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The Elder Things of Kilimanjaro: Maurice Broaddus’ “The Iron Hut”

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Lovecraft Reread

Ruthanna Emrys and Anne M Pillsworth get girl cooties all over H.P. Lovecraft’s original stories, and the weird fiction, cosmic horror, and Lovecraftiana it inspired.

Lovecraft Reread

301 Posts

Taking a Baseball Bat to Cthulhu: Watching the First Two Episodes of Lovecraft Country

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Nature Is Boring: William Browning Spencer’s “The Essayist in the Wilderness”

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The Horror of Improper Preservation Technique: H.P. Lovecraft and Winifred V. Jackson’s “The Green Meadow”

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Things Man Should Still Avoid Knowing: Leonid N. Andreyev’s “Lazarus”

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The Art of Dematerialization: Nelly Geraldine García-Rosas’s “T’la-yub’s Head”

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The Opposite of a Skeleton in the Closet: Alyssa Wong’s “What My Mother Left Me”

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Learning to Be Reptilian: Jamaica Kincaid’s “My Mother”

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The Elder Things of Kilimanjaro: Maurice Broaddus’ “The Iron Hut”

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An Ecstasy of Arrows: Craig Laurance Gidney’s “Sea, Swallow Me”

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Journalism More Yellow Than Most: Silvia Moreno-Garcia’s “Flash Frame”

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Potluck Devils: Stephen Graham Jones’s “The Spindly Man”

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Love in the Time of Parasitic Breeding Strategies: Octavia Butler’s “Bloodchild”

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Maybe I Wouldn’t Have These Scars From the Octopus Deity: Autumn Christian’s “Shadow Machine”

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Lovecraft’s Model? Robert Barbour Johnson’s “Far Below”

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Safer Meat: Amanda Downum’s “The Tenderness of Jackals”

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Cribbage and Elder Gods: Manly Wade Wellman’s “The Terrible Parchment”

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Beware the Crib: Ray Bradbury’s “The Small Assassin”

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Don’t Talk to Strangers After All: Shirley Jackson’s “The Witch”

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One Channel and Literally Nothing On: Jerome Bixby’s “It’s a Good Life”

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Henry James is Not Amused: Gertrude Atherton’s “The Bell in the Fog”

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