which is basically Inferno Cop with ninjas and Boom Boom Satellites. What are you watching this season? Let us know in the comments!
Kelly Quinn thinks that Blood Blockade Battlefront has the best ending sequence of the season. She can also be found on Twitter.
The lack of a mention of High School DxD’s third season makes me a sad panda. That said, I’m watching and enjoying several of those you listed here, with Kekkai Sensen and Arslan Senki being at the top of that list. :D
@1. AlcairNovall – Honestly there were too many continuing shows/sequels to mention them all (personally I am pretty darn excited about the return of Gintama, which is the same as ever)…though I’ll admit I never got into High School DxD (sorry!). So far I’m glad Kekkai Sensen and Arslan are living up to expectations, let’s home they keep it up!
I am giving Rin-ne a shot because I am Rumiko Takahashi fan. The first episode was fun.
I did not know the Arakawa did manga adaptation of Arslan.
@5. Juan J. Sanmiguel – I tried the first episode of Rinne too since I felt like any Takahashi work should be given a fair shake, but to be honest it felt pretty bland and uninspired to me–somewhat like a combination of Bleach and Noragami, but without the cool factor of either of those. I’ll be interested to hear if it improves. Re: Arslan, I think Arakawa’s manga adaption has been going pretty slowly, but she’s already designing characters for the anime that haven’t appeared in the manga yet.
it’s not a new show, but the highlight of this season for me is the return of Gintama!! or is it Gin*tama? or Gi*ntama?
@7. tatere – Yes! I’m a huge fan and I’m super glad it’s back too! Everytime they have a “final” episode part of me worries that it’ll be gone forever…
I admit that I collapsed from laughter during the big finale of Food Wars’ first episode. Just . . . so many juices! And when it all collapses into a kaleidoscope of breasts and abs, I just couldn’t handle it any more. I’m not usualy big on fanservicey comedies, but both it and Punchline have been pretty high on my lists this season.
Kekkai Sensen is the other series that I feel like mentioning here, likely in large part due to the similarities to the first series you list as being similar to it. Baccano is my all-time favorite anime, to the point that I’m currently suffering through simple writing and questionable fan translation in order to read the actual light novel series, and the music and tone here would feel right at home in the Rail Tracer’s domain. It’s easily my favorite series thus far, despite having been much slower to begin a continuing plot than most of its competition, but if that means we’ll get amazing jazzy vocal tracks while all manner of havoc rages wildly around the main characters than I’ll take it over the others in a heartbeat.
@9.ZetaStriker – Punchline hasn’t been working for me so far, but I think I’ll give it one more episode since it at least looks good. Full discloser on Shokugeki: I love the manga and have been looking forward to this adaptation for a while, so I’m actually pretty biased here. I love how it just goes full throttle with the food reactions and doesn’t take itself seriously in the slightest, and as a bit of a foodie myself I appreciate that the cooking portions are actually on point (they have a chef consult on the manga).
I’m glad you’re seeing Baccano all over Kekkai Sensen too–it’s a comparison I didn’t expect going in, but I’m certainly not complaining, since it’s one of my favorites as well! I’m loving the creative visuals too–you might be interested in this blog, which is doing a pretty neat job of breaking down some of the cinematic language of Matsumoto’s direction so far.
REALLY REALLY annoys me when people call anime cartoons. These are all much better more adult more artistic and less stupid than cartoons. These are actually real stories and not crap. Please stop missusing the words. Cartoons are crappy western childrens stories usually with pat morals and very bad animation standards. Anime is none of those things.
That is the perfect picture for Yamada-kun, I reviewed the manga recently and grabbed a similar screenshot for my review. XD
BBB is like some weird child of Baccano! and Kyousogiga that I never knew I wanted but I’m so so happy that it’s here now. I can see parts of the manga-ka’s writing still there (like Femt, Lord of all Depravity, gave me a weird Trigun flashback for some reason, and they showed the cat already!) but mostly it doesn’t feel like him and thank god, did not like Trigun at all and I was going to be sad if I didn’t watch Matsumoto’s next series because of that.
@12. wandering-dreamer – Right? Nothing else could do Yamajo justice.
I agree that Femt is the most Trigun-ish thing so far, and I’m loving Ishida hamming it up in that role. At this point I’m totally strapped in for the BBB ride–honestly I’m not really even expecting the story to come together, so if it manages to do so it’ll actually be a pleasant surprise. I’m pretty interested to see what Matsumoto does with her anime-original mischievous KugiRie character though…that cockeyed smile is already giving me Koto vibes.
Cartoons are crappy western childrens stories usually with pat morals and very bad animation standards. Anime is none of those things.
I’ve seen anime that’s all those things. And Japanese people use the word to mean every sort of cartoon, not just their own.
My 4 favorite new anime are on here. BBB is a standout for the visuals alone. All the other aspects of music and characters etc are icing on the cake. It’s very much like Baccano!, and I hope all the plot layers coalesce into a whole like they do in that series, which is one of my all time favorites.
Yamada-kun surprised me. The voice actors are really talented and the story has hints of a depth I wasn’t expecting.
Ore Monogatari is so warm-hearted and sweet. I’m skeptical that it can keep me interested with that same tone for a whole series but it’s worth sticking with for now.
I’m not a fan of the Food Wars orgasms so I’m skipping that one. And the vampire show seems a bit too predictable.
My 2 favorites this season though are sequels. Gintama of course (OMG that season opening) and My Teen Romantic Comedy SNAFU, which looks like it will be even better than the first season.
@15. shellywb – It’s fabulous seeing so much Baccano! and Gintama love in these comments! Sometimes I feel like it’s unfair to recommend Gintama to people because the barrier to entry is so high now with 250+ epsiodes, but it’s so much fun.
I totally agree about the voice actors in Yamada-kun–Ohsaka and Hayami are doing an excellent job with the switch-ups, not to mention the rest of the cast! I really enjoyed Maaya Uchida as Itou as Yamada this week. The show still feels like it’s on fast-forward to me, but I think I’m just going to have to get used to that.
I’m watching SNAFU 2 as well and while I’m enjoying it, I feel like this season’s been a bit more of a downer than the last–maybe it’s just me? I seem to remember the first season having a few more light-hearted moments, but then again I watched it a ways back so I could be misremembering.
Thanks for the update. I always look forward to the anime roundups to find stuff I didn’t know was out there. I think the BBB may be up my alley or maybe Seraph.
I finished up Psycho Pass 2 last week and was overall satisfied with the continuation. I rather liked the thread with the ambitious junior detective.
Hmmm, I agree with all of these, excepting Yamada-kun, which I haven’t tried watching yet and so will have to check out.
The new anime I was anticipating the most this season which no one has mentioned (and I am currently enjoying) is DanMachi (Is It WRONG to TRY to Pick Up GIRLS iN a DUNGEON? — Yen Press decided to weirdly capitalize the title of the English translation in places :P). I enjoyed reading the Light Novels (still ongoing with 6 volumes in Japanese with the first two translated to English), and the anime adaptation is actually decent so far.
Side note 1: I specified “new anime” because Gintama is BAAAAACK! I am so happy about this!
Side note 2: The anime I’m most anticipating this Fall is Onepunch-Man. The webtoon is great and they managed to keep the same feel in the manga version, despite seriously upgrading the drawing quality.
@16 KellyQ, I haven’t really watched much of Gintama, maybe 80 episodes, but I’m watching the new season without difficulty. All the characters are introduced in the first 50-60 episodes so it’s easy to follow, so I think you could recommend it. It might need a post of it’s own though. But a sf series would be right at home on tor.com.
SNAFU 2 is darker so far. I’m hoping we get a little lightness but I’m not sure the main arc this season will allow much. Even with the darkness I still really look forward to it each week. It reminds me of Toradora, which seemed clichéd at first but which turned out to have such interesting characters that I was completely obsessed with the show by its end.
A note on Arslan: the general consensus appears to be that the original OAV adaptation is better than this version.
@17. Remillard – You’re welcome! The beginning of the season is always the fun part, because you never know what surprises are out there! Regarding P-P 2, I have to say yours may be one of the rare positive comments I’ve heard about it. I didn’t care for it myself, but I’m looking forward to the movie eventually making it over here.
@18. koldflame – Yamada-kun is a fun watch and an even better read, so I’d definitely recommend giving it a look if slapstick romcoms are up your alley. I’ve watched a bit of DanMachi, but as the umpteenth “Look we’re in an MMORPG” show in the last few years it feels a bit tired to me – still, I have a friend who is a great fan of the LNs too, so maybe I’ll need to give it another look eventually. To be honest, most of the conversation I’ve heard about the anime so far is Hestia, Hestia, Hestia ;)
Another Gintama fan! I had no idea Tor.com was so blessed with them. I’m also really looking forward to Onepunch-Man; I’ve been following Murata’s version for ages and am a big fan, so I can guarantee you’ll see a write up here when it airs!
@19. shellywb – Ah you are brave to be watching the new season then! Are you watching old and new simultaneously? Double Gintama doesn’t sound too bad. The other problem with recommending Gintama is that it leans so heavily on reference humor and shounen tropes, but you might be right that it’d be at home amongst general sci-fi fans.
Okay I’m glad it’s not just me! Toradora is actually a pretty good comparison now that I think about it…though Oregairu is so much more cynical. I think you’re spot on about about the main arc just plain being darker this season; I sense disaster around the corner here.
@20. tenkuu – I actually haven’t heard much conversation about the 90s OVAs, perhaps because many people haven’t seen them (including myself), although I know the character designs are highly praised since they’re based on the work of Yoshitaka Amano. I don’t dislike Arakawa’s designs, but Lord knows we’re not getting the best out of them from Liden’s production. I’d be interested to hear what someone who has seen the OVAs thinks of the differences. For now I’m holding off watching them myself because I’d rather not be spoiled on this adaptation, but perhaps after it’s over I’ll have to watch and compare!